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Search results for 'Music'
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Going Around in Circles
Looking for Palestine in the Jordanian Music Scene
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Sonic Diaries
Cynthia Zaven in conversation with Basak Senova
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Echoes & Reverberations
Joe Namy: space, breath, time
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We Are Sick, But We Are Alive
Haig Aivazian in conversation with Rayya Badran
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Progressive Roots
Sussan Deyhim in conversation with Sheyma Buali
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Speculations for Collective Transformations
Farah Saleh in conversation with Marianna Liosi
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Information Acts
Navine G. Khan-Dossos in conversation with Stephanie Bailey
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The Art of Resonance
Tarek Atoui in conversation with Stephanie Bailey
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Transmission Systems
Raed Yassin in conversation with Stephanie Bailey
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Chapters, Records, Keywords
Lucien Samaha in conversation with Walid Raad, Part I
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Samples of Life
Joe Namy in conversation with Garine Aivazian
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Global Art Forum 8
Crisis The End of Pearling in the Gulf (Qatar)
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Art Dubai's Global Art Forum 2016: The Future Was
The Future Was Underwater
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BBC Arabic Cinema Badila: Sun Ra in Egypt
Tom Bogaert
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‘You may say I'm a dreamer but I'm not the only one!’
Kazın Ayağı : (Actually, that's not the case )
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Beethoven vs Chopin
Aikaterini Gegisian and Fatma Çiftçi
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Sounds as if
Downtown Contemporary Arts Festival (D-CAF)
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An Unknown Lover's Discourse
An Ode to Performing Subjectivity in Research
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On Constant Invention
Notes on Maverickism as Genealogy and Genealogy as Approach
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Magic, Maybe
Jumana Manna at Chisenhale Gallery, London
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Hashem L Kelesh – هاشم الكلش
Medrar .TV
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pepsi, cola, water?
Tom Bogaert
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Nosebleed
Hasan Hujairi
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space, breath, time
Joe Namy
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Freedom of Expression
FIAF’s 2013 World Nomads Tunisia Festival
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Making Men through Hip Hop in Jerusalem’s Shu’afat Refugee Camp
Ela Greenberg
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Qalandiya International 2016
Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah
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Qalandiya International 2016
Cities Exhibition 5, 'Gaza – Reconstruction': Gaza
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Qalandiya International 2016
Pattern Recognition: Ramallah
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Qalandiya International 2016
A Series of Un-Curated Events: Ramallah
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Qalandiya International 2016
RE/viewing Jerusalem #2 – REturn: Jerusalem
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Qalandiya International 2016
The Jerusalem Show VIII 'Before and After Origins': Jerusalem
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Qalandiya International 2016
Moments for Possibilities 'Air, Land and Sea': London
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Qalandiya International 2016
Biographies
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Qalandiya International 2016
Partner institutions
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FIELD MEETING Take 4: Thinking Practice
Responses
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A Prologue to the Past and Present State of Things
ARC.HIVE (2006–present): Adham Hafez
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A Prologue to the Past and Present State of Things
Curator's Essay: Aaron Cezar
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Turbulent
Shirin Neshat
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New Vocabularies for New Challenges
Newsha Tavakolian in conversation with Sara Raza
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Resounding Images and Distances
Ismaïl Bahri in conversation with Silke Schmickl
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Un-thinking Systems
Shezad Dawood in conversation with Sara Raza
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Home Workspace
Christine Tohme in conversation with Anthony Downey
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Nostalgia for the Future
Ala Ebtekar in conversation with Sara Raza
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An Accidental Orientalist
Tom Bogaert in conversation with Anthony Downey
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Workshopping the future
Shady El Noshokaty in conversation with Omar Kholeif
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Looping the loop
Amina Menia in conversation with Laura Allsop
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On Performing in a Hermetic Context
Nathan Witt in conversation with Amira Gad
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Towers, Portals and Myths
Diana Al-Hadid in Conversation with Fawz Kabra
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Absorbing Displacement
Bouchra Khalili in Conversation with Dorothea Schoene
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The Jerusalem Show
Chapter 1: Intensities
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Against Interpretation
Hassan Khan in conversation with Omar Kholeif
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Geographic Gnomons
Ala Younis in conversation with Liane Al-Ghusain
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The Noise of Cairo
Heiko Lange in conversation with Amira Gad
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Coding For Change
Ayah Bdeir in conversation with Omar Kholeif
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Post-Apollonian
Simone Fattal in conversation with Mirene Arsanios
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Representing Regions
Sheikha Hoor Al-Qasimi in conversation with Stephanie Bailey
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Breaking Glass
Monir Shahroudy Farmanfarmaian in conversation with Stephanie Bailey
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Errant Propositions
Jeremy Hutchison in conversation with Natasha Hoare
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The public domain has opened up!
