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Sharjah Art Foundation, 17-19 March 2012

Reema Salha Fadda

A Report from Cologne

Yazan Ashqar

Amy Charlesworth

Jens Maier-Rothe

A Report on Future City

A Report from the AUC

A Report from Home Works 7 and Athens Biennale 5 to 6

The Art for Tomorrow Conference 2016 in Doha

On the 2016 Global Art Forum ‘The Future Was’

The 2016 March Meeting

Two Exhibitions on the Armenian Legacy in Anatolia

An Odd Piece of Research on the Many Virtues of Oriental Imagination

At the Salzburger Kunstverein

Aimee Dawson

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

Natasha Marie Llorens

Creative Time Reports

Creative Time Reports

News from the Arab World reaches western audiences on a daily basis. The various analogue and online formats of media – TV, radio, newspapers, and blogs – are extensively reporting on the events in this region. In Berlin, and certainly elsewhere in Europe, cultural institutions and festivals reacted very quickly...

Pattern Recognition: Ramallah

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Foreword: Anthony Downey

Responses

Curator's Essay: Aaron Cezar

Michket Krifa in conversation with Wafa Gabsi

Tom Bogaert in conversation with Anthony Downey

Tarek Al-Ghoussein in conversation with Anthony Downey

Amina Menia in conversation with Laura Allsop

Roy Samaha in conversation with Anthony Downey

Reza Aramesh in conversation with Anthony Downey

Wafaa Bilal in conversation with Sara Raza

Rasha Salti in conversation with Fawz Kabra

Visualizing Palestine in conversation with Haig Aivazian

Seth Anziska in conversation with Daniella Rose King

A Question: Jalal Toufic

Looking at Wafaa Bilal's Domestic Tension : Barrak Alzaid

Dream City in Tunis

Rasha Salti and Kristine Khouri in conversation with Samah Hijawi

Koyo Kouoh in conversation with Stephanie Bailey

Randa Mirza in conversation with Amira Gad

Reza Aramesh in conversation with Lara Atallah

JW Stella in conversation with Aimee Dawson

ismaël in conversation with Wafa Gabsi

Adel Abidin in Conversation with Basak Senova

Adham Hafez in conversation with Suzy Halajian

Robin Kahn in conversation with Stephanie Bailey

Mario Rizzi in conversation with Cristiana Perrella

Hiwa K in conversation with Anthony Downey and Amal Khalaf

Oreet Ashery in conversation with Amal Khalaf

Helene Kazan in conversation with Amal Khalaf

Farah Saleh in conversation with Marianna Liosi

Navine G. Khan-Dossos in conversation with Stephanie Bailey

Özgür Uçkan and Vasif Kortun in conversation with Basak Senova

Rabih Mroué in conversation with Anthony Downey

Aikaterini Gegisian in conversation with Stephanie Bailey

Anthony Downey and Beatrix Ruf in conversation with Slavs and Tatars

Leeza Ahmady in conversation with Taus Makhacheva

Monira Al Qadiri in conversation with Stephanie Bailey

Burak Arıkan in conversation with Basak Senova

Hisham Al-Madhloum in conversation with Stephanie Bailey

Jananne Al-Ani in conversation with Nat Muller

Lucien Samaha in conversation with Walid Raad, Part I

Wael Shawky in conversation with Stephanie Bailey

Parastou Forouhar in conversation with David Hodge and Hamed Yousefi

Nida Sinnokrot in conversation with Natasha Hoare

Foundland in conversation with Nat Muller

Jumana Manna in conversation with Sheyma Buali

Hajra Waheed in conversation with Stephanie Bailey

Héla Ammar in conversation with Wafa Gabsi

Lois Stonock: Mapping the Possible: Syrian Organizations, Movements and Platforms

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

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Art and Culture in the ‘Imagined’ Arab World, Cornerhouse, Manchester, 13 April 2012

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Malu Halasa

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Contemporary Image Collective, Cairo

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Edge of Arabia Launches Culturunners

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News JAOU Tunis 2015 008 / 18 May 2015 Jaou Tunis 2015. Copyright Kamel Lazaar Foundation. Visual Culture in an Age of Global Conflict The Kamel Lazaar Foundation is pleased to announce that it will stage a two-day conference at the National Museum of Bardo from 28–29 May, 2015. This...

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London book launch: 19 November, 18:30, Rivington Place

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Jim Quilty

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Soviet Orientalism and Political Mobilisation

Ibn Khaldun’s The Muqadimmah

1971-1979 The Short Seventies (UAE)

Tania El Khoury

Işıl Eğrikavuk

Jim Quilty

Deceptive Authoritarianisms: Between Artificial and Discredited Personhoods

A two-part conversation with Szabolcs KissPál and Mahmoud Khaled

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On Navigating Without a Compass

Ala Younis

Notes on Geo-cultural Exhibitions

Artists Intervening in Lebanese Dailies

Lizzy Collier

On Qalandiya International 2016 in Ramallah

Halil Altındere at Neuer Berliner Kunstverein, Berlin

Exhibitions and Other Representations in 25 Years at Witte de With

The Art of Shirin Neshat

Edmund Clark at the Imperial War Museum, London

Gülsün Karamustafa Retrospective at Hamburger Bahnhof

Rayyane Tabet at Museo Marino Marini

Walking Cabbages and Watermelons

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

On Assumption and Authority

Organic Growth and the Rise of Visual Arts Organizations in the UAE

Barrak Alzaid

There is never a neutral position for critique, but there certainly ought to be the practice of critique. And that is precisely the element that is missing in top-down formation of the art scene in West Asia and North Africa, and perhaps in the rest of the non-western art scene.

