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Search results for 'Conference'
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BRISMES Graduate Section Annual Conference 2012
Nour K Sacranie
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What About the Art?
The Art for Tomorrow Conference 2016 in Doha
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FIELD MEETING Take 4: Thinking Practice
Responses
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FIELD MEETING Take 4: Thinking Practice
Programme / Schedule
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FIELD MEETING Take 4: Thinking Practice
Speaker Biographies + Synopses
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FIELD MEETING Take 4: Thinking Practice
Curatorial Narrative
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FIELD MEETING Take 4: Thinking Practice
Closing Remarks
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FIELD MEETING Take 4: Thinking Practice
Online Programme
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JAOU Tunis 2015
News JAOU Tunis 2015 008 / 18 May 2015 Jaou Tunis 2015. Copyright Kamel Lazaar Foundation. Visual Culture in an Age of Global Conflict The Kamel Lazaar Foundation is pleased to announce that it will stage a two-day conference at the National Museum of Bardo from 28–29 May, 2015. This...
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Time Share
The 2016 March Meeting
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Global Academy?
At the Salzburger Kunstverein
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FIELD MEETING Take 4: Thinking Practice
The Annual Signature Forum of Asia Contemporary Art Week (ACAW)
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Jaou Tunis 2017
Ibraaz
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JAOU 2017
Aimee Dawson
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Warehouse Project Talks
Vikram Divecha
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News
To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...
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When Art Becomes Liberty
The Egyptian Surrealists (1938–1965)
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Qalandiya International 2016
Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah
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Qalandiya International 2016
The Jerusalem Show VIII 'Before and After Origins': Jerusalem
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Qalandiya International 2016
Biographies
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A Prologue to the Past and Present State of Things
Curator's Essay: Aaron Cezar
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A Prologue to the Past and Present State of Things
Foreword: Anthony Downey
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New Vocabularies for New Challenges
Newsha Tavakolian in conversation with Sara Raza
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Succinctly Verbose
Visualizing Palestine in conversation with Haig Aivazian
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A Fraction of Experience
Omar Robert Hamilton in conversation with Elisabeth Jaquette
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The Jerusalem Show
A View from the City: Tina Sherwell
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Echoes & Reverberations
Visitations: When aurality loses site* by Rayya Badran
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Echoes & Reverberations
Foreword: Anthony Downey
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A Prologue to the Past and Present State of Things
Looking at Wafaa Bilal's Domestic Tension : Barrak Alzaid
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A Prologue to the Past and Present State of Things
End of War in Iraq: The Yes Men and Steve Lambert
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A Letter’s Discourse
Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare
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Past Disquiet
Rasha Salti and Kristine Khouri in conversation with Samah Hijawi
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Kuwait Transformed
Farah Al-Nakib in conversation with Todd Reisz
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The Personal and the Political All at Once
Adham Hafez in conversation with Suzy Halajian
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Dark Matters
Morehshin Allahyari in conversation with Hannah Gregory
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The Outsider
Mario Rizzi in conversation with Cristiana Perrella
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The Right to Shelter
Helene Kazan in conversation with Amal Khalaf
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Family Ties
Mohssin Harraki in conversation with Karima Boudou
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NOTES FROM THE RESISTANCE
Özgür Uçkan and Vasif Kortun in conversation with Basak Senova
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Reversing Power, Allowing Possibilities
Yael Bartana in conversation with Clelia Coussonnet
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Lost in Narration
Rabih Mroué in conversation with Anthony Downey
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Alternate Geographies
Sumesh Sharma in conversation with Amanprit Sandhu
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Mirrors for Princes
Anthony Downey and Beatrix Ruf in conversation with Slavs and Tatars
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Meanwhile…History
Shumon Basar, Ala Younis and Omar Berrada in conversation with Sheyma Buali
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Narrative Treatments
Wael Shawky in conversation with Stephanie Bailey
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On Documentation
Parastou Forouhar in conversation with David Hodge and Hamed Yousefi
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Then and Now
Adelina von Fürstenberg in conversation with Stephanie Bailey
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Common Grounds and Common Cultures
Kamel Lazaar in conversation with Anthony Downey
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Politics in Practice
Younes Bouadi in conversation with Stephanie Bailey
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The Time is Out of Joint
Tarek Abou El Fetouh in conversation with Stephanie Bailey
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Present Continuous
Christine Tohme in conversation with Rachel Dedman
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Future Imperfect
Wided Rihana Khadraoui: Digitalizing Social Change through Cultural Institutions in Saudi Arabia
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Future Imperfect
Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria
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October Newsletter
Ibraaz
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Platform 002 Launch Newsletter
Ibraaz
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December Newsletter
Ibraaz
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Ibraaz Platform 003 Launch
Ibraaz
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Ibraaz June Newsletter
Ibraaz
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Where do we go from here? Women in Contemporary Arab Art
Isabella Ellaheh Hughes
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The Longevity of Rupture
1967 in Art and Its Histories, June 1-2, 2012 American University of Beirut, Lebanon
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Ibraaz July Newsletter
Ibraaz
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Alternative to What?
