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Hassan Sharif in conversation with Nujoom Al Ghanem

Ibraaz

Ibraaz

Aaron Cezar, Delfina Foundation

Anthony Downey

Performances at Echoes & Reverberations

An Introduction to Body Art and Performance in the Gulf

'The following considerations on performance as an artistic medium in the region of North Africa and Middle East refer to more general problems that relate to the art form's status as an institutionalized aesthetic practice...'

Practice, Performance, Politics

'A few notes on the difference between performance art and mayonnaise...'

An Online Performance

Sites of Return: Ramallah

Shirin Neshat

Wafaa Bilal in conversation with Sara Raza

Joe Namy: space, breath, time

Anas Al-Shaikh: My land, 2

Exhibition Overview

Performance documentation: Lin Yilin

Dream City in Tunis

Rabih Mroué in conversation with Göksu Kunak

Lina Majdalanie in conversation with Göksu Kunak

Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare

Lidia Al-Qattan in conversation with Monira Al Qadiri

Sohrab Kashani in conversation with Taus Makhacheva

Marwa Arsanios in conversation with Fawz Kabra

Online exhibition catalogue

Fayçal Baghriche in conversation with Sheyma Buali

Coco Fusco in conversation with Stephanie Bailey

Sussan Deyhim in conversation with Sheyma Buali

Adham Hafez in conversation with Suzy Halajian

Hiwa K in conversation with Anthony Downey and Amal Khalaf

Oreet Ashery in conversation with Amal Khalaf

Helene Kazan in conversation with Amal Khalaf

Lawrence Abu Hamdan in conversation with Anthony Downey

Seth Ayyaz in conversation with Sheyma Buali

Farah Saleh in conversation with Marianna Liosi

Maya Zbib in conversation with Amal Khalaf

Hrair Sarkissian in conversation with Raed Yassin

Raed Yassin in conversation with Stephanie Bailey

Rana Hamadeh in conversation with Stephanie Bailey

Georgia Kotretsos in conversation with Stephanie Bailey

Jumana Manna in conversation with Sheyma Buali

Ibraaz

Theme: Performance

Ibraaz

Online exhibition catalogue

Online exhibition catalogue

Ibraaz

Işıl Eğrikavuk's The Art of Disagreement

Videobrasil

Tania El Khoury

Hassan Sharif

Fayçal Baghriche

Wael Shawky

Doa Aly

Lin Yilin

Anas Al-Shaikh

Dictaphone group

Wafaa Bilal

Fayçal Baghriche

Bouchra Ouizguen

Nancy Atakan

Seth Ayyaz

Işıl Eğrikavuk

The Future Was Underwater

A Video Installation

Doa Aly

Christodoulos Panayiotou

Zoukak Theatre Company

Tania El Khoury

Shirin Neshat

Farah Saleh

Aikaterini Gegisian and Fatma Çiftçi

Mithkal Alzghair

Yaman (2016)

Fade to Black (2015)

Amer AlBarzawi

description

Meeting Points 8

Katia Kameli at the Mosaic Rooms

Walking Cabbages and Watermelons

Participatory Art in the Middle East

On Assumption and Authority

Forests, Freaks and Performativity

Barrak Alzaid

On Walking and Crawling

Rana Hamadeh at The Showroom, London

Ahmad Makia

The Performance of Death in a Post-9/11 World

The performative in the work of Hassan Khan

Notes on Maverickism as Genealogy and Genealogy as Approach

The Subversive Feminine

The Unspoken Battle of Self-Censorship

Maraya Art Centre

'Mixed Media I (2009) is a list of 50 pages of technical descriptions of contemporary art pieces. The list, made up of automatic extractions of data about techniques used in contemporary art practices, is a multi-format, translatable database...'

Adel Abidin presents Subway Scene (2015).

Interventions as Performative Gestures For Political Engagement in Jordan

Performing Armenity at the 56th Venice Biennale

For Ibraaz Platform 009, Hassan Darsi presents a photo essay.

'To avoid misunderstanding, I write from the perspective of Turkey, because I can't really speak for North Africa nor for the Middle East in general...'

