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Rabih Mroué in conversation with Göksu Kunak

Zoukak Theatre Company

Zoukak Theatre Company

Theatre As a Tool of Empowerment

Maya Zbib in conversation with Amal Khalaf

Moncef Dhouib: Theatre- and film-maker

Fayçal Baghriche

Kazın Ayağı : (Actually, that's not the case )

Barrak Alzaid

KVS Theater in Brussels

The People of the Sea: Haifa

Biographies

Partner institutions

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Responses

ARC.HIVE (2006–present): Adham Hafez

Curator's Essay: Aaron Cezar

Christine Tohme in conversation with Anthony Downey

Nathan Witt in conversation with Amira Gad

Chapter 1: Intensities

Hassan Khan in conversation with Omar Kholeif

Tarzan and Arab in conversation with Laura Allsop

Wafaa Bilal in conversation with Sara Raza

Zeina Arida in conversation with Laura Allsop

Monir Shahroudy Farmanfarmaian in conversation with Stephanie Bailey

Marie-Monique Steckel in conversation with Fawz Kabra

Chapter 4: Measures

A View from the City: Tina Sherwell

Soundscapes: Taking Apart the Arab City by Dr. Alexandra MacGilp

Sulayman Al Bassam in conversation with Ala Younis

Operation Atropos: Coco Fusco

Lina Majdalanie in conversation with Göksu Kunak

Speaker Biographies + Synopses

Curatorial Narrative

Fayçal Baghriche in conversation with Sheyma Buali

Coco Fusco in conversation with Stephanie Bailey

ismaël in conversation with Wafa Gabsi

Sussan Deyhim in conversation with Sheyma Buali

Adham Hafez in conversation with Suzy Halajian

Matthias Lilienthal in conversation with Göksu Kunak

Fayçal Baghriche in conversation with Laura Allsop

Lasse Lau in conversation with Amira Gad

Oreet Ashery in conversation with Amal Khalaf

Helene Kazan in conversation with Amal Khalaf

Seth Ayyaz in conversation with Sheyma Buali

Farah Saleh in conversation with Marianna Liosi

Hrair Sarkissian in conversation with Raed Yassin

Yael Bartana in conversation with Clelia Coussonnet

Rabih Mroué in conversation with Anthony Downey

Raed Yassin in conversation with Nat Muller

Sheyma Buali in conversation with Turi Munthe and Sultan Sooud Al-Qassemi

Leeza Ahmady in conversation with Taus Makhacheva

November Paynter and Didem Pekün in conversation with Basak Senova

Köken Ergun in conversation with Omar Kholeif

Tarek Atoui in conversation with Stephanie Bailey

Ahd in conversation with Sheyma Buali

Hisham Al-Madhloum in conversation with Stephanie Bailey

Jananne Al-Ani in conversation with Nat Muller

Raed Yassin in conversation with Stephanie Bailey

Discussing arts infrastructure in Tehran

Maryam Jafri in conversation with Stephanie Bailey

Ahmed Nagy in conversation with Mai Elwakil

Rana Hamadeh in conversation with Stephanie Bailey

Fulya Erdemci in conversation with Basak Senova

Shumon Basar, Ala Younis and Omar Berrada in conversation with Sheyma Buali

Ayşe Erkmen in conversation with Basak Senova

Hicham Khalidi in conversation with Daniella Rose King

Jumana Manna in conversation with Sheyma Buali

WHW in conversation with Omar Kholeif

A View from Afar: Stephanie Bailey

Tarek Abou El Fetouh in conversation with Stephanie Bailey

Rifat Chadirji and Balkis Sharara in conversation with Amin Alsaden

Christine Tohme in conversation with Rachel Dedman

Meriç Algün Ringborg in conversation with Nora Razian

Hussam al-Saray: in conversation with Ala Younis | A Cultural Encyclopaedia of Iraq

Lois Stonock: Mapping the Possible: Syrian Organizations, Movements and Platforms

Sharjah Art Foundation, 17-19 March 2012

Chkoun Ahna at the National Museum of Carthage, Tunis, 2012

Nour K Sacranie

Fawz Kabra

1967 in Art and Its Histories, June 1-2, 2012 American University of Beirut, Lebanon

The Institute for Human Activities

Contemporary Art from the Middle East

Ibraaz

The second meeting of Maghreb des Arts

Aimee Dawson

Ibraaz

Ibraaz

Gregory Sholette at Home Workspace Program

William Wells in conversation at Serpentine Galleries

A Report from Home Works 7 and Athens Biennale 5 to 6

Ibraaz

Ibraaz

A Report from Cologne

Köken Ergun: Lived Experience

Karen Mirza and Brad Butler: Social Imagination

Okwui Enwezor: in conversation with Anthony Downey

John Akomfrah: in conversation with Anthony Downey

1971-1979 The Short Seventies (World)

1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans

Tania El Khoury

Hassan Sharif

Hiwa K.

