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Ibraaz Top 10 of 2016: Interviews
Ibraaz
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New Vocabularies for New Challenges
Newsha Tavakolian in conversation with Sara Raza
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Resounding Images and Distances
Ismaïl Bahri in conversation with Silke Schmickl
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A Conversation
Ahmet Öğüt in conversation with Basak Senova
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Un-thinking Systems
Shezad Dawood in conversation with Sara Raza
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A Life in Language
Adonis in conversation with Laura Allsop
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The Jerusalem Show
Jack Persekian in conversation with Basak Senova
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After the Storm
Michket Krifa in conversation with Wafa Gabsi
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Nostalgia for the Future
Ala Ebtekar in conversation with Sara Raza
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An Accidental Orientalist
Tom Bogaert in conversation with Anthony Downey
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Workshopping the future
Shady El Noshokaty in conversation with Omar Kholeif
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Stereotyping the Stereotypes
Tarek Al-Ghoussein in conversation with Anthony Downey
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Looping the loop
Amina Menia in conversation with Laura Allsop
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Running the Territory
Guy Mannes-Abbott in conversation with Sheyma Buali
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Fragments of Home
Jeanno Gaussi in conversation with Dorothea Schoene
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What We Choose To Overlook
Lida Abdul in conversation with Sara Raza
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The Video That Exploded
Roy Samaha in conversation with Anthony Downey
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On Performing in a Hermetic Context
Nathan Witt in conversation with Amira Gad
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Towers, Portals and Myths
Diana Al-Hadid in Conversation with Fawz Kabra
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Absorbing Displacement
Bouchra Khalili in Conversation with Dorothea Schoene
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Against Interpretation
Hassan Khan in conversation with Omar Kholeif
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Restaging the (Objective) Violence of Images
Reza Aramesh in conversation with Anthony Downey
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Active Interventions/ Intervening Actions
Jasmina Metwaly in conversation with Angela Harutyunyan
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Colourful Shadows and Reel Journeys
Tarzan and Arab in conversation with Laura Allsop
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Performing Histories
Wafaa Bilal in conversation with Sara Raza
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Geographic Gnomons
Ala Younis in conversation with Liane Al-Ghusain
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The Noise of Cairo
Heiko Lange in conversation with Amira Gad
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Conserving memories
Zeina Arida in conversation with Laura Allsop
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Curating Film
Rasha Salti in conversation with Fawz Kabra
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Domestic Nature
Abbas Akhavan in conversation with Anthony Downey
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Human Mechanics
Pascal Hachem in conversation with Nour K Sacranie
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Coding For Change
Ayah Bdeir in conversation with Omar Kholeif
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From Invisible Enemy to Enemy Kitchen
Michael Rakowitz in conversation with Anthony Downey
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Sonic Diaries
Cynthia Zaven in conversation with Basak Senova
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Post-Apollonian
Simone Fattal in conversation with Mirene Arsanios
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A State of Exception
Mario Rizzi in conversation with Dorothea Schoene
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Going Both Ways
Yuko Hasegawa in conversation with Walter D. Mignolo and Stephanie Bailey
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Succinctly Verbose
Visualizing Palestine in conversation with Haig Aivazian
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Representing Regions
Sheikha Hoor Al-Qasimi in conversation with Stephanie Bailey
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Breaking Glass
Monir Shahroudy Farmanfarmaian in conversation with Stephanie Bailey
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Errant Propositions
Jeremy Hutchison in conversation with Natasha Hoare
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A DREAM: The Iraq Pavilion at 55th Venice Biennale
Tamara Chalabi, Reem Shather-Kubba, and Jonathan Watkins in conversation with Basak Senova
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The Activity of Painting and Other Actions
Nadia Ayari in conversation with Haig Aivazian
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A Fraction of Experience
Omar Robert Hamilton in conversation with Elisabeth Jaquette
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Speaking as Witnessing
Hera Büyüktaşçıyan in conversation with Basak Senova
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The public domain has opened up!