'Do not pollute others' hearing with shameful sounds...'

In a recent video work, Mouthfeel (2014) and a related lecture-performance titled Playlist (2014), I focused on symmetries between forms of aspirational consumption in the Global South.

33rpm and a Few Seconds by Rabih Mroué and Lina Saneh

Georgia Kotretsos: SPRING CLEANING and KARFI in Rabat

Malak Helmy and Sophia Al Maria

Oreet Ashery

A project by Katia Kameli

A Radio Series on the Poetics and Politics of Language

Maryam Monalisa Gharavi

The Society of False Witnesses

Basma Alsharif

Dena Al-Adeeb

Zoukak Theatre Company

Sohrab Kashani

Seth Ayyaz

Burak Delier

Urok Shirhan

Hassan Khan

Joe Namy

On Shuruq Harb's The Keeper

The Recordings of the Cosmopolitan

Yasmine Eid-Sabbagh’s 'A photographic conversation from Burj al-Shamali Camp'

/si:n/ Festival of Video Art and Performance, Ramallah

FIAF’s 2013 World Nomads Tunisia Festival

Contemporary Artistic Practice in Iran at a Revolutionary Moment

What if Rani al Rajji and Michel De Certeau met in Beirut?

An Exhibition between Cairo and London

Dictaphone Group is a collaboration between performance artist Tania El Khoury and urban researcher architect Abir Saksouk-Sasso, whose aim is to research specific urban spaces in Lebanon. Issues of public space and public amenities, or indeed the lack thereof in Beirut, come to the fore in Bus Cemetery, a sound-based...

Middle Eastern culture, which is Islamic and mainly very conservative, is in the process of redefining its interpretation of, and relationship to, visual culture. The role of contemporary art in the Middle East is different to that in many parts of world. Design, advertising, media, performance, photography, conceptual art, new...

O Whale, Don't Swallow Our Moon: Ramallah

Pattern Recognition: Ramallah

A Series of Un-Curated Events: Ramallah

RE/viewing Jerusalem #2 – REturn: Jerusalem

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Moments for Possibilities 'Air, Land and Sea': London

This Sea is Mine: Gaza

Sea of Stories: Beirut

The People of the Sea: Haifa

Biographies

Partner institutions

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Introduction: Qi2016 Curatorial Team