Fulya Erdemci in conversation with Basak Senova
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Opening Up: World Nomads Tunisia
Marie-Monique Steckel in conversation with Fawz Kabra
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The Jerusalem Show
Chapter 7: Fabric
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The Jerusalem Show
Chapter 6: Writing
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The Jerusalem Show
Chapter 5: Lines
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The Jerusalem Show
Chapter 4: Measures
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The Jerusalem Show
Chapter 2: Details
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The Jerusalem Show
A Question: Jalal Toufic
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Echoes & Reverberations
Anas Al-Shaikh: My land, 2
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Echoes & Reverberations
Visitations: When aurality loses site* by Rayya Badran
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Echoes & Reverberations
Soundscapes: Taking Apart the Arab City by Dr. Alexandra MacGilp
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Echoes & Reverberations
Curator's Introduction
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A Prologue to the Past and Present State of Things
Sulayman Al Bassam in conversation with Ala Younis
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Theatre of the Present
Rabih Mroué in conversation with Göksu Kunak
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A Letter’s Discourse
Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare
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The Great Journey
Lidia Al-Qattan in conversation with Monira Al Qadiri
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Acoustic Encounters
Magdi Mostafa in conversation with Clelia Coussonnet
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FIELD MEETING Take 4: Thinking Practice
Speaker Biographies + Synopses
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FIELD MEETING Take 4: Thinking Practice
Curatorial Narrative
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FIELD MEETING Take 4: Thinking Practice
Video documentation: Day 1
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Between Middle and East
JW Stella in conversation with Aimee Dawson
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Accumulative Processes
Marwa Arsanios in conversation with Fawz Kabra
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Performative States
Coco Fusco in conversation with Stephanie Bailey
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What Was Lost
Joana Hadjithomas and Khalil Joreige in conversation with Nat Muller
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Image Politics
ismaël in conversation with Wafa Gabsi
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Migrations of Meaning
Lara Khaldi in conversation with Ghalya Saadawi
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Restaging Invisibilities
Fayçal Baghriche in conversation with Laura Allsop
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A Woman's Place?
Robin Kahn in conversation with Stephanie Bailey
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History as Concept
Lasse Lau in conversation with Amira Gad
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The Many Metamorphoses of Mounira al Solh
Mounira al Solh in conversation with Nat Muller
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Performative Resonances
Hiwa K in conversation with Anthony Downey and Amal Khalaf
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Role Play
Oreet Ashery in conversation with Amal Khalaf
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Word Stress
Lawrence Abu Hamdan in conversation with Anthony Downey
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The Islamic Sonic-Social
Seth Ayyaz in conversation with Sheyma Buali
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Spaces of Agency
Maya Zbib in conversation with Amal Khalaf
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Family Ties
Mohssin Harraki in conversation with Karima Boudou
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Epic Painting
Dia Azzawi in conversation with Sheyma Buali
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Homeland(s)
Hrair Sarkissian in conversation with Raed Yassin
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Reversing Power, Allowing Possibilities
Yael Bartana in conversation with Clelia Coussonnet
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An Architecture of Apprehension
Timo Nasseri in conversation with Laura Allsop
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Disposable Memories
Raed Yassin in conversation with Nat Muller
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A Big Bang Theory
Eric Van Hove in conversation with Natasha Hoare
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Art After Identity Politics
Nav Haq in conversation with Stephanie Bailey
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Mirrors for Princes
Anthony Downey and Beatrix Ruf in conversation with Slavs and Tatars
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Global Art Forum 9
Sheyma Buali in conversation with Turi Munthe and Sultan Sooud Al-Qassemi
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From Central Asia to the Caucasus
Leeza Ahmady in conversation with Taus Makhacheva
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A New World Summit
Jonas Staal in conversation with Stephanie Bailey
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A Century of Centuries
November Paynter and Didem Pekün in conversation with Basak Senova
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Who's Afraid of Religion?
