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Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Gaza

Pattern Recognition: Ramallah

RE/viewing Jerusalem #2 – REturn: Jerusalem

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Moments for Possibilities 'Air, Land and Sea': London

The People of the Sea: Haifa

Biographies

Partner institutions

Reflections: Ala Younis Adania Shibli

Responses

Shezad Dawood in conversation with Sara Raza

Ziad Antar in Conversation with Anthony Downey

Christine Tohme in conversation with Anthony Downey

Nada Sehnaoui in conversation with Laura Allsop

Tom Bogaert in conversation with Anthony Downey

Nathan Witt in conversation with Amira Gad

Chapter 1: Intensities

Jasmina Metwaly in conversation with Angela Harutyunyan

Heiko Lange in conversation with Amira Gad

Zeina Arida in conversation with Laura Allsop

Rasha Salti in conversation with Fawz Kabra

Ayah Bdeir in conversation with Omar Kholeif

Michael Rakowitz in conversation with Anthony Downey

Simone Fattal in conversation with Mirene Arsanios

Monir Shahroudy Farmanfarmaian in conversation with Stephanie Bailey

Jeremy Hutchison in conversation with Natasha Hoare

Tamara Chalabi, Reem Shather-Kubba, and Jonathan Watkins in conversation with Basak Senova

Nadia Ayari in conversation with Haig Aivazian

Seth Anziska in conversation with Daniella Rose King

Marie-Monique Steckel in conversation with Fawz Kabra

Chapter 7: Fabric

Chapter 2: Details

Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare

Magdi Mostafa in conversation with Clelia Coussonnet

Sohrab Kashani in conversation with Taus Makhacheva

Speaker Biographies + Synopses

Curatorial Narrative

Introduction

Closing Remarks

Video documentation: Day 2

Video documentation: Day 1

Reem Fadda in conversation with Fawz Kabra

UBIK in conversation with Isabella Ellaheh Hughes

Marwa Arsanios in conversation with Fawz Kabra

Fayçal Baghriche in conversation with Sheyma Buali

Coco Fusco in conversation with Stephanie Bailey

Taysir Batniji in conversation with Silke Schmickl

Fayçal Baghriche in conversation with Laura Allsop

Hassan Sharif in conversation with Nujoom Al Ghanem

Adelita Husni-Bey in conversation with Stephanie Bailey

Mounira al Solh in conversation with Nat Muller

Hiwa K in conversation with Anthony Downey and Amal Khalaf

Oreet Ashery in conversation with Amal Khalaf

Seth Ayyaz in conversation with Sheyma Buali

Farah Saleh in conversation with Marianna Liosi

Maya Zbib in conversation with Amal Khalaf

Dia Azzawi in conversation with Sheyma Buali

Hrair Sarkissian in conversation with Raed Yassin

Mohanad Yaqubi in conversation with Sheyma Buali

Raed Yassin in conversation with Nat Muller

Eric Van Hove in conversation with Natasha Hoare

Youmna Chlala in conversation with Fawz Kabra

Hera Büyüktaşçıyan in conversation with Basak Senova

Aikaterini Gegisian in conversation with Stephanie Bailey

Leeza Ahmady in conversation with Taus Makhacheva

November Paynter and Didem Pekün in conversation with Basak Senova

Mai Elwakil in conversation with Daniella Rose King

The Arab Digital Expression Foundation in conversation with Laura Cugusi

Tarek Atoui in conversation with Stephanie Bailey

Ahd in conversation with Sheyma Buali

Antonia Carver in conversation with Omar Kholeif

Jananne Al-Ani in conversation with Nat Muller

Lucien Samaha in conversation with Walid Raad, Part I

Akram Zaatari in conversation with Anthony Downey

Elif Öner in conversation with Derya Yücel

Georgia Kotretsos in conversation with Stephanie Bailey

Larissa Sansour in conversation with Sheyma Buali

Nida Sinnokrot in conversation with Natasha Hoare

Carole Alfarah in conversation with María Gómez López

Foundland in conversation with Nat Muller

Hicham Khalidi in conversation with Daniella Rose King

Kim Beamish in conversation with Sam Bowker

Hajra Waheed in conversation with Stephanie Bailey

Younes Bouadi in conversation with Stephanie Bailey

Louis Henderson in conversation with Amira Gad

MADRASSA Collective in conversation with Antonia Alampi

Leung Chi Wo in conversation with Robin Peckham

Eric Baudelaire in conversation with Anthony Downey

Hamza Halloubi in conversation with Natasha Hoare

Wided Rihana Khadraoui: Digitalizing Social Change through Cultural Institutions in Saudi Arabia

Monira Al Qadiri: The Saudi New Wave | Digital Landscapes and Future Institutions

Nile Sunset Annex: Plotting in Egypt: Art People

Lois Stonock: Mapping the Possible: Syrian Organizations, Movements and Platforms

Ibraaz

Sharjah Art Foundation, 17-19 March 2012

Two Exhibitions in Paris

The Doris Duke Foundation for Islamic Art's Artist Residency Programme

An Artist-Run Gallery Space in Cairo

Aimee Dawson

Edge of Arabia Launches Culturunners

Parviz Tanavoli’s Retrospective at the Davis Museum

Gregory Sholette at Home Workspace Program

London book launch: 19 November, 18:30, Rivington Place

William Wells in conversation at Serpentine Galleries

Işıl Eğrikavuk's The Art of Disagreement

On the 2016 Global Art Forum ‘The Future Was’

