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Martina Caruso in conversation with Sheyma Buali

By bicycle, he travels the roads and the districts searching for an answer to his many questions. He is a man, Tunisian, Arab, Berber and a native with roots in the Maghreb, Africa, the Middle East ... He is of this Earth and these oceans.

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Gaza

O Whale, Don't Swallow Our Moon: Ramallah

Pattern Recognition: Ramallah

A Series of Un-Curated Events: Ramallah

/Tilted/: Ramallah

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Moments for Possibilities 'Air, Land and Sea': London

This Sea is Mine: Amman

This Sea is Mine: Gaza

Sea of Stories: Beirut

The People of the Sea: Haifa

Biographies

Partner institutions

Encounters Programme

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Reflections: Ala Younis Adania Shibli

Responses

Curator's Essay: Aaron Cezar

Newsha Tavakolian in conversation with Sara Raza

Ismaïl Bahri in conversation with Silke Schmickl

Ahmet Öğüt in conversation with Basak Senova

Nadia Kaabi-Linke in conversation with Lina Lazaar

Shezad Dawood in conversation with Sara Raza

Christine Tohme in conversation with Anthony Downey

Ala Ebtekar in conversation with Sara Raza

Tarek Al-Ghoussein in conversation with Anthony Downey

Lida Abdul in conversation with Sara Raza

Roy Samaha in conversation with Anthony Downey

Chapter 1: Intensities

Tarzan and Arab in conversation with Laura Allsop

Ala Younis in conversation with Liane Al-Ghusain

Zeina Arida in conversation with Laura Allsop

Rasha Salti in conversation with Fawz Kabra

Ayah Bdeir in conversation with Omar Kholeif

Michael Rakowitz in conversation with Anthony Downey

Simone Fattal in conversation with Mirene Arsanios

Mario Rizzi in conversation with Dorothea Schoene

Yuko Hasegawa in conversation with Walter D. Mignolo and Stephanie Bailey

Sheikha Hoor Al-Qasimi in conversation with Stephanie Bailey

Monir Shahroudy Farmanfarmaian in conversation with Stephanie Bailey

Tamara Chalabi, Reem Shather-Kubba, and Jonathan Watkins in conversation with Basak Senova

