Search results
Search results for 'Literature'
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Family Ties
Mohssin Harraki in conversation with Karima Boudou
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Epic Painting
Dia Azzawi in conversation with Sheyma Buali
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Forensic Transgressions
Maryam Monalisa Gharavi in conversation with Mirene Arsanios
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Writing by Example
Meriç Algün Ringborg in conversation with Nora Razian
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Future Imperfect
Hussam al-Saray: in conversation with Ala Younis | A Cultural Encyclopaedia of Iraq
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Global Art Forum 8
Ibn Khaldun’s The Muqadimmah
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The Writing of Art
Inspired by calligraphy
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Feeling Dubbing
Six Short Stories on Arabic Voice Acting
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Arab Art Histories: The Khalid Shoman Collection
Samah Hijawi
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How Toshihiko Made Me Understand Islam
Monira Al Qadiri
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Juvenalia
Malak Helmy and Sophia Al Maria
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Les Voyages
Simohammed Fettaka & Basak Senova
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My Dick in My Dick, Kiss Me Again, After Eight, All Mother Tongues Are Difficult and their sisters.
Mounira Al Solh
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Slavs and Tatars: Mirrors for Princes
Edited by Anthony Downey (jrp|ringier, 2015)
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Reviews
Critical reflections on Ibraaz publications
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Qalandiya International 2016
Humans from Palestine, The Karimeh Abbud Award Exhibition: Bethlehem
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Qalandiya International 2016
Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah
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Qalandiya International 2016
Biographies
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A Prologue to the Past and Present State of Things
Curator's Essay: Aaron Cezar
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New Vocabularies for New Challenges
Newsha Tavakolian in conversation with Sara Raza
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Resounding Images and Distances
Ismaïl Bahri in conversation with Silke Schmickl
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A Conversation
Ahmet Öğüt in conversation with Basak Senova
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Un-thinking Systems
Shezad Dawood in conversation with Sara Raza
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A Life in Language
Adonis in conversation with Laura Allsop
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The Jerusalem Show
Jack Persekian in conversation with Basak Senova
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With Inside Outside
Nada Sehnaoui in conversation with Laura Allsop
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Nostalgia for the Future
Ala Ebtekar in conversation with Sara Raza
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Looping the loop
Amina Menia in conversation with Laura Allsop
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Running the Territory
Guy Mannes-Abbott in conversation with Sheyma Buali
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What We Choose To Overlook
Lida Abdul in conversation with Sara Raza
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Colourful Shadows and Reel Journeys
Tarzan and Arab in conversation with Laura Allsop
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Performing Histories
Wafaa Bilal in conversation with Sara Raza
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Geographic Gnomons
Ala Younis in conversation with Liane Al-Ghusain
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Conserving memories
Zeina Arida in conversation with Laura Allsop
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Sonic Diaries
Cynthia Zaven in conversation with Basak Senova
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Post-Apollonian
Simone Fattal in conversation with Mirene Arsanios
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Succinctly Verbose
Visualizing Palestine in conversation with Haig Aivazian
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Errant Propositions
Jeremy Hutchison in conversation with Natasha Hoare
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A DREAM: The Iraq Pavilion at 55th Venice Biennale
Tamara Chalabi, Reem Shather-Kubba, and Jonathan Watkins in conversation with Basak Senova
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A Fraction of Experience
Omar Robert Hamilton in conversation with Elisabeth Jaquette
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Speaking as Witnessing
Hera Büyüktaşçıyan in conversation with Basak Senova
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The public domain has opened up!