A roundtable discussion at Tate Modern contemplates the role of alternative education
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Ibraaz December Newsletter
Ibraaz
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Nile Sunset Annex
An Artist-Run Gallery Space in Cairo
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Ibraaz February Newsletter
Ibraaz
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Ibraaz March Newsletter
Ibraaz
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Ibraaz April Newsletter
Ibraaz
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Global Futures Forum 2013
10 Years On: Art and Everyday Life in Iraq and Iran
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Regional vis-à-vis Global Discourses
Contemporary Art from the Middle East
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10 Years On: Art and Everyday Life in Iraq and Iran
Ibraaz in partnership with Winchester Centre for Global Futures in Art
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Ibraaz June Newsletter
Ibraaz
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Critical Anxieties
Regional vis-à-vis Global Discourses: Contemporary Art from the Middle East
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Ibraaz July Newsletter
Ibraaz
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Ibraaz August Newsletter
Ibraaz
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Symposium: Future Imperfect – Cultural Propositions and Global Perspectives
Ibraaz
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Deconstructing the Public Sphere
A Report on Future City
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Ibraaz Platform 006
Ibraaz
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Present Projections
Future Imperfect, A Symposium
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The Square
Aimee Dawson
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Ibraaz January Newsletter
Ibraaz
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Ibraaz Platform 007
Ibraaz
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Djerbahood
Erriadh is the Home of the ‘Street’
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An Open Letter
Ibraaz
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Ibraaz March Newsletter
Ibraaz
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Ibraaz Platform 009 | Launch Reader
Ibraaz
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Ibraaz Reader 009/01
Ibraaz
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The Egyptian Surrealists in Global Perspective
A Report from the AUC
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Real Edgy
A Report from Home Works 7 and Athens Biennale 5 to 6
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Ibraaz Platform 010 | Where to Now?
Ibraaz
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Ibraaz January Reader 009/07
Ibraaz
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Ibraaz Reader 009/10
Ibraaz
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Ibraaz Platform 010 Refresh | Where to Now?
Ibraaz
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Midad
The Public and Intimate Lives of Arabic Calligraphy
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10 Years On: Art and Everyday Life in Iraq
Ibraaz Talks: Slavs and Tatars
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10 Years On: Art and Everyday Life in Iraq and Iran
Ibraaz Talks: Wafaa Bilal
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Future Imperfect
Ibraaz
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Ibraaz Talks: Global Art Forum 8
Oscar Guardiola-Rivera: in conversation with Anthony Downey
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Ibraaz Talks: Global Art Forum 8
John Akomfrah: in conversation with Anthony Downey
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Global Art Forum 8
1971-1979 The Short Seventies (World)
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Global Art Forum 8
Ibn Khaldun’s The Muqadimmah
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Global Art Forum 8
1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans
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Jaou Tunis 2015
Ibraaz
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The Invisible Scent of History
Ibraaz
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History in Play
Hammad Nasar in conversation with Reema Salha Fadda
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Unfolding the Structures of Sound
Cevdet Erek in conversation with Başak Şenova
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On Building Nations
A two-part conversation with Szabolcs KissPál and Mahmoud Khaled
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Channel
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Where to Now: Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East
Platform 010 Editorial
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Now Where?
On Navigating Without a Compass
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Violent Relatedness, Embeddings, Hindsight
Ala Younis
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A Faustian Pact
Notes on Geo-cultural Exhibitions
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Questions of Collectivity in the Absence of Connectivity
On Qalandiya International 2016 in Ramallah
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Field Meeting 4: Thinking Practice
Closing Remarks
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Against the Market
The Art of Shirin Neshat
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Return to the Former Middle East
Ibraaz 5th Year Anniversary Editorial
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Queer Chronopolitics
Forests, Freaks and Performativity
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Where to Now?
An Introduction to Platform 010
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Critique as Infrastructure
Organic Growth and the Rise of Visual Arts Organizations in the UAE
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Staging the Nation
Barrak Alzaid
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Response to Platform 10 by Sabrina DeTurk
The varying political, cultural and economic circumstances of the participants of Art Dubai 2016, Design Days and the March Meeting, merit further consideration, as it is the differences among them that highlight the current constraints and opportunities for cultural production in the region.
