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Malu Halasa

Yaman (2016)

Fade to Black (2015)

Tarek Khoury

Lois Stonock: Mapping the Possible: Syrian Organizations, Movements and Platforms

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

Sheyma Buali

Amer AlBarzawi

Randa Mirza in conversation with Amira Gad

Hrair Sarkissian in conversation with Raed Yassin

Carole Alfarah in conversation with María Gómez López

description

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

A Nomadological Study of Ottoman Arab Photography

A Video Game Mausoleum for Bashar al-Assad

Continuing Traditions of Satire, Art and the Struggle for Freedom in Syria

Waterside Contemporary

Tinkerings on the Instable Present Tense

Looking for Palestine in the Jordanian Music Scene

Mario Rizzi’s Al Intithar (The Waiting)

Foundland

Sites of Return: Ramallah

Pattern Recognition: Ramallah

A Series of Un-Curated Events: Ramallah

RE/viewing Jerusalem #2 – REturn: Jerusalem

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Moments for Possibilities 'Air, Land and Sea': London

Sea of Stories: Beirut

The People of the Sea: Haifa

Biographies

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Reflections: Ala Younis Adania Shibli

Introduction: Qi2016 Curatorial Team

Responses

A roundtable discussion

Adonis in conversation with Laura Allsop

Ziad Antar in Conversation with Anthony Downey

Tom Bogaert in conversation with Anthony Downey

Roy Samaha in conversation with Anthony Downey

Diana Al-Hadid in Conversation with Fawz Kabra

Zeina Arida in conversation with Laura Allsop

Rasha Salti in conversation with Fawz Kabra

Pascal Hachem in conversation with Nour K Sacranie

Ayah Bdeir in conversation with Omar Kholeif

Simone Fattal in conversation with Mirene Arsanios

Mario Rizzi in conversation with Dorothea Schoene

Monir Shahroudy Farmanfarmaian in conversation with Stephanie Bailey

Chapter 2: Details

Soundscapes: Taking Apart the Arab City by Dr. Alexandra MacGilp

Sulayman Al Bassam in conversation with Ala Younis

Rabih Mroué in conversation with Göksu Kunak

Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare

Rasha Salti and Kristine Khouri in conversation with Samah Hijawi

Magdi Mostafa in conversation with Clelia Coussonnet

Rasha Salti in conversation with Sheyma Buali

Speaker Biographies + Synopses

Haig Aivazian in conversation with Rayya Badran

Sussan Deyhim in conversation with Sheyma Buali

Matthias Lilienthal in conversation with Göksu Kunak

Morehshin Allahyari in conversation with Hannah Gregory

Mario Rizzi in conversation with Cristiana Perrella

Mounira al Solh in conversation with Nat Muller

Hiwa K in conversation with Anthony Downey and Amal Khalaf

Helene Kazan in conversation with Amal Khalaf

Lawrence Abu Hamdan in conversation with Anthony Downey

Seth Ayyaz in conversation with Sheyma Buali

Navine G. Khan-Dossos in conversation with Stephanie Bailey

Mohssin Harraki in conversation with Karima Boudou

Dia Azzawi in conversation with Sheyma Buali

Rabih Mroué in conversation with Anthony Downey

Raed Yassin in conversation with Nat Muller

Martina Caruso in conversation with Sheyma Buali

Maryam Monalisa Gharavi in conversation with Mirene Arsanios

Nav Haq in conversation with Stephanie Bailey

Hera Büyüktaşçıyan in conversation with Basak Senova

Sumesh Sharma in conversation with Amanprit Sandhu

Sheyma Buali in conversation with Turi Munthe and Sultan Sooud Al-Qassemi

Leeza Ahmady in conversation with Taus Makhacheva

Jonas Staal in conversation with Stephanie Bailey

Vangelis Vlahos in conversation with Stephanie Bailey

November Paynter and Didem Pekün in conversation with Basak Senova

The Arab Digital Expression Foundation in conversation with Laura Cugusi

