Search results

Online exhibition catalogue

Online exhibition catalogue

Online exhibition catalogue

Online exhibition catalogue

Online exhibition catalogue

نصوص تقاطع الأعمال الفنّيّة

مدن 5 | غزة، باللون الأحمر

"الأيدي العائدة | حول معرض "يا حوت لا توكل قمرنا

"اسم الجدّة | عن العمل الفوتوغرافي "مراية تيتا" لرندة شعث، من معرض "أهل البحر

متمردون بالمصادفة، سنوات لا ترحم" عن "العودة" غير المألوفة في المشهد الفلسطيني"

لما شتَّت الدنيا سمك

عودة" ليلية يقودها الحمام"

آثار حيَّة | على الطريق من النقب إلى كانبيرا

A tool-guide by Temporary. Art. Platform. (T.A.P.) with Nayla Geagea

Publications كتابة هذا البحر 010 / 31 August 2017 تمت كتابة هذه النصوص بأعقاب قلنديا الدولي 2016 نسخة 'هذا البحر لي'، وفي إطار مساق 'الكتابة مع الصور' وهو مساق تجريبي بادر إليه برنامج الثقافة والفنون في مؤسسة عبد المحسن القطَّان وتم تنظيمه بشراكة المتحف الفلسطيني وجمعية الثقافة العربية، ورواق، ومركز...

Humans from Palestine, The Karimeh Abbud Award Exhibition: Bethlehem

Sites of Return: Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Gaza

O Whale, Don't Swallow Our Moon: Ramallah

Pattern Recognition: Ramallah

A Series of Un-Curated Events: Ramallah

/Tilted/: Ramallah

RE/viewing Jerusalem #2 – REturn: Jerusalem

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Moments for Possibilities 'Air, Land and Sea': London

This Sea is Mine: Amman

This Sea is Mine: Gaza

Sea of Stories: Beirut

The People of the Sea: Haifa

Biographies

After Thoughts: Shuruq Harb

Programme Downloads

Acknowledgements

Partner institutions

Encounters Programme

Bethlehem

Amman

London

Ramallah & Al-Bireh

Jerusalem

Haifa

Gaza

Beirut

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Reflections: Ala Younis Adania Shibli

Foreword: Anthony Downey

Introduction: Qi2016 Curatorial Team

Online exhibition catalogue

Acknowledgements

Magdi Mostafa: Wisdom Tower: from the series Sound Cells (Fridays)

Basma Alsharif: We Began by Measuring Distance

Joe Namy: space, breath, time

Samah Hijawi: Paradise Series

Jumana Emil Abboud: A Happy Ending, Part II

Anas Al-Shaikh: My land, 2

Visitations: When aurality loses site* by Rayya Badran

Soundscapes: Taking Apart the Arab City by Dr. Alexandra MacGilp

Curator's Introduction

Foreword: Anthony Downey

Exhibition Overview

Video documentation: Day 2

Video documentation: Day 1

The Public and Intimate Lives of Arabic Calligraphy

On Qalandiya International 2016 in Ramallah

Edited by Anthony Downey & Lina Lazaar (Ibraaz Publishing, 2011)

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

Acknowledgements

Installation Views

ARC.HIVE (2006–present): Adham Hafez

Curator's Essay: Aaron Cezar

Foreword: Anthony Downey

Exhibition Overview

Installation views

Guy Mannes-Abbott in conversation with Sheyma Buali

Chapter 1: Intensities

Sheikha Hoor Al-Qasimi in conversation with Stephanie Bailey

Seth Anziska in conversation with Daniella Rose King

Downloadable Exhibition Guide

Fractures: Children's Activity Book

Chapter 7: Fabric

Chapter 6: Writing

Chapter 5: Lines

Chapter 4: Measures

Chapter 3: Intervals

Chapter 2: Details

A Question: Jalal Toufic

Editor's Foreword: Anthony Downey

Preface: Jack Persekian

Introduction: Basak Senova

A View from the City: Tina Sherwell

Looking at Wafaa Bilal's Domestic Tension : Barrak Alzaid

Sulayman Al Bassam in conversation with Ala Younis

End of War in Iraq: The Yes Men and Steve Lambert

Performance documentation: Lin Yilin

Chic Point Fashion for Israeli Checkpoints: Sharif Waked

Bent Jbeil: Wael Shawky

Hair and Milk Bottle: Hassan Sharif

Two Gunshots Fired at the Installation Dialogue : Xiao Lu

Photographs With A Flag: Mohammed Kazem

I March In The Parade Of Liberty But As Long As I Love You I'm Not Free: Sharon Hayes