Responses

Acknowledgements

Installation Views

ARC.HIVE (2006–present): Adham Hafez

Curator's Essay: Aaron Cezar

Foreword: Anthony Downey

Exhibition Overview

A roundtable discussion

Jack Persekian in conversation with Basak Senova

Christine Tohme in conversation with Anthony Downey

Tom Bogaert in conversation with Anthony Downey

Shady El Noshokaty in conversation with Omar Kholeif

Tarek Al-Ghoussein in conversation with Anthony Downey

Amina Menia in conversation with Laura Allsop

Lida Abdul in conversation with Sara Raza

Roy Samaha in conversation with Anthony Downey

Nathan Witt in conversation with Amira Gad

Chapter 1: Intensities

Hassan Khan in conversation with Omar Kholeif

Heiko Lange in conversation with Amira Gad

Rasha Salti in conversation with Fawz Kabra

Pascal Hachem in conversation with Nour K Sacranie

Michael Rakowitz in conversation with Anthony Downey

Cynthia Zaven in conversation with Basak Senova

Yuko Hasegawa in conversation with Walter D. Mignolo and Stephanie Bailey

Visualizing Palestine in conversation with Haig Aivazian

Sheikha Hoor Al-Qasimi in conversation with Stephanie Bailey

Jeremy Hutchison in conversation with Natasha Hoare

Nadia Ayari in conversation with Haig Aivazian

Hera Büyüktaşçıyan in conversation with Basak Senova

Fulya Erdemci in conversation with Basak Senova

Marie-Monique Steckel in conversation with Fawz Kabra

Chapter 7: Fabric

Chapter 6: Writing

Chapter 5: Lines

Chapter 2: Details

Editor's Foreword: Anthony Downey

Preface: Jack Persekian

Online exhibition catalogue

A View from the City: Tina Sherwell

Acknowledgements

Samah Hijawi: Paradise Series

Jumana Emil Abboud: A Happy Ending, Part II

Visitations: When aurality loses site* by Rayya Badran

Soundscapes: Taking Apart the Arab City by Dr. Alexandra MacGilp

Curator's Introduction

Foreword: Anthony Downey

Looking at Wafaa Bilal's Domestic Tension : Barrak Alzaid

Sulayman Al Bassam in conversation with Ala Younis

End of War in Iraq: The Yes Men and Steve Lambert

Chic Point Fashion for Israeli Checkpoints: Sharif Waked

Bent Jbeil: Wael Shawky

Hair and Milk Bottle: Hassan Sharif

Two Gunshots Fired at the Installation Dialogue : Xiao Lu

Photographs With A Flag: Mohammed Kazem

I March In The Parade Of Liberty But As Long As I Love You I'm Not Free: Sharon Hayes

Variation on Discord and Divisions: Mona Hatoum

Crossing Surda (a record of going to and from work): Emily Jacir

Operation Atropos: Coco Fusco

OLGA'S NOTES, all those restless bodies: Marwa Arsanios

A Tress of Hair: Doa Aly

Magdi Mostafa in conversation with Clelia Coussonnet

Speaker Biographies + Synopses

Curatorial Narrative

Introduction

Closing Remarks

Meriem Bennani in conversation with Myriam Ben Salah

Video documentation: Day 2

Video documentation: Day 1

Randa Mirza in conversation with Amira Gad

Reza Aramesh in conversation with Lara Atallah

Reem Fadda in conversation with Fawz Kabra

JW Stella in conversation with Aimee Dawson

Alya Sebti in conversation with Göksu Kunak

Taysir Batniji in conversation with Silke Schmickl

ismaël in conversation with Wafa Gabsi

Haig Aivazian in conversation with Rayya Badran

Matthias Lilienthal in conversation with Göksu Kunak

Fayçal Baghriche in conversation with Laura Allsop

Mounira al Solh in conversation with Nat Muller

Urok Shirhan in Conversation with Stephanie Bailey

Navine G. Khan-Dossos in conversation with Stephanie Bailey

Mohssin Harraki in conversation with Karima Boudou

Rabih Mroué in conversation with Anthony Downey

Raed Yassin in conversation with Nat Muller

Stefano Rabolli Pansera in conversation with Stephanie Bailey

Maryam Monalisa Gharavi in conversation with Mirene Arsanios

Youmna Chlala in conversation with Fawz Kabra

Nav Haq in conversation with Stephanie Bailey

Sumesh Sharma in conversation with Amanprit Sandhu

Leeza Ahmady in conversation with Taus Makhacheva

Jonas Staal in conversation with Stephanie Bailey

November Paynter and Didem Pekün in conversation with Basak Senova

Köken Ergun in conversation with Omar Kholeif

Mai Elwakil in conversation with Daniella Rose King

The Arab Digital Expression Foundation in conversation with Laura Cugusi

Tarek Atoui in conversation with Stephanie Bailey

Monira Al Qadiri in conversation with Stephanie Bailey

Burak Arıkan in conversation with Basak Senova

Maryam Jafri in conversation with Stephanie Bailey

Joe Namy in conversation with Garine Aivazian

Akram Zaatari in conversation with Anthony Downey

Fulya Erdemci in conversation with Basak Senova

Nevin Aladağ in conversation with Walter D. Mignolo

Shumon Basar, Ala Younis and Omar Berrada in conversation with Sheyma Buali

Wael Shawky in conversation with Stephanie Bailey

Adelina von Fürstenberg in conversation with Stephanie Bailey

Hicham Khalidi in conversation with Daniella Rose King

WHW in conversation with Omar Kholeif

Uriel Orlow in conversation with Omar Kholeif

A View from Afar: Stephanie Bailey

Tarek Abou El Fetouh in conversation with Stephanie Bailey

MADRASSA Collective in conversation with Antonia Alampi

Leung Chi Wo in conversation with Robin Peckham

Lamia Joreige in conversation with Anthony Downey

Christine Tohme in conversation with Rachel Dedman

Meriç Algün Ringborg in conversation with Nora Razian

Amar Kanwar in conversation with Stephanie Bailey

Eric Baudelaire in conversation with Anthony Downey

Alia Rayyan: Recounting the Past, Present and Future

Hussam al-Saray: in conversation with Ala Younis | A Cultural Encyclopaedia of Iraq