Fulya Erdemci in conversation with Basak Senova
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Opening Up: World Nomads Tunisia
Marie-Monique Steckel in conversation with Fawz Kabra
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Theatre of the Present
Rabih Mroué in conversation with Göksu Kunak
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Place, Space and Purpose
Lina Majdalanie in conversation with Göksu Kunak
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A Letter’s Discourse
Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare
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The Great Journey
Lidia Al-Qattan in conversation with Monira Al Qadiri
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Past Disquiet
Rasha Salti and Kristine Khouri in conversation with Samah Hijawi
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Acoustic Encounters
Magdi Mostafa in conversation with Clelia Coussonnet
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Hero to Hero
Sohrab Kashani in conversation with Taus Makhacheva
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Film After Euphoria
Rasha Salti in conversation with Sheyma Buali
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The Performativity of Emotions
Abdullah Al-Mutairi in conversation with Sarah Abu Abdallah
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The Non-Located Space
Mahmoud Khaled in conversation with Omar Kholeif
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The Shortest Length Between Two Points
Slavs and Tatars in conversation with Franz Thalmair
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History All Wrapped Up
Gülsün Karamustafa in conversation with Basak Senova
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New Kids On The Block
Randa Mirza in conversation with Amira Gad
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Action Piece
Reza Aramesh in conversation with Lara Atallah
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Not New Now
Reem Fadda in conversation with Fawz Kabra
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Between Middle and East
JW Stella in conversation with Aimee Dawson
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Enunciation Rather Than Representation
Alya Sebti in conversation with Göksu Kunak
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Auto-Connections
UBIK in conversation with Isabella Ellaheh Hughes
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Accumulative Processes
Marwa Arsanios in conversation with Fawz Kabra
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Enacting the Void
Fayçal Baghriche in conversation with Sheyma Buali
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Performative States
Coco Fusco in conversation with Stephanie Bailey
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Image Politics
ismaël in conversation with Wafa Gabsi
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We Are Sick, But We Are Alive
Haig Aivazian in conversation with Rayya Badran
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The Symphony of Death
Adel Abidin in Conversation with Basak Senova
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Progressive Roots
Sussan Deyhim in conversation with Sheyma Buali
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Ex Apartment
Matthias Lilienthal in conversation with Göksu Kunak
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Migrations of Meaning
Lara Khaldi in conversation with Ghalya Saadawi
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Restaging Invisibilities
Fayçal Baghriche in conversation with Laura Allsop
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Dark Matters
Morehshin Allahyari in conversation with Hannah Gregory
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Doing Performance
Hassan Sharif in conversation with Nujoom Al Ghanem
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The Art of Subversion
Caveh Zahedi in conversation with Stephanie Bailey
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A Woman's Place?
Robin Kahn in conversation with Stephanie Bailey
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A Mobile Agent
Adelita Husni-Bey in conversation with Stephanie Bailey
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History as Concept
Lasse Lau in conversation with Amira Gad
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The Outsider
Mario Rizzi in conversation with Cristiana Perrella
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The Many Metamorphoses of Mounira al Solh
Mounira al Solh in conversation with Nat Muller
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Performative Resonances
Hiwa K in conversation with Anthony Downey and Amal Khalaf
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Role Play
Oreet Ashery in conversation with Amal Khalaf
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The Right to Shelter
Helene Kazan in conversation with Amal Khalaf
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Image Appropriation
Urok Shirhan in Conversation with Stephanie Bailey
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Word Stress
Lawrence Abu Hamdan in conversation with Anthony Downey
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The Islamic Sonic-Social
Seth Ayyaz in conversation with Sheyma Buali
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Speculations for Collective Transformations
Farah Saleh in conversation with Marianna Liosi
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Spaces of Agency
Maya Zbib in conversation with Amal Khalaf
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Information Acts
Navine G. Khan-Dossos in conversation with Stephanie Bailey
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Family Ties
Mohssin Harraki in conversation with Karima Boudou
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Epic Painting
Dia Azzawi in conversation with Sheyma Buali
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Homeland(s)
Hrair Sarkissian in conversation with Raed Yassin
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A Certain Aesthetic
Walid Siti in conversation with Nat Muller
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Reversing Power, Allowing Possibilities
Yael Bartana in conversation with Clelia Coussonnet
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An Architecture of Apprehension
Timo Nasseri in conversation with Laura Allsop
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My Sister Who Travels
Martina Caruso in conversation with Sheyma Buali
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When Energy Becomes Form
Stefano Rabolli Pansera in conversation with Stephanie Bailey
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A Big Bang Theory
Eric Van Hove in conversation with Natasha Hoare
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Forensic Transgressions
Maryam Monalisa Gharavi in conversation with Mirene Arsanios
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States of Suspension
Youmna Chlala in conversation with Fawz Kabra
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Art After Identity Politics
Nav Haq in conversation with Stephanie Bailey
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Aquatic Memory
Hera Büyüktaşçıyan in conversation with Basak Senova
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Alternate Geographies
Sumesh Sharma in conversation with Amanprit Sandhu
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No Boundaries
Aikaterini Gegisian in conversation with Stephanie Bailey
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Mirrors for Princes
Anthony Downey and Beatrix Ruf in conversation with Slavs and Tatars
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A New World Summit
Jonas Staal in conversation with Stephanie Bailey
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A Cartography of Events
Vangelis Vlahos in conversation with Stephanie Bailey
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A Century of Centuries
November Paynter and Didem Pekün in conversation with Basak Senova
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Who's Afraid of Religion?
