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Foundland

Özgür Uçkan and Vasif Kortun in conversation with Basak Senova

The Performance of Death in a Post-9/11 World

Introduction: Qi2016 Curatorial Team

Responses

Curator's Essay: Aaron Cezar

Tom Bogaert in conversation with Anthony Downey

Speaker Biographies + Synopses

Curatorial Narrative

UBIK in conversation with Isabella Ellaheh Hughes

Taysir Batniji in conversation with Silke Schmickl

Seth Ayyaz in conversation with Sheyma Buali

Farah Saleh in conversation with Marianna Liosi

Navine G. Khan-Dossos in conversation with Stephanie Bailey

Mohssin Harraki in conversation with Karima Boudou

Yael Bartana in conversation with Clelia Coussonnet

Mohanad Yaqubi in conversation with Sheyma Buali

Sumesh Sharma in conversation with Amanprit Sandhu

Aikaterini Gegisian in conversation with Stephanie Bailey

Jonas Staal in conversation with Stephanie Bailey

Jananne Al-Ani in conversation with Nat Muller

Ali Cherri in conversation with Sheyma Buali

Foundland in conversation with Nat Muller

Hicham Khalidi in conversation with Daniella Rose King

Younes Bouadi in conversation with Stephanie Bailey

Héla Ammar in conversation with Wafa Gabsi

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

Contemporary Image Collective, Cairo

A Report from Cologne

1971-1979 The Short Seventies (World)

Soviet Orientalism and Political Mobilisation

Tom Bogaert

Kim Beamish

The Maspero Massacre: October 2011

A two-part conversation with Szabolcs KissPál and Mahmoud Khaled

Contour Biennale 8

Hamid Dabashi

The Art of Shirin Neshat

Lara Baladi

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

Samah Hijawi

Genealogy of a Territory at MuCEM, Marseille

A Nomadological Study of Ottoman Arab Photography

Interventions as Performative Gestures For Political Engagement in Jordan

In the years that followed the destruction of the Berlin Wall, which triggered the rise of post-colonial studies, the definition of the term 'the Global South' has changed dramatically.

Can T-Wall Murals really Beautify the Fragmented Baghdad?

In the Shadow of Nasser

33rpm and a Few Seconds by Rabih Mroué and Lina Saneh

The Israeli-Palestinian Conflict and Israel's National Photography Archives as a Case Study

Ariel Hassan

A Video Game Mausoleum for Bashar al-Assad

A project by Tom Bogaert for Ibraaz

Cecilia Andersson

Mahmoud Bakhshi

Navine G. Khan-Dossos

Tom Bogaert

Yazan Khalili Lara Khaldi

The Soldier: 'Indeed, I took these photographs from the pocket of a dead Arab, killed in Bab Al-Wad in the beginning of May 1948.

The Search for 'Nurafkan'

On Shuruq Harb's The Keeper

Dispatch One: the Artist and the Archive, June–September 2013

Ibraaz Platform 006 Editorial

The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore

Hauser & Wirth / Alan Cristea Gallery: A Spectrum Review

Amy Charlesworth

An Exhibition between Cairo and London

A Talk and Screening by Shabbir Hussain Mustafa

Correct me if I'm wrong, but the word 'demand' seems to be the key word of the poll. In relation to a 'globalised cultural economy' it refers to the core term of economics that is used to rationalise the development of prices. Talking about 'demands of news media, journalism, cultural...

In the globalised world we live in, I feel that creating the image of an enemy becomes a difficult task. It becomes difficult to name and make symbols for an enemy – an abstract 'evil' – since things are never abstract, but always and at any time connected and related.

Jens Maier-Rothe

The Shifting Narrative of Uprising

Artists have for some time been using new media to investigate and question their mainstream socio-political environments. In Arab countries, the revolutions that took place are a direct expression of this process's shift from the art community to the mass, from the artist to the public. It was a mutation...

One of the more important aspects of the uses of new media and in particular social media is the emergence and visualisation of online communities. These participant groups have utilised the tools offered by social media sites, such as the creation and exchange of user-generated content, to inform and influence...

Mirene Arsanios

During the July sit-in in Tahrir Square in Cairo, the site of the revolution at the beginning of the year, a group of artists and filmmakers lit up a corner of the square with an open-source 'revolutionary' screen: Tahrir Cinema . Every night, a filmmaker, journalist or activist presented a...