Nadia Ayari in conversation with Haig Aivazian

Omar Robert Hamilton in conversation with Elisabeth Jaquette

Seth Anziska in conversation with Daniella Rose King

Marie-Monique Steckel in conversation with Fawz Kabra

Chapter 3: Intervals

Chapter 2: Details

Visitations: When aurality loses site* by Rayya Badran

Curator's Introduction

OLGA'S NOTES, all those restless bodies: Marwa Arsanios

Lina Majdalanie in conversation with Göksu Kunak

Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare

Rasha Salti and Kristine Khouri in conversation with Samah Hijawi

Sohrab Kashani in conversation with Taus Makhacheva

Rasha Salti in conversation with Sheyma Buali

Speaker Biographies + Synopses

Curatorial Narrative

Closing Remarks

Meriem Bennani in conversation with Myriam Ben Salah

Video documentation: Day 2

Slavs and Tatars in conversation with Franz Thalmair

Reem Fadda in conversation with Fawz Kabra

JW Stella in conversation with Aimee Dawson

Marwa Arsanios in conversation with Fawz Kabra

Coco Fusco in conversation with Stephanie Bailey

Joana Hadjithomas and Khalil Joreige in conversation with Nat Muller

Adel Abidin in Conversation with Basak Senova

Sussan Deyhim in conversation with Sheyma Buali

Adham Hafez in conversation with Suzy Halajian

Matthias Lilienthal in conversation with Göksu Kunak

Hassan Sharif in conversation with Nujoom Al Ghanem

Robin Kahn in conversation with Stephanie Bailey

Mounira al Solh in conversation with Nat Muller

Oreet Ashery in conversation with Amal Khalaf

Helene Kazan in conversation with Amal Khalaf

Lawrence Abu Hamdan in conversation with Anthony Downey

Seth Ayyaz in conversation with Sheyma Buali

Maya Zbib in conversation with Amal Khalaf

Mohssin Harraki in conversation with Karima Boudou

Hrair Sarkissian in conversation with Raed Yassin

Yael Bartana in conversation with Clelia Coussonnet

Timo Nasseri in conversation with Laura Allsop

Stefano Rabolli Pansera in conversation with Stephanie Bailey

Eric Van Hove in conversation with Natasha Hoare

Maryam Monalisa Gharavi in conversation with Mirene Arsanios

Youmna Chlala in conversation with Fawz Kabra

Nav Haq in conversation with Stephanie Bailey

Sumesh Sharma in conversation with Amanprit Sandhu

The Arab Digital Expression Foundation in conversation with Laura Cugusi

Tarek Atoui in conversation with Stephanie Bailey

Ahd in conversation with Sheyma Buali

Antonia Carver in conversation with Omar Kholeif

Eungie Joo in conversation with Stephanie Bailey

Discussing arts infrastructure in Tehran

Maryam Jafri in conversation with Stephanie Bailey

Lucien Samaha in conversation with Walid Raad, Part I

Maha Maamoun in conversation with Aleya Hamza

Elif Öner in conversation with Derya Yücel

Parastou Forouhar in conversation with David Hodge and Hamed Yousefi

Ayşe Erkmen in conversation with Basak Senova

Georgia Kotretsos in conversation with Stephanie Bailey

Larissa Sansour in conversation with Sheyma Buali

Suha Shoman in conversation with Amin Alsaden

Adelina von Fürstenberg in conversation with Stephanie Bailey

Kamel Lazaar in conversation with Anthony Downey

Jumana Manna in conversation with Sheyma Buali

Uriel Orlow in conversation with Omar Kholeif

Kim Beamish in conversation with Sam Bowker

Hajra Waheed in conversation with Stephanie Bailey

A View from Afar: Stephanie Bailey

Lucien Samaha in conversation with Walid Raad, Part II

Younes Bouadi in conversation with Stephanie Bailey

Tarek Abou El Fetouh in conversation with Stephanie Bailey

Louis Henderson in conversation with Amira Gad

Rifat Chadirji and Balkis Sharara in conversation with Amin Alsaden

MADRASSA Collective in conversation with Antonia Alampi

Christine Tohme in conversation with Rachel Dedman

Nora Razian, Nataša Petrešin Bachelez, and Angela Harutyunyan in conversation, with a contribution from Natasha Gasparian

Eric Baudelaire in conversation with Anthony Downey

Fadi Bardawil in conversation with Zeynep Oz

Hamza Halloubi in conversation with Natasha Hoare

Hussam al-Saray: in conversation with Ala Younis | A Cultural Encyclopaedia of Iraq

Sharjah Art Foundation, 17-19 March 2012

Ibraaz

Coline Milliard

The Cairo Seminar in Alexandria, dOCUMENTA (13)

The Doris Duke Foundation for Islamic Art's Artist Residency Programme

Edge of Arabia Launches Culturunners

Ibraaz

Reema Salha Fadda

Parviz Tanavoli’s Retrospective at the Davis Museum

Almagul Menlibayeva in conversation with Basak Senova

Ibraaz

A Report from the AUC

Ibraaz

Işıl Eğrikavuk's The Art of Disagreement

Ibraaz

Two Exhibitions on the Armenian Legacy in Anatolia

Aimee Dawson

Live

Hans Ulrich Obrist: in conversation with Omar Kholeif

Todd Reisz: in conversation with Omar Kholeif

Okwui Enwezor: in conversation with Anthony Downey

John Akomfrah: in conversation with Anthony Downey

Soviet Orientalism and Political Mobilisation

Ibn Khaldun’s The Muqadimmah

Crisis The End of Pearling in the Gulf (Qatar)

1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans

1971-1979 The Short Seventies (UAE)

The Future Was Space Is The Place

The Future Was Global/Art/Forum

Louis Henderson

A tribute by Gelareh Kiazand

Sama Alshaibi

Sama Alshaibi

Sama Alshaibi

Sama Alshaibi

Sama Alshaibi

Ritu Sarin and Tenzing Sonam

Basir Mahmood

Hammad Nasar in conversation with Reema Salha Fadda

Cevdet Erek in conversation with Başak Şenova

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

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Ala Younis

Reema Salha Fadda

Contour Biennale 8

Artists Intervening in Lebanese Dailies

Lizzy Collier

Art By Email at Yorkshire Sculpture Park

Invisible Architecture in Rana ElNemr’s Streams of Synonyms

Notes in a Conversation on a Film by Maha Maamoun

Nil Yalter at ARTER, Istanbul

Closing Remarks

Khalid Abdalla

Exhibitions and Other Representations in 25 Years at Witte de With

Reflections on Reflections

The Sketches of Mahmoud Al Rifai at FADA 317

Rayyane Tabet at Museo Marino Marini

Lara Baladi

Mega-museums and modern artists from the Middle East

Organic Growth and the Rise of Visual Arts Organizations in the UAE

Earshot by Lawrence Abu Hamdan, Portikus, Frankfurt

An Introduction to Body Art and Performance in the Gulf

Genealogy of a Territory at MuCEM, Marseille

Ahmad Makia

Bruno Boudjelal's Documentary of Affect

An Alternative Genealogy of Musique Concrète

The Subversive Feminine

The Unspoken Battle of Self-Censorship

Edited Urbanism on Dubai Creek

A Nomadological Study of Ottoman Arab Photography

Performing Armenity at the 56th Venice Biennale

For Ibraaz Platform 009, Hassan Darsi presents a photo essay.