Köken Ergun in conversation with Omar Kholeif
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Video Channelling
Mai Elwakil in conversation with Daniella Rose King
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Free Expression
The Arab Digital Expression Foundation in conversation with Laura Cugusi
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The Art of Resonance
Tarek Atoui in conversation with Stephanie Bailey
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Emergent Cinema
Ahd in conversation with Sheyma Buali
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Collective Networking
Burak Arıkan in conversation with Basak Senova
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Time Over Development
Hisham Al-Madhloum in conversation with Stephanie Bailey
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Positional Views
Eungie Joo in conversation with Stephanie Bailey
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Transmission Systems
Raed Yassin in conversation with Stephanie Bailey
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From the Ground Up
Discussing arts infrastructure in Tehran
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Lingering in Vicinity
Maha Maamoun in conversation with Aleya Hamza
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An Open Methodology
Ahmed Nagy in conversation with Mai Elwakil
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Object Study
Mona Marzouk in conversation with Aleya Hamza
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Alien Encounters
Rana Hamadeh in conversation with Stephanie Bailey
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Samples of Life
Joe Namy in conversation with Garine Aivazian
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Photography as Apparatus
Akram Zaatari in conversation with Anthony Downey
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An Artwork is not Just a Passive Object You Hang on Your Wall
Elif Öner in conversation with Derya Yücel
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After the Biennial
Fulya Erdemci in conversation with Basak Senova
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Raising the Roof
Nevin Aladağ in conversation with Walter D. Mignolo
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Meanwhile…History
Shumon Basar, Ala Younis and Omar Berrada in conversation with Sheyma Buali
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Narrative Treatments
Wael Shawky in conversation with Stephanie Bailey
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On Documentation
Parastou Forouhar in conversation with David Hodge and Hamed Yousefi
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With Nail and Spring
Georgia Kotretsos in conversation with Stephanie Bailey
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The State of a Nation
Larissa Sansour in conversation with Sheyma Buali
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Hiding Out In My Own Place
Nida Sinnokrot in conversation with Natasha Hoare
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Picturing the Homeland
Carole Alfarah in conversation with María Gómez López
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Cultivating Continuities
Suha Shoman in conversation with Amin Alsaden
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Visualizing Displacement
Foundland in conversation with Nat Muller
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Then and Now
Adelina von Fürstenberg in conversation with Stephanie Bailey
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Where Are We Now?
Hicham Khalidi in conversation with Daniella Rose King
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Common Grounds and Common Cultures
Kamel Lazaar in conversation with Anthony Downey
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Expanding the Archive
Jumana Manna in conversation with Sheyma Buali
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Curating the Revolution: Meeting Points 7
WHW in conversation with Omar Kholeif
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Memory Montage
Uriel Orlow in conversation with Omar Kholeif
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The Tentmakers of Cairo
Kim Beamish in conversation with Sam Bowker
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Systems of Fragments
Hajra Waheed in conversation with Stephanie Bailey
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Politics in Practice
Younes Bouadi in conversation with Stephanie Bailey
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The Time is Out of Joint
Tarek Abou El Fetouh in conversation with Stephanie Bailey
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On Logical Revolts
Louis Henderson in conversation with Amira Gad
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Capturing Evanescence
Rifat Chadirji and Balkis Sharara in conversation with Amin Alsaden
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The Making of a Collective
MADRASSA Collective in conversation with Antonia Alampi
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Is This about Culture?
Leung Chi Wo in conversation with Robin Peckham
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Re-Enacting Rupture
Lamia Joreige in conversation with Anthony Downey
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Present Continuous
Christine Tohme in conversation with Rachel Dedman
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Art in the Time of the Anthropocene
Nora Razian, Nataša Petrešin Bachelez, and Angela Harutyunyan in conversation, with a contribution from Natasha Gasparian
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The Woven Archive
Héla Ammar in conversation with Wafa Gabsi
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Writing by Example
Meriç Algün Ringborg in conversation with Nora Razian
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On Sovereignty
Amar Kanwar in conversation with Stephanie Bailey
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Event Horizon
Eric Baudelaire in conversation with Anthony Downey
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Revisiting Internationalists
Fadi Bardawil in conversation with Zeynep Oz
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Shooting What is Missing
Hamza Halloubi in conversation with Natasha Hoare
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Zineb Sedira in Conversation
Coline Milliard
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History in Play
Hammad Nasar in conversation with Reema Salha Fadda
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Unfolding the Structures of Sound
Cevdet Erek in conversation with Başak Şenova
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Creating Intimacies: On the Spring Sessions Programme in Amman
Toleen Touq in conversation with Reema Salha Fadda
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On Building Nations
A two-part conversation with Szabolcs KissPál and Mahmoud Khaled
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News
To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...
