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Jananne Al-Ani in conversation with Nat Muller

Zoukak Theatre Company

Sites of Return: Ramallah

O Whale, Don't Swallow Our Moon: Ramallah

Pattern Recognition: Ramallah

/Tilted/: Ramallah

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Moments for Possibilities 'Air, Land and Sea': London

This Sea is Mine: Amman

This Sea is Mine: Gaza

The People of the Sea: Haifa

Biographies

Encounters Programme

Reflections: Ala Younis Adania Shibli

Responses

ARC.HIVE (2006–present): Adham Hafez

Curator's Essay: Aaron Cezar

Shirin Neshat

Newsha Tavakolian in conversation with Sara Raza

Ismaïl Bahri in conversation with Silke Schmickl

Nadia Kaabi-Linke in conversation with Lina Lazaar

Shezad Dawood in conversation with Sara Raza

Adonis in conversation with Laura Allsop

Christine Tohme in conversation with Anthony Downey

Nada Sehnaoui in conversation with Laura Allsop

Michket Krifa in conversation with Wafa Gabsi

Driss Ouadahi in conversation with Rachida Triki

Ala Ebtekar in conversation with Sara Raza

Tom Bogaert in conversation with Anthony Downey

Tarek Al-Ghoussein in conversation with Anthony Downey

Amina Menia in conversation with Laura Allsop

Jeanno Gaussi in conversation with Dorothea Schoene

Lida Abdul in conversation with Sara Raza

Roy Samaha in conversation with Anthony Downey

Nathan Witt in conversation with Amira Gad

Diana Al-Hadid in Conversation with Fawz Kabra

Bouchra Khalili in Conversation with Dorothea Schoene

Chapter 1: Intensities

Hassan Khan in conversation with Omar Kholeif

Reza Aramesh in conversation with Anthony Downey

Jasmina Metwaly in conversation with Angela Harutyunyan

Tarzan and Arab in conversation with Laura Allsop

Wafaa Bilal in conversation with Sara Raza

Heiko Lange in conversation with Amira Gad

Rasha Salti in conversation with Fawz Kabra

Pascal Hachem in conversation with Nour K Sacranie

Ayah Bdeir in conversation with Omar Kholeif

Michael Rakowitz in conversation with Anthony Downey

Simone Fattal in conversation with Mirene Arsanios

Mario Rizzi in conversation with Dorothea Schoene

Nadia Ayari in conversation with Haig Aivazian

Marie-Monique Steckel in conversation with Fawz Kabra

Chapter 5: Lines

Chapter 3: Intervals

Chapter 2: Details

A Question: Jalal Toufic

Jumana Emil Abboud: A Happy Ending, Part II

Anas Al-Shaikh: My land, 2

Soundscapes: Taking Apart the Arab City by Dr. Alexandra MacGilp

Curator's Introduction

Sulayman Al Bassam in conversation with Ala Younis

Chic Point Fashion for Israeli Checkpoints: Sharif Waked

Hair and Milk Bottle: Hassan Sharif

Photographs With A Flag: Mohammed Kazem

Variation on Discord and Divisions: Mona Hatoum

OLGA'S NOTES, all those restless bodies: Marwa Arsanios

Rabih Mroué in conversation with Göksu Kunak

Lina Majdalanie in conversation with Göksu Kunak

Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare

Lidia Al-Qattan in conversation with Monira Al Qadiri

Magdi Mostafa in conversation with Clelia Coussonnet

Sohrab Kashani in conversation with Taus Makhacheva

Speaker Biographies + Synopses

Curatorial Narrative

Introduction

Closing Remarks

Meriem Bennani in conversation with Myriam Ben Salah

Abdullah Al-Mutairi in conversation with Sarah Abu Abdallah

Mahmoud Khaled in conversation with Omar Kholeif

Slavs and Tatars in conversation with Franz Thalmair

Gülsün Karamustafa in conversation with Basak Senova