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Ibraaz Platform 009: Performance
Anthony Downey
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Halim El Dabh
An Alternative Genealogy of Musique Concrète
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SALTWATER: A Theory of Thought Forms
The 14th Istanbul Biennial 2015
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Building in A-topia
Franco Berardi
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'I am an Artist'
Portrait of a Salafi en abyme in the Cyber World
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Platform 008 Editorial
Anthony Downey
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Response to Platform 8 by Clare Davies and Nida Ghouse
This research-based response marks the beginning of a collaborative project undertaken by Clare Davies and Nida Ghouse that considers histories of artistic production in relation to the concept of metanoia.
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The North of the South and the West of the East
A Provocation to the Question
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Mirror Worlds
Here and Elsewhere at the New Museum
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Platform 007: Future Imperfect (Part II)
Building Institutions Through Practice
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GCC: Achievements in Retrospective
Leili Sreberny-Mohammadi
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Designing the Future
What Does It Mean to Be Building a Library in Iraq?
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Come Together
The Sharjah Art Foundation's 2014 March Meeting
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Recalling the Future
Post-Revolutionary Iranian Art at SOAS
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Critical Machines
Mirene Arsanios
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Notes on Women in Iranian Art
A Review
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Rethinking National Archives in Colonial Countries and Zones of Conflict
The Israeli-Palestinian Conflict and Israel's National Photography Archives as a Case Study
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Sahrawi Scrapbook
A Project by Robin Kahn
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Wandering of a Collective
Makan
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Soundscapes
A project by Tom Bogaert for Ibraaz
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From Brute Ornament
Seher Shah's Recent Drawings
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40 years of Running on the Same Spot
A Libyan Diary (Part II) - November 2011
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TandemWorks
Written by Mayssa Fattouh
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17 and in AUC: Documentation
Hassan Khan
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Locating the Archive
The Search for 'Nurafkan'
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Housing Archives
When Buildings Become Part of the Record
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The Spectre (of Knowledge)
The Recordings of the Cosmopolitan
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Thieves of Babylon
Repatriation of Iraq's Looted Heritage under International and Domestic Law and Practice
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The Crisis of Art in Tunisia
Farah Makni Hendaoui
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Amman’s West Side Story
Is soft power helping or hindering the state of the arts in Jordan?
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RE:EMERGING, DECENTRING AND DELINKING
Shifting the Geographies of Sensing, Believing and Knowing
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On Being 'The Other' In Post-Civil War Lebanon
Aid and the Politics of Art in Processes of Contemporary Cultural Production
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Response to Platform 5 by Michaela Crimmin
The excited chatter about unrest and uprisings in the western world has focused particularly on a number of countries in North Africa and in what we here refer to as the Middle East (meaning anything between eighteen to thirty-eight countries according to Wikipedia). In the UK, we have received a...
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Making Universes
Khalil Rabah: Pages 7, 8, 9 at e-flux
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The Many Afterlives of Lulu
The Story of Bahrain’s Pearl Roundabout
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On Revolution and Rubbish
What has Changed in Tunisia since Spring 2011
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An Explanation of an Irrelevant Monument
On the Memory of a Memorial
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Citizens Reporting and the Fabrication of Collective Memory
Jens Maier-Rothe
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Digital, Aesthetic, Ephemeral
The Shifting Narrative of Uprising
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The Art of the Written Word + New Media Dissemination: Syria
Tarek Khoury
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Response to Platform 4 by Anne Barlow
New media's role as an agent for social change in the MENA region has been somewhat sensationalised by mainstream media in referring to recent incidents of unrest as 'Facebook' or 'Twitter revolutions'. Whether used for the purpose of social exchange or as part of an artistic practice, real-time communication and...
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Response to Platform 3 by Alice Planel
How artistic practices define and negotiate public space is to me the most significant issue in the question posed, which I will begin to discuss in the context of Algiers. The site specific practice of Amina Menia testifies to both the richness of meaning and difficulties of execution endemic to...
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Productive Contexts and Contemporary Restraints
The Practice of Contemporary Art in Algeria Today
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Occupying the Occupied
Perceptions of Occupation and Control in Cyprus
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The Urban Observatory of Beirut
For a Polysemic Reading of Both City and Territory
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Response to Platform 3 by Seher Shah
From Brute Ornament: Seher Shah's Recent Drawings
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Response to Platform 3 by Amira Gad
'The young conservatives embrace the fundamental experience of aesthetic modernity – the disclosure of a de-centered subjectivity, freed from all constraints of rational cognition and purposiveness, from all imperatives of labour and utility – and in this way break out of the modern world. They transpose the spontaneous power of...
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Comparative Notes on the Cultural Magazine in Lebanon
Mirene Arsanios
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About us
Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...
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Copyright Notice The copyright for content on this website is held by the Ibraaz Publishing, except for material provided by other organisations, where copyright ownership is indicated. The views expressed on this website are not necessarily those of Ibraaz Publishing. You may link to us from your site, as long...