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Curatorial Conundrums – Arab Representation at the 54th Venice Biennale
A roundtable discussion
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Suspended Lives and Emerging Voices
Nadia Kaabi-Linke in conversation with Lina Lazaar
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An Aesthetics of Expiration
Ziad Antar in Conversation with Anthony Downey
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Home Workspace
Christine Tohme in conversation with Anthony Downey
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With Inside Outside
Nada Sehnaoui in conversation with Laura Allsop
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‘If Walls Could Talk ...’
Driss Ouadahi in conversation with Rachida Triki
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Letter to a Refusing Pilot
Seth Anziska in conversation with Daniella Rose King
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Kuwait Transformed
Farah Al-Nakib in conversation with Todd Reisz
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Laughing Out Loud
Meriem Bennani in conversation with Myriam Ben Salah
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Still (the) Barbarians
Koyo Kouoh in conversation with Stephanie Bailey
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In Lieu of Absence
Taysir Batniji in conversation with Silke Schmickl
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What Was Lost
Joana Hadjithomas and Khalil Joreige in conversation with Nat Muller
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The Personal and the Political All at Once
Adham Hafez in conversation with Suzy Halajian
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NOTES FROM THE RESISTANCE
Özgür Uçkan and Vasif Kortun in conversation with Basak Senova
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Lost in Narration
Rabih Mroué in conversation with Anthony Downey
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A Militant Cinema
Mohanad Yaqubi in conversation with Sheyma Buali
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Disposable Memories
Raed Yassin in conversation with Nat Muller
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Global Art Forum 9
Sheyma Buali in conversation with Turi Munthe and Sultan Sooud Al-Qassemi
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From Central Asia to the Caucasus
Leeza Ahmady in conversation with Taus Makhacheva
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Flash Futures
Monira Al Qadiri in conversation with Stephanie Bailey
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A Hybrid Model
Antonia Carver in conversation with Omar Kholeif
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Technologies of History
Jananne Al-Ani in conversation with Nat Muller
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Archives on Archives
Maryam Jafri in conversation with Stephanie Bailey
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Chapters, Records, Keywords
Lucien Samaha in conversation with Walid Raad, Part I
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Image and Imagination
Ali Cherri in conversation with Sheyma Buali
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Building Mental Infrastructures
Ayşe Erkmen in conversation with Basak Senova
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Influence, Passion, Process
Lucien Samaha in conversation with Walid Raad, Part II
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Six Decades in the Making
Parviz Tanavoli’s Retrospective at the Davis Museum
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Performative Traces: The Union of Fire and Water
Almagul Menlibayeva in conversation with Basak Senova
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Ibraaz Talks: Art Dubai 2013
Sophia Al-Maria: On Automobiles
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Ibraaz Talks: Art Dubai 2013
Shuruq Harb: On Agency
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Ibraaz Talks: Art Dubai 2013
Ala Younis: On Curating
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Ibraaz Talks: Art Dubai 2013
Guy Mannes-Abbott: On Drones
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Ibraaz Talks: Art Dubai 2013
Basim Magdy: On Science Fiction
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Ibraaz Talks: Art Dubai 2013
Murtaza Vali: On Domesticity
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Ibraaz Talks: Art Dubai 2013
Ibraaz
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Slavs and Tatars in conversation with Anthony Downey
Language Arts at The Third Line
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Ibraaz Talks: Global Art Forum 8
Hans Ulrich Obrist: in conversation with Omar Kholeif
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Ibraaz Talks: Global Art Forum 8
Shumon Basar: in conversation with Stephanie Bailey
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Ibraaz Talks: Global Art Forum 8
Shiva Balaghi: in conversation with Stephanie Bailey
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Ibraaz Talks: Global Art Forum 8
Oscar Guardiola-Rivera: in conversation with Anthony Downey
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Ibraaz Talks: Global Art Forum 8
Todd Reisz: in conversation with Omar Kholeif
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Ibraaz Talks: Global Art Forum 8
Okwui Enwezor: in conversation with Anthony Downey
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Ibraaz Talks: Global Art Forum 8
Farah Al-Nakib: in conversation with Stephanie Bailey
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Ibraaz Talks: Global Art Forum 8
Adam Szymczyk: in conversation with Omar Kholeif
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Ibraaz Talks: Global Art Forum 8
John Akomfrah: in conversation with Anthony Downey
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Ibraaz Talks: Global Art Forum 8
Ibraaz
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Practices of Performance Art: Jumana Emil Abboud
Ibraaz
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Performance as Process: Jumana Emil Abboud at Delfina Foundation
Ibraaz
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Jaou Tunis 2015
Ibraaz
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Curating Performance Art
Aaron Cezar, Delfina Foundation
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BBC Arabic Cinema Badila: Sun Ra in Egypt
Tom Bogaert
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Larissa Sansour in conversation with Nat Muller
Nat Muller
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Etel Adnan at Serpentine Galleries' Transformation Marathon
Etel Adnan
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Semitic Score
Oreet Ashery
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The Use of Social Media as a Dated Document and its Prospect as an Archive
Elif Öner and Vincent Rozenberg
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About us
Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...