Koyo Kouoh in conversation with Stephanie Bailey

Reza Aramesh in conversation with Lara Atallah

Marwa Arsanios in conversation with Fawz Kabra

Fayçal Baghriche in conversation with Sheyma Buali

Coco Fusco in conversation with Stephanie Bailey

Taysir Batniji in conversation with Silke Schmickl

Joana Hadjithomas and Khalil Joreige in conversation with Nat Muller

Haig Aivazian in conversation with Rayya Badran

Adel Abidin in Conversation with Basak Senova

Adham Hafez in conversation with Suzy Halajian

Fayçal Baghriche in conversation with Laura Allsop

Morehshin Allahyari in conversation with Hannah Gregory

Hassan Sharif in conversation with Nujoom Al Ghanem

Robin Kahn in conversation with Stephanie Bailey

Adelita Husni-Bey in conversation with Stephanie Bailey

Lasse Lau in conversation with Amira Gad

Mario Rizzi in conversation with Cristiana Perrella

Hiwa K in conversation with Anthony Downey and Amal Khalaf

Oreet Ashery in conversation with Amal Khalaf

Helene Kazan in conversation with Amal Khalaf

Urok Shirhan in Conversation with Stephanie Bailey

Lawrence Abu Hamdan in conversation with Anthony Downey

Seth Ayyaz in conversation with Sheyma Buali

Farah Saleh in conversation with Marianna Liosi

Maya Zbib in conversation with Amal Khalaf

Mohssin Harraki in conversation with Karima Boudou

Özgür Uçkan and Vasif Kortun in conversation with Basak Senova

Hrair Sarkissian in conversation with Raed Yassin

Yael Bartana in conversation with Clelia Coussonnet

Timo Nasseri in conversation with Laura Allsop

Raed Yassin in conversation with Nat Muller

Eric Van Hove in conversation with Natasha Hoare

Maryam Monalisa Gharavi in conversation with Mirene Arsanios

Youmna Chlala in conversation with Fawz Kabra

Nav Haq in conversation with Stephanie Bailey

Aikaterini Gegisian in conversation with Stephanie Bailey

Anthony Downey and Beatrix Ruf in conversation with Slavs and Tatars

Sheyma Buali in conversation with Turi Munthe and Sultan Sooud Al-Qassemi

Leeza Ahmady in conversation with Taus Makhacheva

Jonas Staal in conversation with Stephanie Bailey

The Arab Digital Expression Foundation in conversation with Laura Cugusi

Tarek Atoui in conversation with Stephanie Bailey

Antonia Carver in conversation with Omar Kholeif

Eungie Joo in conversation with Stephanie Bailey

Raed Yassin in conversation with Stephanie Bailey

Mona Marzouk in conversation with Aleya Hamza

Rana Hamadeh in conversation with Stephanie Bailey

Ali Cherri in conversation with Sheyma Buali

Akram Zaatari in conversation with Anthony Downey

Nevin Aladağ in conversation with Walter D. Mignolo

Wael Shawky in conversation with Stephanie Bailey

Parastou Forouhar in conversation with David Hodge and Hamed Yousefi

Georgia Kotretsos in conversation with Stephanie Bailey

Nida Sinnokrot in conversation with Natasha Hoare

Carole Alfarah in conversation with María Gómez López

Suha Shoman in conversation with Amin Alsaden

Adelina von Fürstenberg in conversation with Stephanie Bailey

Jumana Manna in conversation with Sheyma Buali

WHW in conversation with Omar Kholeif

Hajra Waheed in conversation with Stephanie Bailey

A View from Afar: Stephanie Bailey

Younes Bouadi in conversation with Stephanie Bailey

Tarek Abou El Fetouh in conversation with Stephanie Bailey

Christine Tohme in conversation with Rachel Dedman

Nora Razian, Nataša Petrešin Bachelez, and Angela Harutyunyan in conversation, with a contribution from Natasha Gasparian

