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The Israeli-Palestinian Conflict and Israel's National Photography Archives as a Case Study

Humans from Palestine, The Karimeh Abbud Award Exhibition: Bethlehem

The People of the Sea: Haifa

Chic Point Fashion for Israeli Checkpoints: Sharif Waked

Oreet Ashery in conversation with Amal Khalaf

Fashion for Israeli Checkpoints

Earshot by Lawrence Abu Hamdan, Portikus, Frankfurt

A project by Jumana Manna and Sille Storihle

Demonstrations by Palestinian villagers against Israeli colonisation has been described by non-local media sources as 'theatrics' and 'spectacle.' Such categorisation positions Palestinian acts of protest in the realm of 'acting'- a visual 'show' for the cameras, complete with homemade props, a soundtrack of chants performed to the rhythm of Israeli...

Ela Greenberg

Sites of Return: Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Gaza

O Whale, Don't Swallow Our Moon: Ramallah

Pattern Recognition: Ramallah

A Series of Un-Curated Events: Ramallah

RE/viewing Jerusalem #2 – REturn: Jerusalem

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Moments for Possibilities 'Air, Land and Sea': London

This Sea is Mine: Gaza

Sea of Stories: Beirut

Partner institutions

Encounters Programme

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Reflections: Ala Younis Adania Shibli

Foreword: Anthony Downey

Introduction: Qi2016 Curatorial Team

Acknowledgements

Installation Views

ARC.HIVE (2006–present): Adham Hafez

Curator's Essay: Aaron Cezar

Foreword: Anthony Downey

Exhibition Overview

Ziad Antar in Conversation with Anthony Downey

Jack Persekian in conversation with Basak Senova

Nada Sehnaoui in conversation with Laura Allsop

Tom Bogaert in conversation with Anthony Downey

Tarek Al-Ghoussein in conversation with Anthony Downey

Guy Mannes-Abbott in conversation with Sheyma Buali

Nathan Witt in conversation with Amira Gad

Chapter 1: Intensities

Reza Aramesh in conversation with Anthony Downey

Jasmina Metwaly in conversation with Angela Harutyunyan

Tarzan and Arab in conversation with Laura Allsop

Michael Rakowitz in conversation with Anthony Downey

Cynthia Zaven in conversation with Basak Senova

Simone Fattal in conversation with Mirene Arsanios

Visualizing Palestine in conversation with Haig Aivazian

Jeremy Hutchison in conversation with Natasha Hoare

Nadia Ayari in conversation with Haig Aivazian

Seth Anziska in conversation with Daniella Rose King

Chapter 4: Measures

Chapter 2: Details

A Question: Jalal Toufic

Preface: Jack Persekian

A View from the City: Tina Sherwell

Soundscapes: Taking Apart the Arab City by Dr. Alexandra MacGilp

Looking at Wafaa Bilal's Domestic Tension : Barrak Alzaid

Sulayman Al Bassam in conversation with Ala Younis

End of War in Iraq: The Yes Men and Steve Lambert

Performance documentation: Lin Yilin

Bent Jbeil: Wael Shawky

Hair and Milk Bottle: Hassan Sharif

Two Gunshots Fired at the Installation Dialogue : Xiao Lu

Photographs With A Flag: Mohammed Kazem

I March In The Parade Of Liberty But As Long As I Love You I'm Not Free: Sharon Hayes

Variation on Discord and Divisions: Mona Hatoum

Crossing Surda (a record of going to and from work): Emily Jacir

Operation Atropos: Coco Fusco

OLGA'S NOTES, all those restless bodies: Marwa Arsanios

A Tress of Hair: Doa Aly

Rabih Mroué in conversation with Göksu Kunak

Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare

Rasha Salti and Kristine Khouri in conversation with Samah Hijawi

Speaker Biographies + Synopses

Closing Remarks

Reza Aramesh in conversation with Lara Atallah

Online exhibition catalogue

Taysir Batniji in conversation with Silke Schmickl

Joana Hadjithomas and Khalil Joreige in conversation with Nat Muller

Mario Rizzi in conversation with Cristiana Perrella

Mounira al Solh in conversation with Nat Muller

Helene Kazan in conversation with Amal Khalaf

Lawrence Abu Hamdan in conversation with Anthony Downey

Farah Saleh in conversation with Marianna Liosi

Maya Zbib in conversation with Amal Khalaf

Dia Azzawi in conversation with Sheyma Buali

Yael Bartana in conversation with Clelia Coussonnet

Mohanad Yaqubi in conversation with Sheyma Buali

Sumesh Sharma in conversation with Amanprit Sandhu

Aikaterini Gegisian in conversation with Stephanie Bailey

Köken Ergun in conversation with Omar Kholeif

Raed Yassin in conversation with Stephanie Bailey

Ali Cherri in conversation with Sheyma Buali

Joe Namy in conversation with Garine Aivazian

Akram Zaatari in conversation with Anthony Downey

Larissa Sansour in conversation with Sheyma Buali

Nida Sinnokrot in conversation with Natasha Hoare

Suha Shoman in conversation with Amin Alsaden

Foundland in conversation with Nat Muller

Jumana Manna in conversation with Sheyma Buali

WHW in conversation with Omar Kholeif

Uriel Orlow in conversation with Omar Kholeif

A View from Afar: Stephanie Bailey

Louis Henderson in conversation with Amira Gad

Lamia Joreige in conversation with Anthony Downey

Alia Rayyan: Recounting the Past, Present and Future

Nour K Sacranie

Chkoun Ahna at the National Museum of Carthage, Tunis, 2012

Nour K Sacranie

1967 in Art and Its Histories, June 1-2, 2012 American University of Beirut, Lebanon

Two Exhibitions in Paris

New initiative fosters connections between the Middle East and the western world

Contemporary Image Collective, Cairo

Future Imperfect, A Symposium

Decolonizing Architecture at Tate Modern

News The Jerusalem Show 007 / 24 October 2014 Ibraaz is pleased to announce the opening of THE JERUSALEM SHOW VII: FRACTURES. Curated by Basak Senova and organized by Al-Ma'mal Foundation for Contemporary Art, Jerusalem, this year's show runs from 24 October to 7 November 2014, and is presented in...