Tarek Al-Ghoussein at Galerie Brigitte Schenk

Earshot by Lawrence Abu Hamdan, Portikus, Frankfurt

Tehran’s Self-portrait

Choreographing Spaces of Gesticulation

Six Short Stories on Arabic Voice Acting

Rana Hamadeh at The Showroom, London

Genealogy of a Territory at MuCEM, Marseille

Ahmad Makia

Bruno Boudjelal's Documentary of Affect

The Performance of Death in a Post-9/11 World

An Alternative Genealogy of Musique Concrète

Edited Urbanism on Dubai Creek

A Review of the 56th Venice Biennale

Maraya Art Centre

Franco Berardi

'Too Early, Too Late: Middle East and Modernity' at the Pinacoteca Nazionale di Bologna

On Nikolaj Larsen's End of Dreams

An Art Collection as an Alternative Archive of Iranian History

Pan-Kaffirism in Iraq, South Africa, and Sri Lanka

Conflicting Narratives and the Invention of Geographies

Re-Thinking Cultural Development in Palestine

In the Shadow of Nasser

Object Lessons from Saadiyat Island and Gehry’s Guggenheim, Abu Dhabi

Imagining the Future, Assembling the Past

A Perspective on Algeria's Cultural Scene

A Review

HIWAR | Conversations in Amman

Santiago Mostyn

Aikaterini Gegisian

Elif Öner and Vincent Rozenberg

Basak Senova on Zeren Göktan's Counter (2013)

Hans Haacke

A Project by Lara Baladi with an introduction by Dorothea Schoene

A Libyan Diary (Part III) - December 2011

A Libyan Diary (Part II) - November 2011

A Libyan Diary (Part I) - October 2011

Dalia Khamissy

The Society of False Witnesses

Basma Alsharif

Yazan Khalili Lara Khaldi

Dispatch One: the Artist and the Archive, June–September 2013

The Recordings of the Cosmopolitan

The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore

Repatriation of Iraq's Looted Heritage under International and Domestic Law and Practice

Gezi Resistance, Public Space and the Counter-monumental

Is soft power helping or hindering the state of the arts in Jordan?

Celebrating Arab Women Filmmakers

Shifting the Geographies of Sensing, Believing and Knowing

Ibraaz Platform 005 Editorial

Aid and the Politics of Art in Processes of Contemporary Cultural Production

Gulf Labor

It stipulates in my working contract as a professor in Middle East history at Leiden University that I must participate in 'media outreach'. This means that I must either seek out media outlets and contribute to a particular conversation about the Middle East, or, if contacted by a media representative,...

The excited chatter about unrest and uprisings in the western world has focused particularly on a number of countries in North Africa and in what we here refer to as the Middle East (meaning anything between eighteen to thirty-eight countries according to Wikipedia). In the UK, we have received a...

Correct me if I'm wrong, but the word 'demand' seems to be the key word of the poll. In relation to a 'globalised cultural economy' it refers to the core term of economics that is used to rationalise the development of prices. Talking about 'demands of news media, journalism, cultural...

Introduction

Artistic Practices, Collective Action and Civil Society in Tunisia

The Story of Bahrain’s Pearl Roundabout

What has Changed in Tunisia since Spring 2011

On the Memory of a Memorial

The Net is Not a Tool, It’s an Environment

The Impossibilities of Production in New Media

Artistic Practices, Civil Society, and Secular Determination in Tunisia Today

Theatre As a Tool of Empowerment

Foundland

Using new media tools and technologies available today has become standard practice for a range of activities; it's become a source of educational content and entertainment, as well as a means of communicating from conflict zones or even from the comfort of our homes. New media technologies available on smart...

The Practice of Contemporary Art in Algeria Today

Perceptions of Occupation and Control in Cyprus

Dar al-Ma'mûn is a new arts centre and residency for artists and translators outside of Marrakech. The questions of public space and of civil society have been with us since the beginning, as we were trying to avoid creating a mere retreat for artists, a luxurious ivory tower for intellectuals...

Yazan Khalili

It is so difficult to imagine the people in the world now getting their cultural resources without a visual component, especially in the Arab world where the photograph is becoming increasingly dominant in the media. For example, most newspapers and Arabic magazines are giving much more space to photographs, considering...

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

Ela Greenberg

Raymond Baker

Joe Khalil

Aesthetics, Civil Society, and the Politics of Representation

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