Héla Ammar in conversation with Wafa Gabsi

Meriç Algün Ringborg in conversation with Nora Razian

Amar Kanwar in conversation with Stephanie Bailey

Eric Baudelaire in conversation with Anthony Downey

Alia Rayyan: Recounting the Past, Present and Future

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

Ibraaz

Isabella Ellaheh Hughes

The Cairo Seminar in Alexandria, dOCUMENTA (13)

Contemporary Image Collective, Cairo

Contemporary Art from the Middle East

A Report on Future City

Aimee Dawson

Theme: Performance

Parviz Tanavoli’s Retrospective at the Davis Museum

Ibraaz

News JAOU Tunis 2015 008 / 18 May 2015 Jaou Tunis 2015. Copyright Kamel Lazaar Foundation. Visual Culture in an Age of Global Conflict The Kamel Lazaar Foundation is pleased to announce that it will stage a two-day conference at the National Museum of Bardo from 28–29 May, 2015. This...

Ibraaz

Almagul Menlibayeva in conversation with Basak Senova

Ibraaz

The 2016 March Meeting

Ibraaz

At the Salzburger Kunstverein

The Public and Intimate Lives of Arabic Calligraphy

Ibraaz Talks: Wafaa Bilal

Karen Mirza and Brad Butler: Social Imagination

Language Arts at The Third Line

Adam Szymczyk: in conversation with Omar Kholeif

John Akomfrah: in conversation with Anthony Downey

1971-1979 The Short Seventies (World)

Soviet Orientalism and Political Mobilisation

Ibn Khaldun’s The Muqadimmah

Crisis The End of Pearling in the Gulf (Qatar)

1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans

1971-1979 The Short Seventies (UAE)

Doa Aly

Fashion for Israeli Checkpoints

Anas Al-Shaikh

Wafaa Bilal

Doa Aly

Khaled Kaddal

Zoukak Theatre Company

Shirin Neshat

Kauther

Saving Face: Jalal Toufic

Sama Alshaibi

Sama Alshaibi

Sama Alshaibi

Sama Alshaibi

Sama Alshaibi

Sama Alshaibi

Ammar Al-Beik

Aikaterini Gegisian and Fatma Çiftçi

Mithkal Alzghair

Martyrs of the Egyptian Revolution: December 2011

Council presents: The Against Nature Journal

Performing the Trial: Re-enactment, Ritual, Remediation

Contour Biennale 8 / DAI Roaming Assembly #12

Cevdet Erek in conversation with Başak Şenova

A two-part conversation with Szabolcs KissPál and Mahmoud Khaled

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Platform 010 Editorial

On Navigating Without a Compass

Ala Younis

Reema Salha Fadda

Notes on Geo-cultural Exhibitions

Artists Intervening in Lebanese Dailies

Invisible Architecture in Rana ElNemr’s Streams of Synonyms

Yazan Ashqar

Meeting Points 8

On Qalandiya International 2016 in Ramallah

Notes in a Conversation on a Film by Maha Maamoun

Negative Ecstasy at Dirimart, Istanbul

The Egyptian Surrealists (1938–1965)

Rupture, War and Surrealism in Egypt (1938–1948) at the Centre Pompidou

Closing Remarks

Hassan Khan at Beirut Art Center

Khalid Abdalla

The Art of Shirin Neshat

Reflections on Reflections

Rayyane Tabet at Museo Marino Marini

Lara Baladi

The Artist as Awakener at AUB

Mega-museums and modern artists from the Middle East

Walking Cabbages and Watermelons

The 9th Berlin Biennale of Contemporary Art

Rozemin Keshvani

Participatory Art in the Middle East

Nicola Baird

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

On Assumption and Authority

Forests, Freaks and Performativity

An Introduction to Platform 010

Barrak Alzaid

On Walking and Crawling

Earshot by Lawrence Abu Hamdan, Portikus, Frankfurt

Tehran’s Self-portrait

An Introduction to Body Art and Performance in the Gulf

Choreographing Spaces of Gesticulation

Six Short Stories on Arabic Voice Acting

Samah Hijawi

The Little Deaths of Christodoulos Panayiotou

Ahmad Makia

Bruno Boudjelal's Documentary of Affect

An Ode to Performing Subjectivity in Research

The Performance of Death in a Post-9/11 World

An Alternative Genealogy of Musique Concrète

Shady El Noshokaty at Gypsum Gallery, Cairo

Vartan Avakian at Marfa’

