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Art By Email at Yorkshire Sculpture Park

Nadia Kaabi-Linke in conversation with Lina Lazaar

Amina Menia in conversation with Laura Allsop

Diana Al-Hadid in Conversation with Fawz Kabra

Jeremy Hutchison in conversation with Natasha Hoare

Hera Büyüktaşçıyan in conversation with Basak Senova

Magdi Mostafa: Wisdom Tower: from the series Sound Cells (Fridays)

Walid Siti in conversation with Nat Muller

Timo Nasseri in conversation with Laura Allsop

Eric Van Hove in conversation with Natasha Hoare

Mona Marzouk in conversation with Aleya Hamza

Parviz Tanavoli’s Retrospective at the Davis Museum

The Artist as Awakener at AUB

Grey Noise Gallery

Jumana Manna at Chisenhale Gallery, London

An Art Collection as an Alternative Archive of Iranian History

Downtown Contemporary Arts Festival (D-CAF)

Wafaa Bilal at Maraya Art Park, Sharjah

Ahmed Badry

The Making of the Artwork by the Artist, the Museum and the Public

Sites of Return: Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Gaza

Pattern Recognition: Ramallah

RE/viewing Jerusalem #2 – REturn: Jerusalem

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Moments for Possibilities 'Air, Land and Sea': London

This Sea is Mine: Amman

This Sea is Mine: Gaza

The People of the Sea: Haifa

Biographies

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Responses

Shezad Dawood in conversation with Sara Raza

Ziad Antar in Conversation with Anthony Downey

Michket Krifa in conversation with Wafa Gabsi

Tom Bogaert in conversation with Anthony Downey

Shady El Noshokaty in conversation with Omar Kholeif

Tarek Al-Ghoussein in conversation with Anthony Downey

Chapter 1: Intensities

Hassan Khan in conversation with Omar Kholeif

Reza Aramesh in conversation with Anthony Downey

Simone Fattal in conversation with Mirene Arsanios

Visualizing Palestine in conversation with Haig Aivazian

Nadia Ayari in conversation with Haig Aivazian

Chapter 2: Details

Preface: Jack Persekian

Jumana Emil Abboud: A Happy Ending, Part II

Exhibition Overview

Performance documentation: Lin Yilin

Two Gunshots Fired at the Installation Dialogue : Xiao Lu

Lidia Al-Qattan in conversation with Monira Al Qadiri

Rasha Salti and Kristine Khouri in conversation with Samah Hijawi

Magdi Mostafa in conversation with Clelia Coussonnet

Speaker Biographies + Synopses

Closing Remarks

Meriem Bennani in conversation with Myriam Ben Salah

Koyo Kouoh in conversation with Stephanie Bailey

Reza Aramesh in conversation with Lara Atallah

Reem Fadda in conversation with Fawz Kabra

Marwa Arsanios in conversation with Fawz Kabra

Coco Fusco in conversation with Stephanie Bailey

Joana Hadjithomas and Khalil Joreige in conversation with Nat Muller

Haig Aivazian in conversation with Rayya Badran

Adel Abidin in Conversation with Basak Senova

Fayçal Baghriche in conversation with Laura Allsop

Morehshin Allahyari in conversation with Hannah Gregory

Lasse Lau in conversation with Amira Gad

Hiwa K in conversation with Anthony Downey and Amal Khalaf

Dia Azzawi in conversation with Sheyma Buali

Youmna Chlala in conversation with Fawz Kabra

Anthony Downey and Beatrix Ruf in conversation with Slavs and Tatars

Leeza Ahmady in conversation with Taus Makhacheva

Lucien Samaha in conversation with Walid Raad, Part I

Ahmed Nagy in conversation with Mai Elwakil

Nevin Aladağ in conversation with Walter D. Mignolo

Nida Sinnokrot in conversation with Natasha Hoare

Hicham Khalidi in conversation with Daniella Rose King

Jumana Manna in conversation with Sheyma Buali

Hajra Waheed in conversation with Stephanie Bailey

Leung Chi Wo in conversation with Robin Peckham

Lamia Joreige in conversation with Anthony Downey

Nora Razian, Nataša Petrešin Bachelez, and Angela Harutyunyan in conversation, with a contribution from Natasha Gasparian

Amar Kanwar in conversation with Stephanie Bailey

Monira Al Qadiri: The Saudi New Wave | Digital Landscapes and Future Institutions

Ibraaz

Two Exhibitions in Paris

An Artist-Run Gallery Space in Cairo

Tom Snow

Ibraaz

Ibraaz

Online exhibition catalogue

Almagul Menlibayeva in conversation with Basak Senova

A Report from Home Works 7 and Athens Biennale 5 to 6

Ibraaz

Ibraaz

An Odd Piece of Research on the Many Virtues of Oriental Imagination

Sophia Al-Maria: On Automobiles

Basim Magdy & Stephanie Bailey: Collective Memory

Ibraaz

Doa Aly

Lin Yilin

The Future Was Space Is The Place

Doa Aly

Murtaza Vali: 'Arresting Flows, Stacking Forms'

Vikram Divecha

Beau Geste: Yto Barrada

In the Future They Ate From the Finest Porcelain

Trace Environments: Sovereignty, toxicity and the littoral

A two-part conversation with Szabolcs KissPál and Mahmoud Khaled

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

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Notes on Geo-cultural Exhibitions

Invisible Architecture in Rana ElNemr’s Streams of Synonyms

Yazan Ashqar

Meeting Points 8

Wael Shawky at the Fondazione Merz

The Egyptian Surrealists (1938–1965)