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The Future of a Promise
Edited by Anthony Downey & Lina Lazaar (Ibraaz Publishing, 2011)
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Slavs and Tatars: Mirrors for Princes
Edited by Anthony Downey (jrp|ringier, 2015)
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Art in public spaces in Lebanon
A tool-guide by Temporary. Art. Platform. (T.A.P.) with Nayla Geagea
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Reviews
Critical reflections on Ibraaz publications
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Qalandiya International 2016
The Jerusalem Show VIII 'Before and After Origins': Jerusalem
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Qalandiya International 2016
Partner institutions
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Qalandiya International 2016
Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey
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FIELD MEETING Take 4: Thinking Practice
Responses
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A Prologue to the Past and Present State of Things
Curator's Essay: Aaron Cezar
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Turbulent
Shirin Neshat
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The Jerusalem Show
Chapter 1: Intensities
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Echoes & Reverberations
Visitations: When aurality loses site* by Rayya Badran
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A Prologue to the Past and Present State of Things
Looking at Wafaa Bilal's Domestic Tension : Barrak Alzaid
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A Prologue to the Past and Present State of Things
Sulayman Al Bassam in conversation with Ala Younis
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A Prologue to the Past and Present State of Things
Operation Atropos: Coco Fusco
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Some Other Way, Somewhere Else...
Dream City in Tunis
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Future Imperfect
Hussam al-Saray: in conversation with Ala Younis | A Cultural Encyclopaedia of Iraq
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Future Imperfect
Lois Stonock: Mapping the Possible: Syrian Organizations, Movements and Platforms
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Future Imperfect
Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria
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Ibraaz Launch Venice
Ibraaz
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October Newsletter
Ibraaz
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Platform 002 Launch Newsletter
Ibraaz
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December Newsletter
Ibraaz
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January Newsletter
Ibraaz
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Ibraaz February Newsletter
Ibraaz
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March Meeting 2012 Report
Sharjah Art Foundation, 17-19 March 2012
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April Newsletter
Ibraaz
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Ibraaz Platform 003 Launch
Ibraaz
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London Palestine Film Festival 2012
Nour K Sacranie
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Ibraaz May Newsletter
Ibraaz
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Ibraaz June Newsletter
Ibraaz
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Ibraaz July Newsletter
Ibraaz
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Ibraaz August Newsletter
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Ibraaz September Newsletter
Ibraaz
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Ibraaz Platform 004 Launch
Ibraaz
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Ibraaz November Newsletter
Ibraaz
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Ibraaz December Newsletter
Ibraaz
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The Art Of Dialogue
New initiative fosters connections between the Middle East and the western world
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Ibraaz January Newsletter
Ibraaz
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Nile Sunset Annex
An Artist-Run Gallery Space in Cairo
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Ibraaz February Newsletter
Ibraaz
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Ibraaz March Newsletter
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Ibraaz April Newsletter
Ibraaz
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Ibraaz Platform 005
Ibraaz
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Ibraaz May Newsletter
Ibraaz
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Ibraaz June Newsletter
Ibraaz
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Ibraaz July Newsletter
Ibraaz
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Symposium: Future Imperfect – Cultural Propositions and Global Perspectives
Ibraaz
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Ibraaz September Newsletter
Ibraaz
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Ibraaz October Newsletter
Ibraaz
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Ibraaz Platform 006
Ibraaz
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Ibraaz December Newsletter
Ibraaz
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Ibraaz January Newsletter
Ibraaz
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Ibraaz/Kamel Lazaar Foundation announce online media partnership with Art Dubai's 2014 Global Art Forum
Ibraaz
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Ibraaz February Newsletter
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Ibraaz March Newsletter
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Ibraaz April Newsletter
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Ibraaz Platform 007
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Ibraaz May Newsletter
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Ibraaz June Newsletter
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Ibraaz July Newsletter
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Ibraaz September Newsletter
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Ibraaz October Newsletter
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The Jerusalem Show
News The Jerusalem Show 007 / 24 October 2014 Ibraaz is pleased to announce the opening of THE JERUSALEM SHOW VII: FRACTURES. Curated by Basak Senova and organized by Al-Ma'mal Foundation for Contemporary Art, Jerusalem, this year's show runs from 24 October to 7 November 2014, and is presented in...