Köken Ergun in conversation with Omar Kholeif
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Video Channelling
Mai Elwakil in conversation with Daniella Rose King
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Free Expression
The Arab Digital Expression Foundation in conversation with Laura Cugusi
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Time Over Development
Hisham Al-Madhloum in conversation with Stephanie Bailey
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A Hybrid Model
Antonia Carver in conversation with Omar Kholeif
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After the Biennial
Fulya Erdemci in conversation with Basak Senova
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Raising the Roof
Nevin Aladağ in conversation with Walter D. Mignolo
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Meanwhile…History
Shumon Basar, Ala Younis and Omar Berrada in conversation with Sheyma Buali
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Narrative Treatments
Wael Shawky in conversation with Stephanie Bailey
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Building Mental Infrastructures
Ayşe Erkmen in conversation with Basak Senova
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Hiding Out In My Own Place
Nida Sinnokrot in conversation with Natasha Hoare
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Cultivating Continuities
Suha Shoman in conversation with Amin Alsaden
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Then and Now
Adelina von Fürstenberg in conversation with Stephanie Bailey
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Where Are We Now?
Hicham Khalidi in conversation with Daniella Rose King
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Common Grounds and Common Cultures
Kamel Lazaar in conversation with Anthony Downey
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Expanding the Archive
Jumana Manna in conversation with Sheyma Buali
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Memory Montage
Uriel Orlow in conversation with Omar Kholeif
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Capturing Evanescence
Rifat Chadirji and Balkis Sharara in conversation with Amin Alsaden
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Present Continuous
Christine Tohme in conversation with Rachel Dedman
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On Sovereignty
Amar Kanwar in conversation with Stephanie Bailey
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Revisiting Internationalists
Fadi Bardawil in conversation with Zeynep Oz
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Shooting What is Missing
Hamza Halloubi in conversation with Natasha Hoare
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Future Imperfect
Alia Rayyan: Recounting the Past, Present and Future
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Future Imperfect
Hussam al-Saray: in conversation with Ala Younis | A Cultural Encyclopaedia of Iraq
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Future Imperfect
Monira Al Qadiri: The Saudi New Wave | Digital Landscapes and Future Institutions
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Future Imperfect
Lois Stonock: Mapping the Possible: Syrian Organizations, Movements and Platforms
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Future Imperfect
Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria
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October Newsletter
Ibraaz
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Power Cut Middle East, International Film Festival Rotterdam
Amira Gad
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The New Arab
Art and Culture in the ‘Imagined’ Arab World, Cornerhouse, Manchester, 13 April 2012
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The Longevity of Rupture
1967 in Art and Its Histories, June 1-2, 2012 American University of Beirut, Lebanon
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On the Stage of the Event
The Cairo Seminar in Alexandria, dOCUMENTA (13)
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Safar: A Journey Through Popular Arab Cinema
Sheyma Buali
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A Playhouse in Shangri La
The Doris Duke Foundation for Islamic Art's Artist Residency Programme
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Is Artists' Independence Being Subsumed by Politics?
Notes from a roundtable discussion on the state of the arts in Egypt
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Ibraaz Platform 005
Ibraaz
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Ibraaz May Newsletter
Ibraaz
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Art and its Prospects in Contemporary Maghrebi Societies
The second meeting of Maghreb des Arts
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JAOU Tunis 2015
News JAOU Tunis 2015 008 / 18 May 2015 Jaou Tunis 2015. Copyright Kamel Lazaar Foundation. Visual Culture in an Age of Global Conflict The Kamel Lazaar Foundation is pleased to announce that it will stage a two-day conference at the National Museum of Bardo from 28–29 May, 2015. This...