Variation on Discord and Divisions: Mona Hatoum

Crossing Surda (a record of going to and from work): Emily Jacir

Operation Atropos: Coco Fusco

OLGA'S NOTES, all those restless bodies: Marwa Arsanios

A Tress of Hair: Doa Aly

Rasha Salti and Kristine Khouri in conversation with Samah Hijawi

Gülsün Karamustafa in conversation with Basak Senova

Randa Mirza in conversation with Amira Gad

Reza Aramesh in conversation with Lara Atallah

Reem Fadda in conversation with Fawz Kabra

Alya Sebti in conversation with Göksu Kunak

Joana Hadjithomas and Khalil Joreige in conversation with Nat Muller

Lara Khaldi in conversation with Ghalya Saadawi

Robin Kahn in conversation with Stephanie Bailey

Seth Ayyaz in conversation with Sheyma Buali

Walid Siti in conversation with Nat Muller

Yael Bartana in conversation with Clelia Coussonnet

Raed Yassin in conversation with Nat Muller

Nav Haq in conversation with Stephanie Bailey

Aikaterini Gegisian in conversation with Stephanie Bailey

Köken Ergun in conversation with Omar Kholeif

Mai Elwakil in conversation with Daniella Rose King

The Arab Digital Expression Foundation in conversation with Laura Cugusi

Jananne Al-Ani in conversation with Nat Muller

Suha Shoman in conversation with Amin Alsaden

Foundland in conversation with Nat Muller

Adelina von Fürstenberg in conversation with Stephanie Bailey

Hicham Khalidi in conversation with Daniella Rose King

Kamel Lazaar in conversation with Anthony Downey

A View from Afar: Stephanie Bailey

Tarek Abou El Fetouh in conversation with Stephanie Bailey

Ibraaz

Sharjah Art Foundation, 17-19 March 2012

Coline Milliard

Rachida Triki

Sara Raza

Malu Halasa

Parviz Tanavoli’s Retrospective at the Davis Museum

Ibraaz

William Wells in conversation at Serpentine Galleries

A Report from Home Works 7 and Athens Biennale 5 to 6

Two Exhibitions on the Armenian Legacy in Anatolia

Ibraaz

Ibraaz

Aaron Cezar, Delfina Foundation

Wael Shawky

Doa Aly

Lin Yilin

Fashion for Israeli Checkpoints

Performances at Echoes & Reverberations

Hammad Nasar in conversation with Reema Salha Fadda

A two-part conversation with Szabolcs KissPál and Mahmoud Khaled

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

On Navigating Without a Compass

Yazan Ashqar

Meeting Points 8

Rupture, War and Surrealism in Egypt (1938–1948) at the Centre Pompidou

Exhibitions and Other Representations in 25 Years at Witte de With

The Art of Shirin Neshat

Etel Adnan at Serpentine Galleries

Mega-museums and modern artists from the Middle East

At Ab Anbar Gallery

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

An Introduction to Platform 010

An Introduction to Body Art and Performance in the Gulf

The Little Deaths of Christodoulos Panayiotou

Walead Beshty at The Institute of Fine Arts, NYU, James B Duke House

Maraya Art Centre

'Too Early, Too Late: Middle East and Modernity' at the Pinacoteca Nazionale di Bologna

Narratives and Ghosts from the International Art Exhibition for Palestine, 1978, at MACBA

An Art Collection as an Alternative Archive of Iranian History

In the years that followed the destruction of the Berlin Wall, which triggered the rise of post-colonial studies, the definition of the term 'the Global South' has changed dramatically.

Outside Looking In: Taking a Title and Running With It*

Here and Elsewhere at the New Museum

A Yemeni Art History

Object Lessons from Saadiyat Island and Gehry’s Guggenheim, Abu Dhabi

Maryam Jafri at Gasworks

The Sharjah Art Foundation's 2014 March Meeting

A Perspective on Algeria's Cultural Scene

Haig Aivazian’s multi-piece installation FUGERE at Sfeir-Semler, Hamburg

The Israeli-Palestinian Conflict and Israel's National Photography Archives as a Case Study

A Radio Series on the Poetics and Politics of Language

Joe Namy

The Soldier: 'Indeed, I took these photographs from the pocket of a dead Arab, killed in Bab Al-Wad in the beginning of May 1948.

Yasmine Eid-Sabbagh’s 'A photographic conversation from Burj al-Shamali Camp'

The 13th Istanbul Biennial

Waterside Contemporary

Farah Makni Hendaoui

Contemporary Artistic Practice in Iran at a Revolutionary Moment

The Encyclopedic Palace

Saloua Raouda Choucair, Ibrahim El-Salahi and Meschac Gaba at Tate Modern

The Making of the Artwork by the Artist, the Museum and the Public

Meem Gallery, Dubai

Palazzo Contarini Polignac, Venice

Institute of Contemporary Art, London

Iraq and Palestine at the 2013 Venice Biennale

Hauser & Wirth / Alan Cristea Gallery: A Spectrum Review

Amy Charlesworth

Celebrating Arab Women Filmmakers

Shifting the Geographies of Sensing, Believing and Knowing

An Exhibition between Cairo and London

Sharjah Biennial 11 – Re:emerge, Towards a New Cultural Cartography

Nasrin Tabatabai & Babak Afrassiabi at Chisenhale Gallery

Refraction: Moving Images on Palestine at P21 Gallery

Atfal Ahdath at Running Horse Contemporary

Artistic Practices, Collective Action and Civil Society in Tunisia

The Shifting Narrative of Uprising

Artistic Practices, Civil Society, and Secular Determination in Tunisia Today

When we talk about media, whether we consider them old or new, and critical practices, whether we label them as artistic, activist or hybrid, we would do well to look at issues of embodiment, and where virtual presence and physical presence intersects. The Arab uprisings have shown that no matter...

A significant component of Sada's programming provides seminars, lectures, and workshops to young, emerging artists and students in Baghdad. We do this using basic Internet connection, Skype, some simple software, and a projector. A private Facebook group is the site of extensive conversations, critique and debate. This was not done...

The Practice of Contemporary Art in Algeria Today

The two-year-old MASS Alexandria, founded by artist Wael Shawky in the working-class neighbourhood of Miami in east Alexandria, Egypt, aims to create a space for the production and dissemination of ideas and debates concerning contemporary visual culture. Apart from displaying and encouraging the consumption of art through exhibitions, it creates...

'The young conservatives embrace the fundamental experience of aesthetic modernity – the disclosure of a de-centered subjectivity, freed from all constraints of rational cognition and purposiveness, from all imperatives of labour and utility – and in this way break out of the modern world. They transpose the spontaneous power of...

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

Mayssa Fattouh

Copyright Notice The copyright for content on this website is held by the Ibraaz Publishing, except for material provided by other organisations, where copyright ownership is indicated. The views expressed on this website are not necessarily those of Ibraaz Publishing. You may link to us from your site, as long...