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

Ibraaz

Ibraaz

Ibraaz

Ibraaz

Sharjah Art Foundation, 17-19 March 2012

Art and Culture in the ‘Imagined’ Arab World, Cornerhouse, Manchester, 13 April 2012

Samiha Khalil

Fawz Kabra

Ibraaz

Charlotte Bank

The Cairo Seminar in Alexandria, dOCUMENTA (13)

Ibraaz

Malu Halasa

The Doris Duke Foundation for Islamic Art's Artist Residency Programme

Notes from a roundtable discussion on the state of the arts in Egypt

An Artist-Run Gallery Space in Cairo

Contemporary Image Collective, Cairo

Ibraaz

10 Years On: Art and Everyday Life in Iraq and Iran

Ibraaz

Ibraaz in partnership with Winchester Centre for Global Futures in Art

Ibraaz

Ibraaz

Future Imperfect, A Symposium

Ibraaz

News The Jerusalem Show 007 / 24 October 2014 Ibraaz is pleased to announce the opening of THE JERUSALEM SHOW VII: FRACTURES. Curated by Basak Senova and organized by Al-Ma'mal Foundation for Contemporary Art, Jerusalem, this year's show runs from 24 October to 7 November 2014, and is presented in...

Reema Salha Fadda

Ibraaz

Ibraaz

Tom Snow

Ibraaz

Ibraaz

News JAOU Tunis 2015 008 / 18 May 2015 Jaou Tunis 2015. Copyright Kamel Lazaar Foundation. Visual Culture in an Age of Global Conflict The Kamel Lazaar Foundation is pleased to announce that it will stage a two-day conference at the National Museum of Bardo from 28–29 May, 2015. This...

Almagul Menlibayeva in conversation with Basak Senova

Ibraaz

Ibraaz

Ibraaz

William Wells in conversation at Serpentine Galleries

Ibraaz

A Report from Home Works 7 and Athens Biennale 5 to 6

Ibraaz

Ibraaz

Ibraaz

Ibraaz

Ibraaz

Ibraaz

On the 2016 Global Art Forum ‘The Future Was’

The 2016 March Meeting

Ibraaz

Two Exhibitions on the Armenian Legacy in Anatolia

An Odd Piece of Research on the Many Virtues of Oriental Imagination

At the Salzburger Kunstverein

The Annual Signature Forum of Asia Contemporary Art Week (ACAW)

The Public and Intimate Lives of Arabic Calligraphy

Aimee Dawson

Burak Arikan & Başak Şenova: Network Data

Ibraaz

Ibraaz

Okwui Enwezor: in conversation with Anthony Downey

1971-1979 The Short Seventies (World)

Soviet Orientalism and Political Mobilisation

Crisis The End of Pearling in the Gulf (Qatar)

Anthony Downey: Editor-in-Chief, Ibraaz

Moncef Dhouib: Theatre- and film-maker

Tania El Khoury: Live artist

Rita Alaoui: Artist

Hiwa K.: Artist

Oumaïma Manai: Choreographer

Ghazi Gherairi: Professor of Law, Carthage University

Kamel Lazaar: Founder, Kamel Lazaar Foundation

Adel Abidin: Artist

Sultan Sooud Al-Qassemi: Writer

Antonia Carver: Director, Art Dubai

Ibraaz

Hiwa K.