Rupture, War and Surrealism in Egypt (1938–1948) at the Centre Pompidou

Closing Remarks

Exhibitions and Other Representations in 25 Years at Witte de With

Technology and Its Discontents

Reflections on Reflections

Gülsün Karamustafa Retrospective at Hamburger Bahnhof

Rayyane Tabet at Museo Marino Marini

Lara Baladi

At Aicon Gallery, New York

The 9th Berlin Biennale of Contemporary Art

At Ab Anbar Gallery

Rozemin Keshvani

Nicola Baird

The 37th EVA International

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

An Introduction to Platform 010

Barrak Alzaid

Downtown Contemporary Arts Festival (D-CAF)

Tehran’s Self-portrait

An Introduction to Body Art and Performance in the Gulf

The Little Deaths of Christodoulos Panayiotou

Green Art Gallery

The Performance of Death in a Post-9/11 World

Shady El Noshokaty at Gypsum Gallery, Cairo

The performative in the work of Hassan Khan

The 14th Istanbul Biennial 2015

The 13th Biennale de Lyon

Between the Pessimism of the Intellect and the Optimism of the Will

A Review of the 56th Venice Biennale

Maraya Art Centre

'The following considerations on performance as an artistic medium in the region of North Africa and Middle East refer to more general problems that relate to the art form's status as an institutionalized aesthetic practice...'

Interventions as Performative Gestures For Political Engagement in Jordan

Performing Armenity at the 56th Venice Biennale

'To avoid misunderstanding, I write from the perspective of Turkey, because I can't really speak for North Africa nor for the Middle East in general...'

Rana ElNemr at the American University in Cairo’s Sharjah Art Gallery

On Nikolaj Larsen's End of Dreams

Portrait of a Salafi en abyme in the Cyber World

In the years that followed the destruction of the Berlin Wall, which triggered the rise of post-colonial studies, the definition of the term 'the Global South' has changed dramatically.

A Yemeni Art History

From the Intimate to the World

Global Art Forum 8 at Katara Art Center

Burak Delier at Iniva

Arts Infrastructures and Institutions in Libya Post-Dictatorship

What Does It Mean to Be Building a Library in Iraq?

Or, Severing History From the Person

'You can't draw desire, you have to walk it.'

Slavs and Tatars at The Third Line

A Perspective on Algeria's Cultural Scene

HIWAR | Conversations in Amman

Haig Aivazian’s multi-piece installation FUGERE at Sfeir-Semler, Hamburg

Yogesh Barve & Clark House Initiative

Nikolaj Larsen

Ariel Hassan

Youmna Chlala

Leung Chi Wo

Shezad Dawood

Mahmoud Khaled

Iman Issa

Thoughts on Art and Art Discourse

A project by Jumana Manna and Sille Storihle

Sophia Al-Maria

A Project by Lara Baladi with an introduction by Dorothea Schoene

Mahmoud Bakhshi

Maryam Monalisa Gharavi

Tahrir Archives

Dena Al-Adeeb

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

Larissa Sansour and Soren Lind

The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore

Alsi Çavuşoğlu at Delfina Foundation, London

Repatriation of Iraq's Looted Heritage under International and Domestic Law and Practice

The 13th Istanbul Biennial

Waterside Contemporary

Farah Makni Hendaoui

The Encyclopedic Palace

Saloua Raouda Choucair, Ibrahim El-Salahi and Meschac Gaba at Tate Modern

Meem Gallery, Dubai

Profiles: Collecting Art in Lebanon at AUB Gallery, Lebanon

Kuwait’s National Works at the 55th Venice Biennale

Iraq and Palestine at the 2013 Venice Biennale

Is soft power helping or hindering the state of the arts in Jordan?

Aid and the Politics of Art in Processes of Contemporary Cultural Production

Sharjah Biennial 11 – Re:emerge, Towards a New Cultural Cartography

A Talk and Screening by Shabbir Hussain Mustafa

Basim Magdy, 13 Essential Rules for Understanding the World , 2011, super 8 film transferred to HD video, 5 min. 16 sec. Courtesy the artist and Newman Popiashvili Gallery, New York.

What has Changed in Tunisia since Spring 2011

Platform for discussion004 With the benefit of hindsight, what role does new media play in artistic practices, activism, and as an agent for social change in the Middle East and North Africa today? Basim Magdy 2 November 2012 Basim Magdy Every Subtle Gesture, 2012 - ongoing Colour prints on Fuji...

How artistic practices define and negotiate public space is to me the most significant issue in the question posed, which I will begin to discuss in the context of Algiers. The site specific practice of Amina Menia testifies to both the richness of meaning and difficulties of execution endemic to...

The Practice of Contemporary Art in Algeria Today

Politics, Media and Art after the Arab Uprisings

For a Polysemic Reading of Both City and Territory

When Umru' al-Qais stood by the traces of the tent of his beloved in the middle of the desert of Hijaz, he shed tears that became the key to Arab poetry. Until recently, no one could have guessed that those tents would one day be made of concrete. These days,...

Yazid Anani

During the July sit-in in Tahrir Square in Cairo, the site of the revolution at the beginning of the year, a group of artists and filmmakers lit up a corner of the square with an open-source 'revolutionary' screen: Tahrir Cinema . Every night, a filmmaker, journalist or activist presented a...

Platform for discussion002 What relationship does visual culture have to the world we live in? Haig Aivazian 1 November 2011 The Unimaginable Things We Build is a multi-part project exploring the evolution of the rhetoric surrounding, and material state of, the tallest man-made structure in the world, Dubai's Burj Khalifa....

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

Walking in the Darkness of a Promised Light

Mayssa Fattouh

Aesthetics, Civil Society, and the Politics of Representation

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