The Subversive Feminine

The 14th Istanbul Biennial 2015

The Unspoken Battle of Self-Censorship

A Review of the 56th Venice Biennale

Maraya Art Centre

A Nomadological Study of Ottoman Arab Photography

Practice, Performance, Politics

Performing Armenity at the 56th Venice Biennale

'To avoid misunderstanding, I write from the perspective of Turkey, because I can't really speak for North Africa nor for the Middle East in general...'

'A few notes on the difference between performance art and mayonnaise...'

Franco Berardi

Determining the Axis of the Global South and Middle East

'Too Early, Too Late: Middle East and Modernity' at the Pinacoteca Nazionale di Bologna

A Curatorial Take on the Global South

Natasha Ginwala

Lantian Xie at Grey Noise

Five Stages of an Artist Residency

Street Art in the Mediterranean Border Zones

On Bouchra Khalili’s Cartographies

On Nikolaj Larsen's End of Dreams

On the Work of Basma Alsharif

Portrait of a Salafi en abyme in the Cyber World

Nikos Papastergiadis and Gerardo Mosquera

This research-based response marks the beginning of a collaborative project undertaken by Clare Davies and Nida Ghouse that considers histories of artistic production in relation to the concept of metanoia.

The term 'Global South' is quite new to me – but since my practice is concerned with the legacy of the transatlantic slave trade and the impact colonialism has on today's power structures I find it obvious that the concept of the 'Global South' is of great relevance in my...

In the years that followed the destruction of the Berlin Wall, which triggered the rise of post-colonial studies, the definition of the term 'the Global South' has changed dramatically.

Conflicting Narratives and the Invention of Geographies

Outside Looking In: Taking a Title and Running With It*

Tina Sherwell

A Recourse to the Past

Building Institutions Through Practice

Re-routing Institutional Critique

Berlin Documentary Forum 3 at Haus der Kulturen der Welt, Berlin

Can T-Wall Murals really Beautify the Fragmented Baghdad?

In the Shadow of Nasser

Object Lessons from Saadiyat Island and Gehry’s Guggenheim, Abu Dhabi

What Does It Mean to Be Building a Library in Iraq?

Or, Severing History From the Person

'The future of art infrastructures in the region is still very much determined by pre-existing cultural misconceptions applied to audiences... During the last four years in Cairo, I've witnessed in several occasions how part of the audience has been marginalized according to nationality, class, race or economic income.'

Slavs and Tatars at The Third Line

Jananne Al-Ani, Excavations, at the Hayward Gallery Project Space

Cevdet Erek at Spike Island, Bristol

The Politics of Food at Delfina Foundation

Haleh Redjaian at Arratia Beer

Georgia Kotretsos: SPRING CLEANING and KARFI in Rabat

A Review

The Israeli-Palestinian Conflict and Israel's National Photography Archives as a Case Study

Malak Helmy and Sophia Al Maria

Oreet Ashery

Simohammed Fettaka & Basak Senova

Caline Aoun

Jasmina Metwaly

Thoughts on Art and Art Discourse

Wafaa Bilal at Maraya Art Park, Sharjah

Notes from three spaces in which the law resounds

A Story of an Exhibition

Basak Senova on Zeren Göktan's Counter (2013)

Raed Yassin

Naira Antoun

Dream Homes and Community-building

A project by Fayçal Baghriche

A Project by Anahita Razmi

Transition, a photographic series by Myriam Abdelaziz

A Mother's Tongue, On Ahmad Ghossein's film My Father is Still a Communist

A Libyan Diary (Part III) - December 2011

Lina Khatib

A Libyan Diary (Part I) - October 2011

Marwa Arsanios

Cecilia Andersson

Mahmoud Bakhshi

Shadi Habib Allah

Maryam Monalisa Gharavi

The Society of False Witnesses

Basma Alsharif

On Silence and Noise in Times of Crisis

Maya Chami

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

Yazan Khalili Lara Khaldi

An Online Performance

Seth Ayyaz

The Soldier: 'Indeed, I took these photographs from the pocket of a dead Arab, killed in Bab Al-Wad in the beginning of May 1948.