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Echoes & Reverberations
Online exhibition catalogue
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Ibraaz Reader 009/03
Ibraaz
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Ibraaz Reader 009/05
Ibraaz
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Ibraaz January Reader 009/07
Ibraaz
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Ibraaz February Reader 009/08
Ibraaz
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Ibraaz Reader 009/10
Ibraaz
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Midad
The Public and Intimate Lives of Arabic Calligraphy
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JAOU 2017
Aimee Dawson
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Global Art Forum 8
Live
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Ibraaz Talks: Global Art Forum 8
Okwui Enwezor: in conversation with Anthony Downey
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Ibraaz Talks: Global Art Forum 8
Farah Al-Nakib: in conversation with Stephanie Bailey
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Global Art Forum 8
1971-1979 The Short Seventies (World)
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My land 2
Anas Al-Shaikh
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This Lemon Tastes of Apple
Hiwa K.
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Listening Through a Beam of Intense Darkness
Seth Ayyaz
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Art Dubai's Global Art Forum 2016: The Future Was
The Future Was Space Is The Place
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Art Dubai's Global Art Forum 2016: The Future Was
Ibraaz
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The Dance
Khaled Kaddal
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Maybe If You Choreograph Me, You Will Feel Better
Tania El Khoury
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Turbulent
Shirin Neshat
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Figures Upon Landscape
A Hero Never Dies: Wissam Charaf
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Larissa Sansour Trilogy
A Space Exodus
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Unfolding the Structures of Sound
Cevdet Erek in conversation with Başak Şenova
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Creating Intimacies: On the Spring Sessions Programme in Amman
Toleen Touq in conversation with Reema Salha Fadda
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Channel
description
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Violent Relatedness, Embeddings, Hindsight
Ala Younis
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Polyphonic Worlds
Contour Biennale 8
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A Faustian Pact
Notes on Geo-cultural Exhibitions
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Act I: Sharjah Biennial 13
Stephanie Bailey
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Condemned to Depth
Invisible Architecture in Rana ElNemr’s Streams of Synonyms
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Qalandiya International Report: Amman
Yazan Ashqar
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Both Sides of the Curtain
Meeting Points 8
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The 4th Aflam International Festival of Arab Cinema
Natasha Marie Llorens
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Portrait Sessions
Vikram Divecha at Tashkeel
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Against the Market
The Art of Shirin Neshat
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Chronographia
Gülsün Karamustafa Retrospective at Hamburger Bahnhof
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Archiving a Revolution in the Digital Age, Archiving as an Act of Resistance
Lara Baladi
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The Arab Nude
The Artist as Awakener at AUB
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Towards a Spatial Imaginary
Walking Cabbages and Watermelons
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Showroom Dummies
The 9th Berlin Biennale of Contemporary Art
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Globale: Allah’s Automata
Rozemin Keshvani
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The Turn المنعرج
Socially Engaged Art Practices in Tunisia
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Effective on the Ground and Invisible to the Global Art Market
Participatory Art in the Middle East
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Beware of the Image
APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency
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Staging the Nation
Barrak Alzaid
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Ibraaz Platform 009: Performance
Anthony Downey
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Experiencing ‘Badke’
KVS Theater in Brussels
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Un/Interrupted Formations
Choreographing Spaces of Gesticulation
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Feeling Dubbing
Six Short Stories on Arabic Voice Acting
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Halim El Dabh
An Alternative Genealogy of Musique Concrète
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Criticality Performed Itself
The performative in the work of Hassan Khan
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Tarek Atoui
At the 41st Aeschylia Festival
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Bouchra Ouizguen
The Subversive Feminine
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SALTWATER: A Theory of Thought Forms
The 14th Istanbul Biennial 2015
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All the World’s Futures
A Review of the 56th Venice Biennale
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Transition Times
Performing Armenity at the 56th Venice Biennale
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Response to Platform 9 by Nezakat Ekici
'To avoid misunderstanding, I write from the perspective of Turkey, because I can't really speak for North Africa nor for the Middle East in general...'
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Response to Platform 9 by Joe Namy
'A few notes on the difference between performance art and mayonnaise...'