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Ibraaz Platform 008
Ibraaz
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Ibraaz November Newsletter
Ibraaz
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Ibraaz December Newsletter
Ibraaz
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Ibraaz January Newsletter
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Ibraaz February Newsletter
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Ibraaz March Newsletter
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Ibraaz April Newsletter
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JAOU Tunis 2015
News JAOU Tunis 2015 008 / 18 May 2015 Jaou Tunis 2015. Copyright Kamel Lazaar Foundation. Visual Culture in an Age of Global Conflict The Kamel Lazaar Foundation is pleased to announce that it will stage a two-day conference at the National Museum of Bardo from 28–29 May, 2015. This...
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Ibraaz Platform 009 | Launch Reader
Ibraaz
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Ibraaz Reader 009/01
Ibraaz
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Ibraaz Reader 009/02
Ibraaz
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Ibraaz Reader 009/03
Ibraaz
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Ibraaz Reader 009/04
Ibraaz
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Ibraaz Reader 009/05
Ibraaz
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The Egyptian Surrealists in Global Perspective
A Report from the AUC
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Ibraaz Reader 009/06
Ibraaz
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New Appointments at Ibraaz
Ibraaz
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Ibraaz January Reader 009/07
Ibraaz
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Performing Politics
Işıl Eğrikavuk's The Art of Disagreement
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Ibraaz February Reader 009/08
Ibraaz
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Ibraaz March Reader 009/09
Ibraaz
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Ibraaz Reader 009/10
Ibraaz
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Ibraaz June Reader 010/01
Ibraaz
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Ibraaz June Reader 010/02
Ibraaz
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Ibraaz July Reader 010/03
Ibraaz
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Ibraaz Platform 010 Refresh | Where to Now?
Ibraaz
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Global Academy?
At the Salzburger Kunstverein
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Future Imperfect
Ibraaz
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The Future Imperfect Lectures
Ibraaz
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Global Art Forum 8
Live
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Global Art Forum 8
1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans
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Global Art Forum 8
1971-1979 The Short Seventies (UAE)
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Jaou Tunis 2015
Hiwa K.: Artist
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Jaou Tunis 2015
Ghazi Gherairi: Professor of Law, Carthage University
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Jaou Tunis 2015
Antonia Carver: Director, Art Dubai
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Turbulent
Shirin Neshat
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Revisiting Genesis
Episode One
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Revisiting Genesis
Trailer
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Revisiting Genesis
A web series by Oreet Ashery
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Figures Upon Landscape
Paris Without a Sea: Mounira Al Solh
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Ibraaz 5th Anniversary
Ibraaz
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Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East
Edited by Anthony Downey (IB Tauris, 2015)
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Future Imperfect: Contemporary Art Practices and Cultural Institutions in the Middle East
Edited by Anthony Downey (Sternberg Press, 2016)
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Channel
description
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Where to Now: Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East
Platform 010 Editorial
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Now Where?
On Navigating Without a Compass
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Violent Relatedness, Embeddings, Hindsight
Ala Younis
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Act I: Sharjah Biennial 13
Stephanie Bailey
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Works on Paper
Artists Intervening in Lebanese Dailies
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Condemned to Depth
Invisible Architecture in Rana ElNemr’s Streams of Synonyms
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Off the Record
Nil Yalter at ARTER, Istanbul
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Casting Stories in Transit
Katia Kameli at the Mosaic Rooms
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Space Refugee
Halil Altındere at Neuer Berliner Kunstverein, Berlin
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What Representations?
Exhibitions and Other Representations in 25 Years at Witte de With
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Absent Beirut
Reflections on Reflections
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The Weight of the World
Etel Adnan at Serpentine Galleries
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Chronographia
Gülsün Karamustafa Retrospective at Hamburger Bahnhof
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Towards a Spatial Imaginary
Walking Cabbages and Watermelons
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Return to the Former Middle East
Ibraaz 5th Year Anniversary Editorial
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Globale: Allah’s Automata
Rozemin Keshvani
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Sous les Pavés, la Plage
On Assumption and Authority
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Queer Chronopolitics
Forests, Freaks and Performativity
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Where to Now?
An Introduction to Platform 010
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Response to Platform 10 by Talinn Grigor
There is never a neutral position for critique, but there certainly ought to be the practice of critique. And that is precisely the element that is missing in top-down formation of the art scene in West Asia and North Africa, and perhaps in the rest of the non-western art scene.