Khaled Kaddal

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

Debra Levine: Toward A Common Satisfaction of Needs

Vikram Divecha

Episode Twelve: Prayer, Aerialist

Episode Five: Archives, Avatars

Episode One

Trailer

A web series by Oreet Ashery

Paris Without a Sea: Mounira Al Solh

Sama Alshaibi

Sama Alshaibi

Sama Alshaibi

Sama Alshaibi

Council presents: The Against Nature Journal

Contour Biennale 8 / DAI Roaming Assembly #12

Edited by Anthony Downey (Walther König Verlag, 2017)

Hammad Nasar in conversation with Reema Salha Fadda

Cevdet Erek in conversation with Başak Şenova

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

On Navigating Without a Compass

Ala Younis

Notes on Geo-cultural Exhibitions

Stephanie Bailey

Artists Intervening in Lebanese Dailies

Invisible Architecture in Rana ElNemr’s Streams of Synonyms

On Qalandiya International 2016 in Ramallah

Nil Yalter at ARTER, Istanbul

Closing Remarks

Halil Altındere at Neuer Berliner Kunstverein, Berlin

Exhibitions and Other Representations in 25 Years at Witte de With

Technology and Its Discontents

The Art of Shirin Neshat

Reflections on Reflections

Edmund Clark at the Imperial War Museum, London

Gülsün Karamustafa Retrospective at Hamburger Bahnhof

Lara Baladi

Ibraaz 5th Year Anniversary Editorial

Socially Engaged Art Practices in Tunisia

Nicola Baird

The 37th EVA International

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

An Introduction to Platform 010

Of course, I do not wish to be misunderstood as arguing for nativism or closure. But the specific history of the region matters deeply, as factual evidence, but even more so in terms of identifying resources that can be transformed and activated in new ways today.

KVS Theater in Brussels

Tehran’s Self-portrait

Choreographing Spaces of Gesticulation

Six Short Stories on Arabic Voice Acting

The Little Deaths of Christodoulos Panayiotou

An Ode to Performing Subjectivity in Research

An Alternative Genealogy of Musique Concrète

Shady El Noshokaty at Gypsum Gallery, Cairo

At the 41st Aeschylia Festival

Jumana Manna at Chisenhale Gallery, London

Between the Pessimism of the Intellect and the Optimism of the Will

A Nomadological Study of Ottoman Arab Photography

Determining the Axis of the Global South and Middle East

Notes on a Giant Implosion

This research-based response marks the beginning of a collaborative project undertaken by Clare Davies and Nida Ghouse that considers histories of artistic production in relation to the concept of metanoia.

The Cultural Centre of the Philippines opened to great political fanfare on 10 September 1969, with a ceremony that was graced by none less than California Governor Ronald Reagan and his wife Nancy acting on the orders of President Nixon.

In the years that followed the destruction of the Berlin Wall, which triggered the rise of post-colonial studies, the definition of the term 'the Global South' has changed dramatically.

Outside Looking In: Taking a Title and Running With It*

An Emergent Design Approach to the Gulf

A Recourse to the Past

A Yemeni Art History

Re-routing Institutional Critique

Art and Culture Beyond Institutions in Amman

Berlin Documentary Forum 3 at Haus der Kulturen der Welt, Berlin

In the Shadow of Nasser

Global Art Forum 8 at Katara Art Center

Downtown Contemporary Arts Festival (D-CAF)

"Neither identification with an institution nor disengagement from an institution guarantees fluid, sensitive attitudes and openmindedness."

'You can't draw desire, you have to walk it.'

'By producing an idea of the future, art transgresses official history and produces its own reality.'

'Better imagine now, rather than later.'

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

The Sharjah Art Foundation's 2014 March Meeting

Cevdet Erek at Spike Island, Bristol

Haig Aivazian’s multi-piece installation FUGERE at Sfeir-Semler, Hamburg

Eric Baudelaire

Simohammed Fettaka & Basak Senova

Mounira Al Solh

Youmna Chlala

Uriel Orlow

Leung Chi Wo

Mohamed Fariji

Isak Berbic

Medrar .TV

A project by Ali Cherri

A project by Jumana Manna and Sille Storihle

The Part about the Bandits Pt.2

Raed Yassin

Cynthia Zaven

Documenting the Backlash

An Image of a Revolution

Naira Antoun

A Story in Parts

Continuing Traditions of Satire, Art and the Struggle for Freedom in Syria

A Project by Anahita Razmi

Isak Berbic

A Project by Dictaphone Group

Mustapha Benfodil

Batroun Projects

Projects 'Graphic Witness' at Drawing Room, London 010 / 16 June 2017 When images of conflict and protest can be so easily captured on mobile devices, why translate them into graphic representations? How does the translation into graphic form change the act of witnessing, fabricate commentaries on instances of injustice,...