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Building in A-topia
Franco Berardi
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Letters to Naeem Mohaiemen
Lara Khaldi
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Mobile Maghrebs
Contemporary Cinema from North Africa
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Maps That Don’t Belong
Natasha Ginwala
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How Toshihiko Made Me Understand Islam
Monira Al Qadiri
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Hassan Matar
Lantian Xie at Grey Noise
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As in an Ocean
On Nikolaj Larsen's End of Dreams
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Farther Than Language Can Reach
On the Work of Basma Alsharif
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'I am an Artist'
Portrait of a Salafi en abyme in the Cyber World
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Tracing Dissent at the Margins of Empire
Pan-Kaffirism in Iraq, South Africa, and Sri Lanka
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Mirror Worlds
Here and Elsewhere at the New Museum
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Making Stories Visible
A Yemeni Art History
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The Future of Art in the Age of Militarized De-Production
Re-Thinking Cultural Development in Palestine
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Informal Domains
Art and Culture Beyond Institutions in Amman
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Intervening Space
From the Intimate to the World
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Doha Days
Global Art Forum 8 at Katara Art Center
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Hassan Khan in Cairo
Downtown Contemporary Arts Festival (D-CAF)
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The Revolution Will Not Be Online
33rpm and a Few Seconds by Rabih Mroué and Lina Saneh
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Anachronistic Ambitions
Imagining the Future, Assembling the Past
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Filling the Gaps
Arts Infrastructures and Institutions in Libya Post-Dictatorship
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Other People’s Stories
Or, Severing History From the Person
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Response to Platform 7 by Paul Vandenbroeck
"Neither identification with an institution nor disengagement from an institution guarantees fluid, sensitive attitudes and openmindedness."
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Alt Üst
Cevdet Erek at Spike Island, Bristol
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Beyond the Odalisque
A Perspective on Algeria's Cultural Scene
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Curated Conversations
HIWAR | Conversations in Amman
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Semitic Score
Oreet Ashery
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My Dick in My Dick, Kiss Me Again, After Eight, All Mother Tongues Are Difficult and their sisters.
Mounira Al Solh
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Myth Busters
Monira Al Qadiri
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The Work Does Not Mean Anything To Me
Thoughts on Art and Art Discourse
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The Use of Social Media as a Dated Document and its Prospect as an Archive
Elif Öner and Vincent Rozenberg
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Orality, an Immaterial Heritage
A project by Katia Kameli
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98weeks: Our Lines Are Now Open
A Radio Series on the Poetics and Politics of Language
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Dropping a Yassin Dynasty Vase
Raed Yassin
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Morse Code Composition
Cynthia Zaven
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The Sound And The Fury
An Image of a Revolution
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Untitled YouTube Stills
A Project by Anahita Razmi
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The Missing Link 3
A Mother's Tongue, On Ahmad Ghossein's film My Father is Still a Communist
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40 years of Running on the Same Spot
A Libyan Diary (Part III) - December 2011
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Ode to the Worthy Extinction of the Metaphor
Mustapha Benfodil
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40 years of Running on the Same Spot
A Libyan Diary (Part I) - October 2011
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Supposing I love you. And you also love me.
Wendelien van Oldenborgh
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Batroun Concrète 0.0
Batroun Projects
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The Missing Link
Cecilia Andersson
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Doppelgänging
Basma Alsharif
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Some Pachinko Pieces
On Silence and Noise in Times of Crisis
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The Battle Scene
Zoukak Theatre Company
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On The Admissibility of Sound
Seth Ayyaz
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17 and in AUC: Documentation
Hassan Khan
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An Archive of Refusal
On Shuruq Harb's The Keeper
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The Spectre (of Knowledge)
The Recordings of the Cosmopolitan
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Murder in Three Acts
Alsi Çavuşoğlu at Delfina Foundation, London
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Watching the Lonely Crowd
/si:n/ Festival of Video Art and Performance, Ramallah
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Future Generation Art Prize 2013
Palazzo Contarini Polignac, Venice
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To the Barricades
Gezi Resistance, Public Space and the Counter-monumental
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Trade Routes / Conflicted Memory
Hauser & Wirth / Alan Cristea Gallery: A Spectrum Review
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DISPATCH - Here We Are: The Imagination of Public Space in Gezi Park
Creative Time Reports
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Amman’s West Side Story
Is soft power helping or hindering the state of the arts in Jordan?