Reema Salha Fadda

Ibraaz

A Report from Home Works 7 and Athens Biennale 5 to 6

Ibraaz

Ibraaz

Hans Ulrich Obrist: in conversation with Omar Kholeif

1971-1979 The Short Seventies (UAE)

Wael Shawky

Louis Henderson

A Hero Never Dies: Wissam Charaf

Sama Alshaibi

Omar Robert Hamilton

description

Notes on a film by Kamal Aljafari

Artists Intervening in Lebanese Dailies

Lizzy Collier

Yazan Ashqar

On Qalandiya International 2016 in Ramallah

Closing Remarks

Hamid Dabashi

Reflections on Reflections

Mega-museums and modern artists from the Middle East

Walking Cabbages and Watermelons

On Assumption and Authority

Forests, Freaks and Performativity

KVS Theater in Brussels

An Introduction to Body Art and Performance in the Gulf

Six Short Stories on Arabic Voice Acting

Green Art Gallery

Bruno Boudjelal's Documentary of Affect

The Performance of Death in a Post-9/11 World

Shady El Noshokaty at Gypsum Gallery, Cairo

Jumana Manna at Chisenhale Gallery, London

Interventions as Performative Gestures For Political Engagement in Jordan

Performing Armenity at the 56th Venice Biennale

Sharjah Biennial 12: The past, the present, the possible

Franco Berardi

Lara Khaldi

Determining the Axis of the Global South and Middle East

'Too Early, Too Late: Middle East and Modernity' at the Pinacoteca Nazionale di Bologna

Narratives and Ghosts from the International Art Exhibition for Palestine, 1978, at MACBA

On Bouchra Khalili’s Cartographies

On the Work of Basma Alsharif

Portrait of a Salafi en abyme in the Cyber World

Conflicting Narratives and the Invention of Geographies

Outside Looking In: Taking a Title and Running With It*

Here and Elsewhere at the New Museum

Re-Thinking Cultural Development in Palestine

Re-routing Institutional Critique

Art and Culture Beyond Institutions in Amman

Berlin Documentary Forum 3 at Haus der Kulturen der Welt, Berlin

In the Shadow of Nasser

Imagining the Future, Assembling the Past

A Perspective on Algeria's Cultural Scene

HIWAR | Conversations in Amman

Almagul Menlibayeva

Oreet Ashery

Uriel Orlow

Adelita Husni-Bey

The Circus (2)

On the Rooftop

Dream Homes and Community-building

A Project by Dictaphone Group

A Mother's Tongue, On Ahmad Ghossein's film My Father is Still a Communist

Mustapha Benfodil

Marwa Arsanios

Dalia Khamissy

Projects 'Graphic Witness' at Drawing Room, London 010 / 16 June 2017 When images of conflict and protest can be so easily captured on mobile devices, why translate them into graphic representations? How does the translation into graphic form change the act of witnessing, fabricate commentaries on instances of injustice,...

The Society of False Witnesses

Basma Alsharif

Maya Chami

Yazan Khalili Lara Khaldi

Helene Kazan

Samah Hijawi

Akira Mizuta Lippit, in Atomic Light (Shadow Optics), characterizes the shadow archive as what cannot be archived, and therefore survives when the archive is destroyed. The shadow archive describes the majority of Arab cultural memory, which survives in non-visual traces, such as the work done by memory and imagination in...

The Soldier: 'Indeed, I took these photographs from the pocket of a dead Arab, killed in Bab Al-Wad in the beginning of May 1948.

Yasmine Eid-Sabbagh’s 'A photographic conversation from Burj al-Shamali Camp'

An I for an Eye and Death of a Cameraman

/si:n/ Festival of Video Art and Performance, Ramallah

Institute of Contemporary Art, London

Is soft power helping or hindering the state of the arts in Jordan?

Celebrating Arab Women Filmmakers

Ibraaz Platform 005 Editorial

Looking for Palestine in the Jordanian Music Scene

An Exhibition between Cairo and London

Refraction: Moving Images on Palestine at P21 Gallery

Introduction

What has Changed in Tunisia since Spring 2011

Foundland

Yazid Anani

Reflections from a book on South Sinai

Walking in the Darkness of a Promised Light

01: An old woman gets into a taxi and asks the driver to take her somewhere. The driver hits the accelerator and takes off. As they arrive at a traffic light, the driver hits the gas and speeds across the red light. The old lady panics and screams; 'Why did...

For so many decades the region of MENA has been synonymous with religious extremism, oppression of women, dictatorial regimes and, at varying levels, high rates of illiteracy and backwardness. In the last decade of the twentieth century the region has seen various political tumults including Islamic terrorism and its war...

Cities have long been sites for conflict, from war and the oppressions of dictators to racisms and religious hatreds. And yet, where national states have historically responded by militarizing conflict, cities have tended to triage conflict through commerce and civic activity. Often the overcoming of urban conflicts became the source...

Mark Westmoreland

Aesthetics, Civil Society, and the Politics of Representation