Jananne Al-Ani in conversation with Nat Muller

Maryam Jafri in conversation with Stephanie Bailey

Rana Hamadeh in conversation with Stephanie Bailey

Ali Cherri in conversation with Sheyma Buali

Nida Sinnokrot in conversation with Natasha Hoare

Suha Shoman in conversation with Amin Alsaden

Foundland in conversation with Nat Muller

Kamel Lazaar in conversation with Anthony Downey

WHW in conversation with Omar Kholeif

Uriel Orlow in conversation with Omar Kholeif

Kim Beamish in conversation with Sam Bowker

Younes Bouadi in conversation with Stephanie Bailey

Tarek Abou El Fetouh in conversation with Stephanie Bailey

Fadi Bardawil in conversation with Zeynep Oz

Anthony Downey: Introduction to 'Future Imperfect'

Alia Rayyan: Recounting the Past, Present and Future

Hussam al-Saray: in conversation with Ala Younis | A Cultural Encyclopaedia of Iraq

Wided Rihana Khadraoui: Digitalizing Social Change through Cultural Institutions in Saudi Arabia

Monira Al Qadiri: The Saudi New Wave | Digital Landscapes and Future Institutions

Nile Sunset Annex: Plotting in Egypt: Art People

Ibraaz

Amira Gad

Ibraaz

Art and Culture in the ‘Imagined’ Arab World, Cornerhouse, Manchester, 13 April 2012

Nour K Sacranie

Nour K Sacranie

Samiha Khalil

Fawz Kabra

1967 in Art and Its Histories, June 1-2, 2012 American University of Beirut, Lebanon

Charlotte Bank

Ibraaz

Ibraaz

Sheyma Buali

Two Exhibitions in Paris

The Doris Duke Foundation for Islamic Art's Artist Residency Programme

Ibraaz

Ibraaz

Ibraaz

Ibraaz

Future Imperfect, A Symposium

Edge of Arabia Launches Culturunners

News JAOU Tunis 2015 008 / 18 May 2015 Jaou Tunis 2015. Copyright Kamel Lazaar Foundation. Visual Culture in an Age of Global Conflict The Kamel Lazaar Foundation is pleased to announce that it will stage a two-day conference at the National Museum of Bardo from 28–29 May, 2015. This...

Online exhibition catalogue

A Report from Home Works 7 and Athens Biennale 5 to 6

An Odd Piece of Research on the Many Virtues of Oriental Imagination

Aimee Dawson

Live

Okwui Enwezor: in conversation with Anthony Downey

Ibn Khaldun’s The Muqadimmah

Crisis The End of Pearling in the Gulf (Qatar)

1971-1979 The Short Seventies (UAE)

The Future Was ZZZZZZZZ

Al Intithar : (The Waiting )

Ammar Al-Beik

Mithkal Alzghair

Toleen Touq in conversation with Reema Salha Fadda

Edited by Anthony Downey (Sternberg Press, 2016)

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

On Navigating Without a Compass

Ala Younis

Reema Salha Fadda

Contour Biennale 8

Notes on Geo-cultural Exhibitions

Stephanie Bailey

Artists Intervening in Lebanese Dailies

Natasha Marie Llorens

Halil Altındere at Neuer Berliner Kunstverein, Berlin

Reflections on Reflections

The Artist as Awakener at AUB

Walking Cabbages and Watermelons

Ibraaz 5th Year Anniversary Editorial

On Assumption and Authority

Barrak Alzaid

The varying political, cultural and economic circumstances of the participants of Art Dubai 2016, Design Days and the March Meeting, merit further consideration, as it is the differences among them that highlight the current constraints and opportunities for cultural production in the region.

As a historian of nineteenth- and twentieth-century Middle Eastern art, I am concerned with the urgent questions facing cultural production as well as those facing histories of cultural production. My response below reflects that concern.

Of course, I do not wish to be misunderstood as arguing for nativism or closure. But the specific history of the region matters deeply, as factual evidence, but even more so in terms of identifying resources that can be transformed and activated in new ways today.