Fulya Erdemci in conversation with Basak Senova
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A Prologue to the Past and Present State of Things
Looking at Wafaa Bilal's Domestic Tension : Barrak Alzaid
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A Letter’s Discourse
Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare
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FIELD MEETING Take 4: Thinking Practice
Speaker Biographies + Synopses
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Kuwait Transformed
Farah Al-Nakib in conversation with Todd Reisz
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The Shortest Length Between Two Points
Slavs and Tatars in conversation with Franz Thalmair
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History All Wrapped Up
Gülsün Karamustafa in conversation with Basak Senova
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Between Middle and East
JW Stella in conversation with Aimee Dawson
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Performative States
Coco Fusco in conversation with Stephanie Bailey
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In Lieu of Absence
Taysir Batniji in conversation with Silke Schmickl
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The Symphony of Death
Adel Abidin in Conversation with Basak Senova
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Progressive Roots
Sussan Deyhim in conversation with Sheyma Buali
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The Personal and the Political All at Once
Adham Hafez in conversation with Suzy Halajian
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Restaging Invisibilities
Fayçal Baghriche in conversation with Laura Allsop
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Dark Matters
Morehshin Allahyari in conversation with Hannah Gregory
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Doing Performance
Hassan Sharif in conversation with Nujoom Al Ghanem
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The Islamic Sonic-Social
Seth Ayyaz in conversation with Sheyma Buali
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NOTES FROM THE RESISTANCE
Özgür Uçkan and Vasif Kortun in conversation with Basak Senova
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An Architecture of Apprehension
Timo Nasseri in conversation with Laura Allsop
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A Big Bang Theory
Eric Van Hove in conversation with Natasha Hoare
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States of Suspension
Youmna Chlala in conversation with Fawz Kabra
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Aquatic Memory
Hera Büyüktaşçıyan in conversation with Basak Senova
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No Boundaries
Aikaterini Gegisian in conversation with Stephanie Bailey
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Mirrors for Princes
Anthony Downey and Beatrix Ruf in conversation with Slavs and Tatars
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A New World Summit
Jonas Staal in conversation with Stephanie Bailey
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A Century of Centuries
November Paynter and Didem Pekün in conversation with Basak Senova
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Who's Afraid of Religion?
Köken Ergun in conversation with Omar Kholeif
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Video Channelling
Mai Elwakil in conversation with Daniella Rose King
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Collective Networking
Burak Arıkan in conversation with Basak Senova
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A Hybrid Model
Antonia Carver in conversation with Omar Kholeif
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Archives on Archives
Maryam Jafri in conversation with Stephanie Bailey
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Alien Encounters
Rana Hamadeh in conversation with Stephanie Bailey
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After the Biennial
Fulya Erdemci in conversation with Basak Senova
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Narrative Treatments
Wael Shawky in conversation with Stephanie Bailey
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Building Mental Infrastructures
Ayşe Erkmen in conversation with Basak Senova
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Hiding Out In My Own Place
Nida Sinnokrot in conversation with Natasha Hoare
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Cultivating Continuities
Suha Shoman in conversation with Amin Alsaden
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Where Are We Now?
Hicham Khalidi in conversation with Daniella Rose King
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Expanding the Archive
Jumana Manna in conversation with Sheyma Buali
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The Tentmakers of Cairo
Kim Beamish in conversation with Sam Bowker
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On Logical Revolts
Louis Henderson in conversation with Amira Gad
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Capturing Evanescence
Rifat Chadirji and Balkis Sharara in conversation with Amin Alsaden
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Shooting What is Missing
Hamza Halloubi in conversation with Natasha Hoare
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Future Imperfect
Monira Al Qadiri: The Saudi New Wave | Digital Landscapes and Future Institutions
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Future Imperfect
Lois Stonock: Mapping the Possible: Syrian Organizations, Movements and Platforms
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Future Imperfect
Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria
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Ibraaz February Newsletter
Ibraaz
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March Meeting 2012 Report
Sharjah Art Foundation, 17-19 March 2012
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The New Arab
Art and Culture in the ‘Imagined’ Arab World, Cornerhouse, Manchester, 13 April 2012
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BRISMES Graduate Section Annual Conference 2012
Nour K Sacranie
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The Longevity of Rupture
1967 in Art and Its Histories, June 1-2, 2012 American University of Beirut, Lebanon
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LACMA’s Art of the Middle East
Sara Raza
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The Art Of Dialogue
New initiative fosters connections between the Middle East and the western world
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Ibraaz March Newsletter
Ibraaz
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10 Years On: Art and Everyday Life in Iraq and Iran
Ibraaz in partnership with Winchester Centre for Global Futures in Art
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(Soft) Power Trip
Edge of Arabia Launches Culturunners
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Performative Traces: The Union of Fire and Water
Almagul Menlibayeva in conversation with Basak Senova
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Ibraaz Talks: Art Dubai 2013
Guy Mannes-Abbott: On Drones
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Ibraaz Talks: Art Dubai 2013
Basim Magdy: On Science Fiction
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Ibraaz Talks: Art Dubai 2013
Murtaza Vali: On Domesticity
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Ibraaz Talks: 13th Istanbul Biennial
Köken Ergun: Lived Experience
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Ibraaz Talks: 13th Istanbul Biennial
Burak Arikan & Başak Şenova: Network Data
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Global Art Forum 8
Soviet Orientalism and Political Mobilisation
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Global Art Forum 8
1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans
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This Lemon Tastes of Apple
Hiwa K.