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Birds Eye View Festival 2013
Celebrating Arab Women Filmmakers
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RE:EMERGING, DECENTRING AND DELINKING
Shifting the Geographies of Sensing, Believing and Knowing
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The Future of the Future
Ibraaz Platform 005 Editorial
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Noise in the Courtyard
Sharjah Biennial 11 – Re:emerge, Towards a New Cultural Cartography
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No Place Like Home
Refraction: Moving Images on Palestine at P21 Gallery
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Response to Platform 5 by Haroon Mirza
This is a big question with a lot of big words so I can either try and break down the question and resolve some of the semantic issues with it or simplify the question and try and answer that. Either way my response could be an essay, which I don't...
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Response to Platform 5 by Rayya Badran
A new book has surfaced on the shelves of Lebanese and possibly Arab bookstores. The title reads: Pure Nostalgia . As in Exclusive Nostalgia, as in free from this contaminated present . The emergence of this publication is perhaps symptomatic of something larger than a trivial nostalgia quenched by the...
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On One Side of the Same Water
Introduction
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The Double Reflection
Objects in Mirror are Closer than they Appear
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The Many Afterlives of Lulu
The Story of Bahrain’s Pearl Roundabout
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An Explanation of an Irrelevant Monument
On the Memory of a Memorial
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Art’s Networks
A New Communal Model
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The Paradox Of Media activism
The Net is Not a Tool, It’s an Environment
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Digital, Aesthetic, Ephemeral
The Shifting Narrative of Uprising
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The ‘Cut-n-mix’ Culture
The Impossibilities of Production in New Media
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Response to Platform 4 by Mandy Merzaban
Using new media tools and technologies available today has become standard practice for a range of activities; it's become a source of educational content and entertainment, as well as a means of communicating from conflict zones or even from the comfort of our homes. New media technologies available on smart...
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The Social Impulse
Politics, Media and Art after the Arab Uprisings
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Fast Forward to the Past
Cultural Institutions, Urban Development, and Regional Cinema in the Gulf Today
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The Urban Observatory of Beirut
For a Polysemic Reading of Both City and Territory
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Ramallah, in a Student Encounter
Yazid Anani
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Response to Platform 2 by Adalet R. Garmiany
Middle Eastern culture, which is Islamic and mainly very conservative, is in the process of redefining its interpretation of, and relationship to, visual culture. The role of contemporary art in the Middle East is different to that in many parts of world. Design, advertising, media, performance, photography, conceptual art, new...
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About us
Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...
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Revolution and Cultural Mutation
Rachida Triki
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10th Sharjah Biennial
Mayssa Fattouh
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Response to Platform 1 by Rayya Badran
Sitting in the sweltering sun of Sharjah on a large rolled carpet on the open esplanade facing the museum, I express to an acquaintance, my uneasiness and inability to respond to the question. We need MENA (I had continually mistaken it for MENASA, unconsciously adding yet another region to the...
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Response to Platform 1 by Ghalya Saadawi
Two-Hundred and Thirty Three What can I say In order to be vigilant? How do I organize pessimism Into surviving fireflies? What and where are these images, Like germs germinating, Gestating in the belly of some vowel That lingers after all horizons are Gone ...
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Response to Platform 1 by Annabelle Sreberny
Richard Sennett calls 'we' a weasel word. Which 'we' is hailed in this project? Let's say that this 'we' is in the West, and that it doesn't include politicians and policy-makers but ordinary people. My answer to this question is certainly different than it would have been six months ago....
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Ethnography + Art: Convergence or Collision?
Mark Westmoreland
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Terms and conditions
Copyright Notice The copyright for content on this website is held by the Ibraaz Publishing, except for material provided by other organisations, where copyright ownership is indicated. The views expressed on this website are not necessarily those of Ibraaz Publishing. You may link to us from your site, as long...