The Annual Signature Forum of Asia Contemporary Art Week (ACAW)

Hans Ulrich Obrist: in conversation with Omar Kholeif

Shiva Balaghi: in conversation with Stephanie Bailey

Louis Henderson

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

Ahd

Ritu Sarin and Tenzing Sonam

Contour Biennale 8 / DAI Roaming Assembly #12

Hammad Nasar in conversation with Reema Salha Fadda

Toleen Touq in conversation with Reema Salha Fadda

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

Ala Younis

Notes on Geo-cultural Exhibitions

Meeting Points 8

Closing Remarks

Inspired by calligraphy

Vikram Divecha at Tashkeel

Technology and Its Discontents

The Art of Shirin Neshat

Etel Adnan at Serpentine Galleries

At Aicon Gallery, New York

The Artist as Awakener at AUB

Mega-museums and modern artists from the Middle East

The 9th Berlin Biennale of Contemporary Art

Socially Engaged Art Practices in Tunisia

Participatory Art in the Middle East

The 37th EVA International

On Assumption and Authority

Forests, Freaks and Performativity

An Introduction to Platform 010

Organic Growth and the Rise of Visual Arts Organizations in the UAE

Barrak Alzaid

Of course, I do not wish to be misunderstood as arguing for nativism or closure. But the specific history of the region matters deeply, as factual evidence, but even more so in terms of identifying resources that can be transformed and activated in new ways today.

On Walking and Crawling

Grey Noise Gallery

Walead Beshty at The Institute of Fine Arts, NYU, James B Duke House

An Alternative Genealogy of Musique Concrète

Vartan Avakian at Marfa’

The performative in the work of Hassan Khan

At the 41st Aeschylia Festival

Jumana Manna at Chisenhale Gallery, London

The 14th Istanbul Biennial 2015

The Unspoken Battle of Self-Censorship

A Review of the 56th Venice Biennale

On Nikolaj Larsen's End of Dreams

Portrait of a Salafi en abyme in the Cyber World

Nikos Papastergiadis and Gerardo Mosquera

An Art Collection as an Alternative Archive of Iranian History

Here and Elsewhere at the New Museum

A Yemeni Art History

Art and Culture Beyond Institutions in Amman

Le Dessous des Ratures (Beneath the Crossings Out)

Object Lessons from Saadiyat Island and Gehry’s Guggenheim, Abu Dhabi

33rpm and a Few Seconds by Rabih Mroué and Lina Saneh

Arts Infrastructures and Institutions in Libya Post-Dictatorship

Or, Severing History From the Person

'I suggest that we look at the past and present strengths of cultural organizations, which have always served social and informational purposes, regardless of region and time. It is in these two spheres that the future resides.'

Slavs and Tatars at The Third Line

Maryam Jafri at Gasworks

Cevdet Erek at Spike Island, Bristol

A Perspective on Algeria's Cultural Scene

HIWAR | Conversations in Amman

Oreet Ashery

Caline Aoun

Thoughts on Art and Art Discourse

Adelita Husni-Bey

Adelita Husni-Bey

A project by Tom Bogaert for Ibraaz

A Libyan Diary (Part III) - December 2011

A Libyan Diary (Part II) - November 2011

A project by Benji Boyadgian

Basma Alsharif

Sohrab Kashani

On Shuruq Harb's The Keeper

The Recordings of the Cosmopolitan

Yasmine Eid-Sabbagh’s 'A photographic conversation from Burj al-Shamali Camp'

An I for an Eye and Death of a Cameraman

Alsi Çavuşoğlu at Delfina Foundation, London

Waterside Contemporary

Palazzo Contarini Polignac, Venice

Institute of Contemporary Art, London

Iraq and Palestine at the 2013 Venice Biennale

Hauser & Wirth / Alan Cristea Gallery: A Spectrum Review

Is soft power helping or hindering the state of the arts in Jordan?

Celebrating Arab Women Filmmakers

What if Rani al Rajji and Michel De Certeau met in Beirut?

An Exhibition between Cairo and London

Basim Magdy at Newman Popiashvili

Atfal Ahdath at Running Horse Contemporary

Introduction

Khalil Rabah: Pages 7, 8, 9 at e-flux

A New Communal Model

A recent project led by Walid Raad attempted to draw attention to, and improve the treatment of, migrant workers on Saadiyat Island by Guggenheim and its Abu Dhabi partner, the Tourism Development and Investment Company (TDIC). Tactics were initially conducted privately but when it was clear to those involved that...

The Practice of Contemporary Art in Algeria Today

Politics, Media and Art after the Arab Uprisings

The two-year-old MASS Alexandria, founded by artist Wael Shawky in the working-class neighbourhood of Miami in east Alexandria, Egypt, aims to create a space for the production and dissemination of ideas and debates concerning contemporary visual culture. Apart from displaying and encouraging the consumption of art through exhibitions, it creates...

Home Workspace: A Conversation Between Christine Tohme and Anthony Downey

I will limit myself to tackling the situation from the point of view of the ‘common ground’, which is lost or has never been found. There is a wide gap between art practice on one side and the institutions on the other; the first doing the minimum in terms of...

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

Aesthetics, Civil Society, and the Politics of Representation

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