011When does Global Majority describe an existing condition and when does it begin to produce one?

Perennial Resonances II
Priscillia Kounkou Hoveyda, Law Yuk Mui, Sara Rajaei
Folly Dance
DJ Diaki
A New World Awaits
Shahidul Alam
We Are the South within the North
Louisa Yousfi
Who Is the Global Majority?
Gargi Bhattacharyya
Fine Lands in the West
Omar El Akkad
The Time and Geology of the Global Majority
Kathryn Yusoff
Reframing the Global Majority of AI
Maya Indira Ganesh

Of Light and Fire: Memories of a Banner
KUNCI (Agent OH, Rifki Akbar Pratama, Syafiatudina)Social Media and the Cultural Institution
Hannah Cobb
The Afterlives of Sugar: Liberation Cinema, Solidarity, and the Politics of Use
Rehana Esmail & Jonathan Ali
Those who ‘also paint’: Taring Padi Against the Division of Artistic Labour
Marco Baravalle
Petro-Gothic: Haunting and Desire in the Carbon Age
Nat Muller
The House Did Not Remember Me: An Interview with Sulaf
Nada Atieg
Divine Exhalation: On Breath and the Shadhili Hadra
Lutfi OthmanFrom the peaks above to the palms below
Ayman Zedani

Hyphen–Cinema: Artistic Art Histories in Southeast Asia – Part II
Thảo Nguyên Phan, Grace Samboh & Tom Nicholson
Hyphen–Cinema: Artistic Art Histories in Southeast Asia – Part I
Sriwhana Spong
Works from Radical Film School – Part II: Holding Fragments
Tülin Dağ, Leanne Davies, Bea Macdonald, Nesh Dadgostar, Mars K, Sasha Patel
Works from Radical Film School – Part I: The Image Is Not Enough
Rev Sullivan, Maria Paradinas, Anuka Ramischwili-Schäfer & Vanga Mikashavidze, Florenza Deniz Incirli, Makella Ama, Layla Tosifi
Scenes of Erasure – Part II: Remains
Ali Cherri, Maeve Brennan, Joana Hadjithomas & Khalil Joreige
Scenes of Erasure – Part I: Ruins
Kamal Aljafari, Miranda Pennell, Jananne Al-Ani
Beirut Birds
Nour Sokhon
Surviving Collapse Gracefully with Small Files
Amal Shafek, Neda Sangtarash, Ghada Sayegh

Writing Gaza
Omar Berrada & Shivangi Mariam Raj
We’ll Meet Tomorrow in the Daylight
Hamed Ashour
Hunger Is Hunting Me
Batool Abu Akleen
Won’t the Body of This Endless Night Decay?
Haidar Al-Ghazali
Gaza Was Not Perfect
Shahd A. Alnaami
Rytal’s Story
Shahd A. Alnaami
I will tell you why I love Palestine
Haidar Al-Ghazali
Like Maps of a Burdened Memory
Marwan Nassar