The Future Was ZZZZZZZZ

Tania El Khoury

Sondos Shabayek

Debra Levine: Toward A Common Satisfaction of Needs

Yellow, Blue, Red: Ali Karim

Farah Saleh

Mithkal Alzghair

Performing the Trial: Re-enactment, Ritual, Remediation

Yaman (2016)

Fade to Black (2015)

Amer AlBarzawi

A two-part conversation with Szabolcs KissPál and Mahmoud Khaled

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

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Ala Younis

Contour Biennale 8

Katia Kameli at the Mosaic Rooms

Exhibitions and Other Representations in 25 Years at Witte de With

Ibraaz 5th Year Anniversary Editorial

At Ab Anbar Gallery

Socially Engaged Art Practices in Tunisia

Participatory Art in the Middle East

On Assumption and Authority

Forests, Freaks and Performativity

Anthony Downey

Rana Hamadeh at The Showroom, London

The Little Deaths of Christodoulos Panayiotou

An Alternative Genealogy of Musique Concrète

At the 41st Aeschylia Festival

The Subversive Feminine

The Unspoken Battle of Self-Censorship

Between the Pessimism of the Intellect and the Optimism of the Will

Edited Urbanism on Dubai Creek

Interventions as Performative Gestures For Political Engagement in Jordan

Practice, Performance, Politics

'To avoid misunderstanding, I write from the perspective of Turkey, because I can't really speak for North Africa nor for the Middle East in general...'

Determining the Axis of the Global South and Middle East

Notes on a Giant Implosion

Five Stages of an Artist Residency

Street Art in the Mediterranean Border Zones

On Nikolaj Larsen's End of Dreams

Nikos Papastergiadis and Gerardo Mosquera

The Cultural Centre of the Philippines opened to great political fanfare on 10 September 1969, with a ceremony that was graced by none less than California Governor Ronald Reagan and his wife Nancy acting on the orders of President Nixon.

Outside Looking In: Taking a Title and Running With It*

A Recourse to the Past

Building Institutions Through Practice

Re-Thinking Cultural Development in Palestine

Art and Culture Beyond Institutions in Amman

In the Shadow of Nasser

Object Lessons from Saadiyat Island and Gehry’s Guggenheim, Abu Dhabi

Downtown Contemporary Arts Festival (D-CAF)

33rpm and a Few Seconds by Rabih Mroué and Lina Saneh

Arts Infrastructures and Institutions in Libya Post-Dictatorship

'I suggest that we look at the past and present strengths of cultural organizations, which have always served social and informational purposes, regardless of region and time. It is in these two spheres that the future resides.'

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

The Sharjah Art Foundation's 2014 March Meeting

A Perspective on Algeria's Cultural Scene

Almagul Menlibayeva

Malak Helmy and Sophia Al Maria

Oreet Ashery

Thoughts on Art and Art Discourse

A project by Jumana Manna and Sille Storihle

A project by Katia Kameli

The Part about the Bandits Pt.2

Raed Yassin

Dream Homes and Community-building

A Story in Parts

Continuing Traditions of Satire, Art and the Struggle for Freedom in Syria

A Mother's Tongue, On Ahmad Ghossein's film My Father is Still a Communist

Marwa Arsanios

Cecilia Andersson

Projects 'Graphic Witness' at Drawing Room, London 010 / 16 June 2017 When images of conflict and protest can be so easily captured on mobile devices, why translate them into graphic representations? How does the translation into graphic form change the act of witnessing, fabricate commentaries on instances of injustice,...

A project by Benji Boyadgian

The Society of False Witnesses

Maya Chami

Written by Mayssa Fattouh

Seth Ayyaz

Dispatch One: the Artist and the Archive, June–September 2013

The Recordings of the Cosmopolitan

Waterside Contemporary

FIAF’s 2013 World Nomads Tunisia Festival

Profiles: Collecting Art in Lebanon at AUB Gallery, Lebanon

Institute of Contemporary Art, London

Tinkerings on the Instable Present Tense

Is soft power helping or hindering the state of the arts in Jordan?

Looking for Palestine in the Jordanian Music Scene

What has Changed in Tunisia since Spring 2011

The Shifting Narrative of Uprising

A.S. Bruckstein Çoruh

New media's role as an agent for social change in the MENA region has been somewhat sensationalised by mainstream media in referring to recent incidents of unrest as 'Facebook' or 'Twitter revolutions'. Whether used for the purpose of social exchange or as part of an artistic practice, real-time communication and...

News from the Arab World reaches western audiences on a daily basis. The various analogue and online formats of media – TV, radio, newspapers, and blogs – are extensively reporting on the events in this region. In Berlin, and certainly elsewhere in Europe, cultural institutions and festivals reacted very quickly...

The Practice of Contemporary Art in Algeria Today

Ali Benmakhlouf

Politics, Media and Art after the Arab Uprisings

For a Polysemic Reading of Both City and Territory

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

Joe Khalil

Mark Westmoreland

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