On Shuruq Harb's The Keeper

Dispatch One: the Artist and the Archive, June–September 2013

The Recordings of the Cosmopolitan

The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore

The 4th Thessaloniki Biennale

Repatriation of Iraq's Looted Heritage under International and Domestic Law and Practice

Waterside Contemporary

FIAF’s 2013 World Nomads Tunisia Festival

Farah Makni Hendaoui

Contemporary Artistic Practice in Iran at a Revolutionary Moment

The Encyclopedic Palace

Saloua Raouda Choucair, Ibrahim El-Salahi and Meschac Gaba at Tate Modern

Literary Affects and the New Political by Tarek El-Ariss

Meem Gallery, Dubai

Profiles: Collecting Art in Lebanon at AUB Gallery, Lebanon

Gezi Resistance, Public Space and the Counter-monumental

Creative Time Reports

Amy Charlesworth

What if Rani al Rajji and Michel De Certeau met in Beirut?

Aid and the Politics of Art in Processes of Contemporary Cultural Production

Looking for Palestine in the Jordanian Music Scene

Nadia Mounajjed

An Exhibition between Cairo and London

The Problem of Nationality

Refraction: Moving Images on Palestine at P21 Gallery

Objects in Mirror are Closer than they Appear

Khalil Rabah: Pages 7, 8, 9 at e-flux

What has Changed in Tunisia since Spring 2011

On the Memory of a Memorial

A New Communal Model

The Shifting Narrative of Uprising

Tarek Khoury

A.S. Bruckstein Çoruh

Using new media tools and technologies available today has become standard practice for a range of activities; it's become a source of educational content and entertainment, as well as a means of communicating from conflict zones or even from the comfort of our homes. New media technologies available on smart...

When we talk about media, whether we consider them old or new, and critical practices, whether we label them as artistic, activist or hybrid, we would do well to look at issues of embodiment, and where virtual presence and physical presence intersects. The Arab uprisings have shown that no matter...

vs. The Ruler was made during the first year of the Arab uprising. It is comprised of two custom-made wooden 'electrocution' chairs (thrones) sitting in opposition to each other. The patriarchal male throne suggests the military and religion. Its counterpart is also suggestive of Islamic architecture, but is grounded by...

A recent project led by Walid Raad attempted to draw attention to, and improve the treatment of, migrant workers on Saadiyat Island by Guggenheim and its Abu Dhabi partner, the Tourism Development and Investment Company (TDIC). Tactics were initially conducted privately but when it was clear to those involved that...

Anthony Downey

Ali Benmakhlouf

For a Polysemic Reading of Both City and Territory

When Umru' al-Qais stood by the traces of the tent of his beloved in the middle of the desert of Hijaz, he shed tears that became the key to Arab poetry. Until recently, no one could have guessed that those tents would one day be made of concrete. These days,...

I will limit myself to tackling the situation from the point of view of the ‘common ground’, which is lost or has never been found. There is a wide gap between art practice on one side and the institutions on the other; the first doing the minimum in terms of...

Reflections from a book on South Sinai

Platform for discussion002 What relationship does visual culture have to the world we live in? Newsha Tavakolian 1 November 2011 Newsha Tavakolian, 2011 Photograph Courtesy of the artist 7: Members of the voluntary paramilitary force, the baseej, shot and killed one man and wounded others in a one million strong...

Walking in the Darkness of a Promised Light

The Enemy Inside Me

Ela Greenberg

Mark Westmoreland

Aesthetics, Civil Society, and the Politics of Representation