Franco Berardi

Determining the Axis of the Global South and Middle East

Contemporary Cinema from North Africa

Natasha Ginwala

Rana ElNemr at the American University in Cairo’s Sharjah Art Gallery

On Bouchra Khalili’s Cartographies

Portrait of a Salafi en abyme in the Cyber World

An Art Collection as an Alternative Archive of Iranian History

The term 'Global South' is quite new to me – but since my practice is concerned with the legacy of the transatlantic slave trade and the impact colonialism has on today's power structures I find it obvious that the concept of the 'Global South' is of great relevance in my...

In the years that followed the destruction of the Berlin Wall, which triggered the rise of post-colonial studies, the definition of the term 'the Global South' has changed dramatically.

Outside Looking In: Taking a Title and Running With It*

An Emergent Design Approach to the Gulf

Re-Thinking Cultural Development in Palestine

Re-routing Institutional Critique

Art and Culture Beyond Institutions in Amman

From the Intimate to the World

In the Shadow of Nasser

Global Art Forum 8 at Katara Art Center

Imagining the Future, Assembling the Past

What Does It Mean to Be Building a Library in Iraq?

'The future of arts looks promising, but it also risks looking stale if we're not too careful. I will concentrate here on what I think are important considerations in the shaping of spaces of encounter.'

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

A Review

Almagul Menlibayeva

Malak Helmy and Sophia Al Maria

Oreet Ashery

Hera Büyüktaşçıyan

A Radio Series on the Poetics and Politics of Language

Raed Yassin

Roy Samaha

Isak Berbic

A Mother's Tongue, On Ahmad Ghossein's film My Father is Still a Communist

A Libyan Diary (Part III) - December 2011

A Libyan Diary (Part I) - October 2011

Marwa Arsanios

Cecilia Andersson

Basma Alsharif

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

Written by Mayssa Fattouh

Meriem Bennani

Yazan Khalili Lara Khaldi

An Online Performance

I felt the desire to examine the reverse process: what in art history and, more specifically, in the making of art, can contribute to the development of an archiving process?

Akira Mizuta Lippit, in Atomic Light (Shadow Optics), characterizes the shadow archive as what cannot be archived, and therefore survives when the archive is destroyed. The shadow archive describes the majority of Arab cultural memory, which survives in non-visual traces, such as the work done by memory and imagination in...

Dispatch One: the Artist and the Archive, June–September 2013

The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore

/si:n/ Festival of Video Art and Performance, Ramallah

FIAF’s 2013 World Nomads Tunisia Festival

Literary Affects and the New Political by Tarek El-Ariss

Hauser & Wirth / Alan Cristea Gallery: A Spectrum Review

Amy Charlesworth

Is soft power helping or hindering the state of the arts in Jordan?

Celebrating Arab Women Filmmakers

Ibraaz Platform 005 Editorial

What if Rani al Rajji and Michel De Certeau met in Beirut?

Aid and the Politics of Art in Processes of Contemporary Cultural Production

Looking for Palestine in the Jordanian Music Scene

Atfal Ahdath at Running Horse Contemporary

Introduction

Objects in Mirror are Closer than they Appear

On the Memory of a Memorial

Jens Maier-Rothe

The Shifting Narrative of Uprising

A significant component of Sada's programming provides seminars, lectures, and workshops to young, emerging artists and students in Baghdad. We do this using basic Internet connection, Skype, some simple software, and a projector. A private Facebook group is the site of extensive conversations, critique and debate. This was not done...

An Introduction

Cultural Institutions, Urban Development, and Regional Cinema in the Gulf Today

For a Polysemic Reading of Both City and Territory

Yazid Anani

Reflections from a book on South Sinai

The scale of the resistance among the people of the MENA region in the last year will remain an example in contemporary history. This resistance expresses a desire to build new ground and another social entity, which up till now has been latent. The clear desire is to build a...

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

Raymond Baker

Joe Khalil

Sitting in the sweltering sun of Sharjah on a large rolled carpet on the open esplanade facing the museum, I express to an acquaintance, my uneasiness and inability to respond to the question. We need MENA (I had continually mistaken it for MENASA, unconsciously adding yet another region to the...

Aesthetics, Civil Society, and the Politics of Representation

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