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Listening Through a Beam of Intense Darkness
Seth Ayyaz
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Hysterical Choir of the Frightened
Doa Aly
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Though I Know the River is Dry
Omar Robert Hamilton
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Six Moments from a Revolution: A Mosireen Video Timeline
Omar Robert Hamilton
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History in Play
Hammad Nasar in conversation with Reema Salha Fadda
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Unfolding the Structures of Sound
Cevdet Erek in conversation with Başak Şenova
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Violent Relatedness, Embeddings, Hindsight
Ala Younis
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A Faustian Pact
Notes on Geo-cultural Exhibitions
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Both Sides of the Curtain
Meeting Points 8
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Art et Liberté
Rupture, War and Surrealism in Egypt (1938–1948) at the Centre Pompidou
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Kamal Aljafari: A Recollection
Hamid Dabashi
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What Representations?
Exhibitions and Other Representations in 25 Years at Witte de With
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Against the Market
The Art of Shirin Neshat
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Seeking Togetherness
The 37th EVA International
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Sous les Pavés, la Plage
On Assumption and Authority
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Queer Chronopolitics
Forests, Freaks and Performativity
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Critique as Infrastructure
Organic Growth and the Rise of Visual Arts Organizations in the UAE
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Mindful Body
An Introduction to Body Art and Performance in the Gulf
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Un/Interrupted Formations
Choreographing Spaces of Gesticulation
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Treading Gulf Waters
Ahmad Makia
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An Unknown Lover's Discourse
An Ode to Performing Subjectivity in Research
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Criticality Performed Itself
The performative in the work of Hassan Khan
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On Constant Invention
Notes on Maverickism as Genealogy and Genealogy as Approach
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Bouchra Ouizguen
The Subversive Feminine
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SALTWATER: A Theory of Thought Forms
The 14th Istanbul Biennial 2015
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Accented
Maraya Art Centre
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The Life and Times of Louis Saboungi
A Nomadological Study of Ottoman Arab Photography
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Building in A-topia
Franco Berardi
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Mobile Maghrebs
Contemporary Cinema from North Africa
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Assembled in Streams of Synonyms
Rana ElNemr at the American University in Cairo’s Sharjah Art Gallery
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Aesthetics of Migration
Street Art in the Mediterranean Border Zones
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Between Iran and Dubai
An Art Collection as an Alternative Archive of Iranian History
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Response to Platform 8 by Maryam Jafri
In a recent video work, Mouthfeel (2014) and a related lecture-performance titled Playlist (2014), I focused on symmetries between forms of aspirational consumption in the Global South.
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Response to Platform 8 by Embroiderers of Actuality
Embroiderers of Actuality is an action that aims to be a sensible provocation: a visual discussion about the position of women in the society.
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The Future of Art in the Age of Militarized De-Production
Re-Thinking Cultural Development in Palestine
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'We, the Intellectuals'
Re-routing Institutional Critique
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Imed Jemaïel’s Talismanic Paintings/Les tableaux talismans de Imed Jemaïel
Le Dessous des Ratures (Beneath the Crossings Out)
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Basma Alsharif: The Doppelgänger
Berlin Documentary Forum 3 at Haus der Kulturen der Welt, Berlin
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Future Fiction
In the Shadow of Nasser
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All Mother Tongues Are Difficult
Mounira Al Solh at Sfeir-Semler Gallery, Beirut
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Anachronistic Ambitions
Imagining the Future, Assembling the Past
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Filling the Gaps
Arts Infrastructures and Institutions in Libya Post-Dictatorship
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Other People’s Stories
Or, Severing History From the Person
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Response to Platform 7 by Youmna Chlala
'You can't draw desire, you have to walk it.'