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Ibraaz Platform 009: Performance
Anthony Downey
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Not so Silent
On Walking and Crawling
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Sound and Vision
Earshot by Lawrence Abu Hamdan, Portikus, Frankfurt
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Un/Interrupted Formations
Choreographing Spaces of Gesticulation
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The Sleepwalkers
Rana Hamadeh at The Showroom, London
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Made in Algeria
Genealogy of a Territory at MuCEM, Marseille
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In and Out of Algeria
Bruno Boudjelal's Documentary of Affect
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The Great Hall Exhibition
Walead Beshty at The Institute of Fine Arts, NYU, James B Duke House
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The Image(s) Between Us
The Performance of Death in a Post-9/11 World
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Halim El Dabh
An Alternative Genealogy of Musique Concrète
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Criticality Performed Itself
The performative in the work of Hassan Khan
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SALTWATER: A Theory of Thought Forms
The 14th Istanbul Biennial 2015
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La Vie Moderne
The 13th Biennale de Lyon
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The 5th Thessaloniki Biennale
Between the Pessimism of the Intellect and the Optimism of the Will
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Performativity and Public Space
Interventions as Performative Gestures For Political Engagement in Jordan
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I Once Fell in Love with an Audience Member
Practice, Performance, Politics
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The Shadow Economies of Being Seen
Determining the Axis of the Global South and Middle East
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Tout va bien?
'Too Early, Too Late: Middle East and Modernity' at the Pinacoteca Nazionale di Bologna
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BOOM, BOOM, BOOOOOM!
Notes on a Giant Implosion
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As in an Ocean
On Nikolaj Larsen's End of Dreams
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'I am an Artist'
Portrait of a Salafi en abyme in the Cyber World
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The North of the South and the West of the East
A Provocation to the Question
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The Global South
Conflicting Narratives and the Invention of Geographies
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Scripts of the Art World
Burak Delier
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Mirror Worlds
Here and Elsewhere at the New Museum
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Making Stories Visible
A Yemeni Art History
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The Future of Art in the Age of Militarized De-Production
Re-Thinking Cultural Development in Palestine
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'We, the Intellectuals'
Re-routing Institutional Critique
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Walling Strategy
Can T-Wall Murals really Beautify the Fragmented Baghdad?
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Utopian Dust Versus Perfumed Amplification
Object Lessons from Saadiyat Island and Gehry’s Guggenheim, Abu Dhabi
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Freedom has no script
Burak Delier at Iniva
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Anachronistic Ambitions
Imagining the Future, Assembling the Past
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Response to Platform 7 by Stéphanie Dadour
'I don't believe culture is nowadays negotiating social activity, political engagement and critical practices. Culture is following the forces of the market.'
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Knowledge Bound
Reflections on Ashkal Alwan's Home Workspace Program, 2013-14
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Knowledge Bound
Reflections on Ashkal Alwan's Home Workspace Program, 2013-14
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Language Arts
Slavs and Tatars at The Third Line
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Mouthfeel
Maryam Jafri at Gasworks
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Come Together
The Sharjah Art Foundation's 2014 March Meeting
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Notes on Women in Iranian Art
A Review
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Juvenalia
Malak Helmy and Sophia Al Maria
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Istanbul Microphone Men
Santiago Mostyn
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19 a Day
Taus Makhacheva
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Submarine Writing
Hera Büyüktaşçıyan
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Billboards
Meriç Algün Ringborg
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So I don't really know sometimes if it's because of culture
Leung Chi Wo
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Myth Busters
Monira Al Qadiri
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The Work Does Not Mean Anything To Me
Thoughts on Art and Art Discourse
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Hashem L Kelesh – هاشم الكلش
Medrar .TV
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Ventriloquism
A project by Ali Cherri
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The Goodness Regime
A project by Jumana Manna and Sille Storihle
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Night Visitor
A project by Maha Maamoun
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Sound from the Hallways
Lasse Lau
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ALWAN
Adelita Husni-Bey
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Sahrawi Scrapbook
A Project by Robin Kahn
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I Was Blacklisted by Thom Powers
Documenting the Backlash
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Beyond the Image
A Project by Lara Baladi with an introduction by Dorothea Schoene
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Revolutionary art
Naira Antoun
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The Saaheb Collective
Dream Homes and Community-building
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Bus Cemetery
A Project by Dictaphone Group
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40 years of Running on the Same Spot
A Libyan Diary (Part II) - November 2011
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The Missing Link Part Two
Marwa Arsanios
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Expanding and Remaining
Navine G. Khan-Dossos
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Some Pachinko Pieces
On Silence and Noise in Times of Crisis
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Ghosts of the Mediterranean Sea
APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency
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Arm Wrestling with Super Sohrab
Sohrab Kashani
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Response to Platform 6 by Mounir Fatmi
Working with archives is a relatively new development, only recently have artists and institutions had access to archives. In the Middle East in general, the idea of the archive and of history is very vague. Even the idea of archiving, of having an institution that holds an archive, is new.
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Response to Platform 6 by Laura U. Marks
Akira Mizuta Lippit, in Atomic Light (Shadow Optics), characterizes the shadow archive as what cannot be archived, and therefore survives when the archive is destroyed. The shadow archive describes the majority of Arab cultural memory, which survives in non-visual traces, such as the work done by memory and imagination in...
