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Street Art in the Mediterranean Border Zones

Lara Khaldi in conversation with Ghalya Saadawi

Oreet Ashery in conversation with Amal Khalaf

Martina Caruso in conversation with Sheyma Buali

Aimee Dawson

On Nikolaj Larsen's End of Dreams

Nikolaj Larsen

Meriç Algün Ringborg

Sites of Return: Ramallah

Moments for Possibilities 'Air, Land and Sea': London

This Sea is Mine: Gaza

Sea of Stories: Beirut

The People of the Sea: Haifa

Biographies

Encounters Programme

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Responses

A roundtable discussion

Nadia Kaabi-Linke in conversation with Lina Lazaar

Lida Abdul in conversation with Sara Raza

Bouchra Khalili in Conversation with Dorothea Schoene

Mario Rizzi in conversation with Dorothea Schoene

Omar Robert Hamilton in conversation with Elisabeth Jaquette

Marie-Monique Steckel in conversation with Fawz Kabra

Chapter 2: Details

Soundscapes: Taking Apart the Arab City by Dr. Alexandra MacGilp

Curator's Introduction

Magdi Mostafa in conversation with Clelia Coussonnet

Curatorial Narrative

Gülsün Karamustafa in conversation with Basak Senova

Koyo Kouoh in conversation with Stephanie Bailey

Reem Fadda in conversation with Fawz Kabra

JW Stella in conversation with Aimee Dawson

Haig Aivazian in conversation with Rayya Badran

Adham Hafez in conversation with Suzy Halajian

Helene Kazan in conversation with Amal Khalaf

Urok Shirhan in Conversation with Stephanie Bailey

Lawrence Abu Hamdan in conversation with Anthony Downey

Walid Siti in conversation with Nat Muller

Yael Bartana in conversation with Clelia Coussonnet

Maryam Monalisa Gharavi in conversation with Mirene Arsanios

Nav Haq in conversation with Stephanie Bailey

Sumesh Sharma in conversation with Amanprit Sandhu

Anthony Downey and Beatrix Ruf in conversation with Slavs and Tatars

November Paynter and Didem Pekün in conversation with Basak Senova

The Arab Digital Expression Foundation in conversation with Laura Cugusi

Rana Hamadeh in conversation with Stephanie Bailey

Nevin Aladağ in conversation with Walter D. Mignolo

Nida Sinnokrot in conversation with Natasha Hoare

Carole Alfarah in conversation with María Gómez López

Foundland in conversation with Nat Muller

Adelina von Fürstenberg in conversation with Stephanie Bailey

Hicham Khalidi in conversation with Daniella Rose King

Uriel Orlow in conversation with Omar Kholeif

Hajra Waheed in conversation with Stephanie Bailey

A View from Afar: Stephanie Bailey

Ibraaz

Ibraaz

Reflections 03

Samiha Khalil

Ibraaz

Two Exhibitions in Paris

A roundtable discussion at Tate Modern contemplates the role of alternative education

Ibraaz

Ibraaz

Ibraaz

William Wells in conversation at Serpentine Galleries

A Report from Cologne

The Public and Intimate Lives of Arabic Calligraphy

Live

John Akomfrah: in conversation with Anthony Downey

Soviet Orientalism and Political Mobilisation

Ibn Khaldun’s The Muqadimmah

Crisis The End of Pearling in the Gulf (Qatar)

1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans

Tom Bogaert

Sama Alshaibi

Mithkal Alzghair

Deceptive Authoritarianisms: Between Artificial and Discredited Personhoods

Toleen Touq in conversation with Reema Salha Fadda

A two-part conversation with Szabolcs KissPál and Mahmoud Khaled

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

Platform 010 Editorial

Reema Salha Fadda

Notes on Geo-cultural Exhibitions

Meeting Points 8

Nil Yalter at ARTER, Istanbul

Katia Kameli at the Mosaic Rooms

Halil Altındere at Neuer Berliner Kunstverein, Berlin

Exhibitions and Other Representations in 25 Years at Witte de With

Gülsün Karamustafa Retrospective at Hamburger Bahnhof

Walking Cabbages and Watermelons

Nicola Baird

The 37th EVA International

Organic Growth and the Rise of Visual Arts Organizations in the UAE

Choreographing Spaces of Gesticulation

Green Art Gallery

Ahmad Makia

Bruno Boudjelal's Documentary of Affect

An Alternative Genealogy of Musique Concrète

The Subversive Feminine

Between the Pessimism of the Intellect and the Optimism of the Will

Maraya Art Centre

A Nomadological Study of Ottoman Arab Photography

Performing Armenity at the 56th Venice Biennale

Determining the Axis of the Global South and Middle East

Natasha Ginwala

Lantian Xie at Grey Noise

Five Stages of an Artist Residency

On Bouchra Khalili’s Cartographies

On the Work of Basma Alsharif

Portrait of a Salafi en abyme in the Cyber World

Nikos Papastergiadis and Gerardo Mosquera

Pan-Kaffirism in Iraq, South Africa, and Sri Lanka

Strategic though it may be, the binary of 'South' and 'North' is no less reductive than the stale binaries of yore: of 'East' and 'West', communist and capitalist, aesthetics and politics, the list goes on.

Outside Looking In: Taking a Title and Running With It*

An Emergent Design Approach to the Gulf

Burak Delier

From the Intimate to the World

Global Art Forum 8 at Katara Art Center

Mounira Al Solh at Sfeir-Semler Gallery, Beirut

Or, Severing History From the Person

Georgia Kotretsos: SPRING CLEANING and KARFI in Rabat

HIWAR | Conversations in Amman

The Israeli-Palestinian Conflict and Israel's National Photography Archives as a Case Study

Oreet Ashery

Sophia Al-Maria

Raed Yassin

A Video Game Mausoleum for Bashar al-Assad

A project by Tom Bogaert for Ibraaz

A project by Fayçal Baghriche

A Mother's Tongue, On Ahmad Ghossein's film My Father is Still a Communist

Marwa Arsanios

On Silence and Noise in Times of Crisis

Tom Bogaert

Joe Namy

Helene Kazan

Yasmine Eid-Sabbagh’s 'A photographic conversation from Burj al-Shamali Camp'

The 4th Thessaloniki Biennale

Repatriation of Iraq's Looted Heritage under International and Domestic Law and Practice

Waterside Contemporary

Literary Affects and the New Political by Tarek El-Ariss

Gezira Art Center, Cairo

Amy Charlesworth

Shifting the Geographies of Sensing, Believing and Knowing

Ibraaz Platform 005 Editorial

Gulf Labor

In certain respects, the demands on contemporary artists issued forth by a (purportedly novel) globalised cultural economy are starkly obvious in the Arab world. The concurrent fascination with contemporary art and the region has resulted in the now well-documented - and equally well-debated - critical and curatorial investment in contemporary...

Introduction

The Story of Bahrain’s Pearl Roundabout

A.S. Bruckstein Çoruh

The digitally mediated world operates as a gigantic magnet for centralisation, regulation and control by giving shape to our lives, our languages and bodies. This means that the digital domain is increasingly becoming the very location of politics. I propose the term 'magnetic' as an invitation to re-think audio-visual artwork...

The Practice of Contemporary Art in Algeria Today

Reflections from a book on South Sinai

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

Raymond Baker

Aesthetics, Civil Society, and the Politics of Representation

Copyright Notice The copyright for content on this website is held by the Ibraaz Publishing, except for material provided by other organisations, where copyright ownership is indicated. The views expressed on this website are not necessarily those of Ibraaz Publishing. You may link to us from your site, as long...