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Beyond the Odalisque
A Perspective on Algeria's Cultural Scene
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Ways of Un-Seeing
Georgia Kotretsos: SPRING CLEANING and KARFI in Rabat
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The Strangeness of Sports
Haig Aivazian’s multi-piece installation FUGERE at Sfeir-Semler, Hamburg
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Rethinking National Archives in Colonial Countries and Zones of Conflict
The Israeli-Palestinian Conflict and Israel's National Photography Archives as a Case Study
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Notes For Leaving and Arriving
Youmna Chlala
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98weeks: Our Lines Are Now Open
A Radio Series on the Poetics and Politics of Language
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Codes of Limbo
Basak Senova on Zeren Göktan's Counter (2013)
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The Missing Link Part Two
Marwa Arsanios
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theDISCORD
A project by Benji Boyadgian
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On The Admissibility of Sound
Seth Ayyaz
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Response to Platform 6 by Mohamed Abdelkarim
Through art practices, particularly in this region, the artist might slip into this muddy area, which is mostly based on fetishes and collective political memory and which somehow stands on the most influential component of media archive. It is not necessarily only that which is visible and legible, but more...
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Response to Platform 6 by Ian Almond
The idea of the art archive in the Middle East provokes a number of associations – some of them spiritual, some historical, some clearly political.
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Field notes for 'What We Left Unfinished'
Dispatch One: the Artist and the Archive, June–September 2013
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Enacting the Archives, Decentring the Muses
The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore
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In/distinction
Yasmine Eid-Sabbagh’s 'A photographic conversation from Burj al-Shamali Camp'
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Response to Platform 6 by Maryam Jafri
From the photo-text series Getty vs. Ghana (2012).
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Murder in Three Acts
Alsi Çavuşoğlu at Delfina Foundation, London
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Thieves of Babylon
Repatriation of Iraq's Looted Heritage under International and Domestic Law and Practice
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Freedom of Expression
FIAF’s 2013 World Nomads Tunisia Festival
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Trials of Arab Modernity
Literary Affects and the New Political by Tarek El-Ariss
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Art After War
Kuwait’s National Works at the 55th Venice Biennale
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Home Works 6
Tinkerings on the Instable Present Tense
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Trade Routes / Conflicted Memory
Hauser & Wirth / Alan Cristea Gallery: A Spectrum Review
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DISPATCH - Here We Are: The Imagination of Public Space in Gezi Park
Creative Time Reports
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On Reporting, the Documentary and the Aesthetic in Ursula Biemann and Angela Sanders’ Europlex
Amy Charlesworth
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Amman’s West Side Story
Is soft power helping or hindering the state of the arts in Jordan?
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RE:EMERGING, DECENTRING AND DELINKING
Shifting the Geographies of Sensing, Believing and Knowing
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Response to Platform 5 by Rania Jawad
Demonstrations by Palestinian villagers against Israeli colonisation has been described by non-local media sources as 'theatrics' and 'spectacle.' Such categorisation positions Palestinian acts of protest in the realm of 'acting'- a visual 'show' for the cameras, complete with homemade props, a soundtrack of chants performed to the rhythm of Israeli...
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On One Side of the Same Water
Artistic Practice from Tirana to Tangier
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The Many Afterlives of Lulu
The Story of Bahrain’s Pearl Roundabout
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On Revolution and Rubbish
What has Changed in Tunisia since Spring 2011
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Response to Platform 4 by Başak Şenova
Digitised media in the last decade has undoubtedly been propelled by the enormous speed of new technology and spontaneous platforms for rights, defined by Hakim Bey as 'Temporary Autonomous Zones' and 'network guerrillas' by Ozgur Uckan. Consequently, despite the mediated content of the mainstream media, social media sites have emerged...
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Archives, Museums and Collecting Practices in the Modern Arab World
An Introduction
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The Social Impulse
Politics, Media and Art after the Arab Uprisings
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Occupying the Occupied
Perceptions of Occupation and Control in Cyprus
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Ramallah, in a Student Encounter
Yazid Anani
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About us
Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...
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Talinn Grigor, Building Iran
Modernism, Architecture, and National Heritage under the Pahlavi Monarchs
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