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An Archive of Refusal
On Shuruq Harb's The Keeper
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Archival Dissonance
Ibraaz Platform 006 Editorial
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Housing Archives
When Buildings Become Part of the Record
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Enacting the Archives, Decentring the Muses
The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore
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In/distinction
Yasmine Eid-Sabbagh’s 'A photographic conversation from Burj al-Shamali Camp'
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Response to Platform 6 by Maryam Jafri
From the photo-text series Getty vs. Ghana (2012).
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Long ago, and not true anyway
Waterside Contemporary
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The Crisis of Art in Tunisia
Farah Makni Hendaoui
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Articulating Dissensus
Contemporary Artistic Practice in Iran at a Revolutionary Moment
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Two Responses to Peeping Tom Digest ♯3: Beirut
Omar Kholeif
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Future Generation Art Prize 2013
Palazzo Contarini Polignac, Venice
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The Business of Culture
Profiles: Collecting Art in Lebanon at AUB Gallery, Lebanon
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Welcome to Iraq and Otherwise Occupied
Iraq and Palestine at the 2013 Venice Biennale
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Home Works 6
Tinkerings on the Instable Present Tense
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Trade Routes / Conflicted Memory
Hauser & Wirth / Alan Cristea Gallery: A Spectrum Review
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Covering One's Back
Gezira Art Center, Cairo
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On Reporting, the Documentary and the Aesthetic in Ursula Biemann and Angela Sanders’ Europlex
Amy Charlesworth
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Amman’s West Side Story
Is soft power helping or hindering the state of the arts in Jordan?
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Birds Eye View Festival 2013
Celebrating Arab Women Filmmakers
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RE:EMERGING, DECENTRING AND DELINKING
Shifting the Geographies of Sensing, Believing and Knowing
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The Future of the Future
Ibraaz Platform 005 Editorial
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On Being 'The Other' In Post-Civil War Lebanon
Aid and the Politics of Art in Processes of Contemporary Cultural Production
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Going Around in Circles
Looking for Palestine in the Jordanian Music Scene
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The Magic of the State
An Exhibition between Cairo and London
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No Place Like Home
Refraction: Moving Images on Palestine at P21 Gallery
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An Unconventional Angle
Mario Rizzi’s Al Intithar (The Waiting)
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On One Side of the Same Water
Artistic Practice from Tirana to Tangier
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For the Common Good
Artistic Practices, Collective Action and Civil Society in Tunisia
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The Many Afterlives of Lulu
The Story of Bahrain’s Pearl Roundabout
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An Explanation of an Irrelevant Monument
On the Memory of a Memorial
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Citizens Reporting and the Fabrication of Collective Memory
Jens Maier-Rothe
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Digital, Aesthetic, Ephemeral
The Shifting Narrative of Uprising
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The ‘Cut-n-mix’ Culture
The Impossibilities of Production in New Media
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Staging the Transition in North Africa
Theatre As a Tool of Empowerment
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In the Event of Fire
Precarious Images, the Aesthetics of Conflict, and the Future of an Anachronism
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Ibraaz Platform 003 Editorial: What Was Lost?
Anthony Downey
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The Social Impulse
Politics, Media and Art after the Arab Uprisings
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Fast Forward to the Past
Cultural Institutions, Urban Development, and Regional Cinema in the Gulf Today
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Occupying the Occupied
Perceptions of Occupation and Control in Cyprus
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Response to Platform 3 by Daniella Rose King
The two-year-old MASS Alexandria, founded by artist Wael Shawky in the working-class neighbourhood of Miami in east Alexandria, Egypt, aims to create a space for the production and dissemination of ideas and debates concerning contemporary visual culture. Apart from displaying and encouraging the consumption of art through exhibitions, it creates...
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Comparative Notes on the Cultural Magazine in Lebanon
Mirene Arsanios
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Go Down, Moses: Tourism, Space and Ideology.
Reflections from a book on South Sinai
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Response to Platform 1 by Ursula Biemann and Shuruq Harb
When we began our research into the current art landscape of the Middle East, we noticed various reasons why the bonds between regional art communities are weakened. Prevailing art discourses are largely externally driven; the way in which art is circulated, marketed and publicised doesn't respond in any significant way...
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Response to Platform 1 by Samah Hijawi
Samah Hijawi Documents for a Narrative of Art History of Jordan, 2010-ongoing M ulti-media project Video excerpt, 1'40" Courtesy of the artist This ongoing research project is concerned with different aspects that have influenced the development of visual art practices in Jordan over the last 60 years. It uses multi-media...
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Ethnography + Art: Convergence or Collision?
Mark Westmoreland
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