On Silence and Noise in Times of Crisis

Tom Bogaert

Adham Faramawy

Hasan Hujairi

Helene Kazan

Samah Hijawi

Dispatch One: the Artist and the Archive, June–September 2013

Ibraaz Platform 006 Editorial

When Buildings Become Part of the Record

From the photo-text series Getty vs. Ghana (2012).

Alsi Çavuşoğlu at Delfina Foundation, London

The 13th Istanbul Biennial

Waterside Contemporary

Farah Makni Hendaoui

Gezi Resistance, Public Space and the Counter-monumental

Tinkerings on the Instable Present Tense

Is soft power helping or hindering the state of the arts in Jordan?

Shifting the Geographies of Sensing, Believing and Knowing

Ibraaz Platform 005 Editorial

Looking for Palestine in the Jordanian Music Scene

Sharjah Biennial 11 – Re:emerge, Towards a New Cultural Cartography

Demonstrations by Palestinian villagers against Israeli colonisation has been described by non-local media sources as 'theatrics' and 'spectacle.' Such categorisation positions Palestinian acts of protest in the realm of 'acting'- a visual 'show' for the cameras, complete with homemade props, a soundtrack of chants performed to the rhythm of Israeli...

The globalisation of the modern art world is a fact. The rise of new economic powers has led to a shift in the balance of power in the art world as well. No longer is there one centre. Instead, we are faced with a mosaic of centres spread around the...

Introduction

Khalil Rabah: Pages 7, 8, 9 at e-flux

The Story of Bahrain’s Pearl Roundabout

A New Communal Model

The Shifting Narrative of Uprising

Theatre As a Tool of Empowerment

A.S. Bruckstein Çoruh

A video by Ali Cherri.

New media's role as an agent for social change in the MENA region has been somewhat sensationalised by mainstream media in referring to recent incidents of unrest as 'Facebook' or 'Twitter revolutions'. Whether used for the purpose of social exchange or as part of an artistic practice, real-time communication and...

The digitally mediated world operates as a gigantic magnet for centralisation, regulation and control by giving shape to our lives, our languages and bodies. This means that the digital domain is increasingly becoming the very location of politics. I propose the term 'magnetic' as an invitation to re-think audio-visual artwork...

Street art in Tunisia has appeared more and more since the early days of the 'revolution'. But this phenomenon was already there long before events took place. Certain activists – artists working in graphic and visual communication – invaded public spaces to express their grievances. They no longer wanted to...

News from the Arab World reaches western audiences on a daily basis. The various analogue and online formats of media – TV, radio, newspapers, and blogs – are extensively reporting on the events in this region. In Berlin, and certainly elsewhere in Europe, cultural institutions and festivals reacted very quickly...

I am broadly interested in addressing the recontextualisation of cultural heritage in the MENA region by institutions, thus aligning it in the process with current developments in contemporary art at large. Artistic practices are frequently used to measure the economic and cultural growth of geographies. This is often achieved by...

A recent project led by Walid Raad attempted to draw attention to, and improve the treatment of, migrant workers on Saadiyat Island by Guggenheim and its Abu Dhabi partner, the Tourism Development and Investment Company (TDIC). Tactics were initially conducted privately but when it was clear to those involved that...

The Practice of Contemporary Art in Algeria Today

Anthony Downey

Home Workspace: A Conversation Between Christine Tohme and Anthony Downey

Platform for discussion002 What relationship does visual culture have to the world we live in? Haig Aivazian 1 November 2011 The Unimaginable Things We Build is a multi-part project exploring the evolution of the rhetoric surrounding, and material state of, the tallest man-made structure in the world, Dubai's Burj Khalifa....

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

Ela Greenberg

Rachida Triki

Mayssa Fattouh

Aesthetics, Civil Society, and the Politics of Representation

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