An Introduction to Body Art and Performance in the Gulf

An Ode to Performing Subjectivity in Research

The Performance of Death in a Post-9/11 World

Shady El Noshokaty at Gypsum Gallery, Cairo

Notes on Maverickism as Genealogy and Genealogy as Approach

A Review of the 56th Venice Biennale

Maraya Art Centre

Interventions as Performative Gestures For Political Engagement in Jordan

Practice, Performance, Politics

Performing Armenity at the 56th Venice Biennale

Determining the Axis of the Global South and Middle East

'Too Early, Too Late: Middle East and Modernity' at the Pinacoteca Nazionale di Bologna

Lantian Xie at Grey Noise

On Nikolaj Larsen's End of Dreams

Portrait of a Salafi en abyme in the Cyber World

Here and Elsewhere at the New Museum

Building Institutions Through Practice

Re-routing Institutional Critique

Mounira Al Solh at Sfeir-Semler Gallery, Beirut

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

A Perspective on Algeria's Cultural Scene

HIWAR | Conversations in Amman

Eric Baudelaire

Mounira Al Solh

Uriel Orlow

A project by Ali Cherri

A project by Tom Bogaert for Ibraaz

A Project by Anahita Razmi

Two Projects by Sinisa Vlajkovic

A Project by Dictaphone Group

Lina Khatib

Marwa Arsanios

Dalia Khamissy

Cecilia Andersson

Projects 'Graphic Witness' at Drawing Room, London 010 / 16 June 2017 When images of conflict and protest can be so easily captured on mobile devices, why translate them into graphic representations? How does the translation into graphic form change the act of witnessing, fabricate commentaries on instances of injustice,...

Basma Alsharif

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

Yazan Khalili Lara Khaldi

Seth Ayyaz

Ibraaz Platform 006 Editorial

When Buildings Become Part of the Record

An I for an Eye and Death of a Cameraman

Repatriation of Iraq's Looted Heritage under International and Domestic Law and Practice

FIAF’s 2013 World Nomads Tunisia Festival

Gezira Art Center, Cairo

Is soft power helping or hindering the state of the arts in Jordan?

Ibraaz Platform 005 Editorial

Gulf Labor

Nadia Mounajjed

An Exhibition between Cairo and London

Refraction: Moving Images on Palestine at P21 Gallery

It stipulates in my working contract as a professor in Middle East history at Leiden University that I must participate in 'media outreach'. This means that I must either seek out media outlets and contribute to a particular conversation about the Middle East, or, if contacted by a media representative,...

The excited chatter about unrest and uprisings in the western world has focused particularly on a number of countries in North Africa and in what we here refer to as the Middle East (meaning anything between eighteen to thirty-eight countries according to Wikipedia). In the UK, we have received a...

Introduction

Jens Maier-Rothe

The Shifting Narrative of Uprising

A.S. Bruckstein Çoruh

Using new media tools and technologies available today has become standard practice for a range of activities; it's become a source of educational content and entertainment, as well as a means of communicating from conflict zones or even from the comfort of our homes. New media technologies available on smart...

New media's role as an agent for social change in the MENA region has been somewhat sensationalised by mainstream media in referring to recent incidents of unrest as 'Facebook' or 'Twitter revolutions'. Whether used for the purpose of social exchange or as part of an artistic practice, real-time communication and...

One major obstacle for a diverse art scene in a country or region is the lack of artistic infrastructure with institutions that offer support for artistic research and the production of independent, non-market-related work. During the past decade, most countries in the MENA region have seen the establishment of independent,...

Anthony Downey

Perceptions of Occupation and Control in Cyprus

For a Polysemic Reading of Both City and Territory

Ela Greenberg

Joe Khalil

The question 'What do we need to know about the MENA region today?' triggered a series of questions from my part. My contribution will be these questions; the aim is to start a game of Q&Q (instead of a Q&A) with no rules and no time limits. Who is this...