Search results

Adonis in conversation with Laura Allsop

Maryam Monalisa Gharavi in conversation with Mirene Arsanios

Youmna Chlala in conversation with Fawz Kabra

A Video Installation

Prayer of Fear: September 2013

Mustapha Benfodil

Marwa Arsanios

Zamir Suleymanov

Samah Hijawi

When Umru' al-Qais stood by the traces of the tent of his beloved in the middle of the desert of Hijaz, he shed tears that became the key to Arab poetry. Until recently, no one could have guessed that those tents would one day be made of concrete. These days,...

Humans from Palestine, The Karimeh Abbud Award Exhibition: Bethlehem

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

This Sea is Mine: Amman

Biographies

Chapter 1: Intensities

Simone Fattal in conversation with Mirene Arsanios

Sheikha Hoor Al-Qasimi in conversation with Stephanie Bailey

Fulya Erdemci in conversation with Basak Senova

Soundscapes: Taking Apart the Arab City by Dr. Alexandra MacGilp

Lidia Al-Qattan in conversation with Monira Al Qadiri

Magdi Mostafa in conversation with Clelia Coussonnet

Speaker Biographies + Synopses

UBIK in conversation with Isabella Ellaheh Hughes

Sussan Deyhim in conversation with Sheyma Buali

Adham Hafez in conversation with Suzy Halajian

Hassan Sharif in conversation with Nujoom Al Ghanem

Oreet Ashery in conversation with Amal Khalaf

Seth Ayyaz in conversation with Sheyma Buali

Maya Zbib in conversation with Amal Khalaf

Navine G. Khan-Dossos in conversation with Stephanie Bailey

Mohssin Harraki in conversation with Karima Boudou

Dia Azzawi in conversation with Sheyma Buali

Yael Bartana in conversation with Clelia Coussonnet

Anthony Downey and Beatrix Ruf in conversation with Slavs and Tatars

Leeza Ahmady in conversation with Taus Makhacheva

Jonas Staal in conversation with Stephanie Bailey

Monira Al Qadiri in conversation with Stephanie Bailey

Raed Yassin in conversation with Stephanie Bailey

Fulya Erdemci in conversation with Basak Senova

Parastou Forouhar in conversation with David Hodge and Hamed Yousefi

Suha Shoman in conversation with Amin Alsaden

Louis Henderson in conversation with Amira Gad

Christine Tohme in conversation with Rachel Dedman

Amar Kanwar in conversation with Stephanie Bailey

Hussam al-Saray: in conversation with Ala Younis | A Cultural Encyclopaedia of Iraq

Monira Al Qadiri: The Saudi New Wave | Digital Landscapes and Future Institutions

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

The Doris Duke Foundation for Islamic Art's Artist Residency Programme

Parviz Tanavoli’s Retrospective at the Davis Museum

News JAOU Tunis 2015 008 / 18 May 2015 Jaou Tunis 2015. Copyright Kamel Lazaar Foundation. Visual Culture in an Age of Global Conflict The Kamel Lazaar Foundation is pleased to announce that it will stage a two-day conference at the National Museum of Bardo from 28–29 May, 2015. This...

A Report from the AUC

The Public and Intimate Lives of Arabic Calligraphy

Crisis The End of Pearling in the Gulf (Qatar)

1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans

Seth Ayyaz

Saad

A tribute by Gelareh Kiazand

Meeting Points 8

Inspired by calligraphy

Hamid Dabashi

The Art of Shirin Neshat

Etel Adnan at Serpentine Galleries

The Artist as Awakener at AUB

Walking Cabbages and Watermelons

The 37th EVA International

On Assumption and Authority

Six Short Stories on Arabic Voice Acting

The Subversive Feminine

A Nomadological Study of Ottoman Arab Photography

Interventions as Performative Gestures For Political Engagement in Jordan

Performing Armenity at the 56th Venice Biennale

Franco Berardi

Monira Al Qadiri

On Bouchra Khalili’s Cartographies

On Nikolaj Larsen's End of Dreams

An Art Collection as an Alternative Archive of Iranian History

Embroiderers of Actuality is an action that aims to be a sensible provocation: a visual discussion about the position of women in the society.

In the years that followed the destruction of the Berlin Wall, which triggered the rise of post-colonial studies, the definition of the term 'the Global South' has changed dramatically.

A Yemeni Art History

Re-routing Institutional Critique

Art and Culture Beyond Institutions in Amman

Can T-Wall Murals really Beautify the Fragmented Baghdad?

Arts Infrastructures and Institutions in Libya Post-Dictatorship

'You can't draw desire, you have to walk it.'

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Slavs and Tatars at The Third Line

A Review

Mounira Al Solh

Youmna Chlala

Monira Al Qadiri

On Silence and Noise in Times of Crisis

I felt the desire to examine the reverse process: what in art history and, more specifically, in the making of art, can contribute to the development of an archiving process?

The 4th Thessaloniki Biennale

The 13th Istanbul Biennial

FIAF’s 2013 World Nomads Tunisia Festival

Omar Kholeif

Gezi Resistance, Public Space and the Counter-monumental

Creative Time Reports

What if Rani al Rajji and Michel De Certeau met in Beirut?

Introduction

The Net is Not a Tool, It’s an Environment

A.S. Bruckstein Çoruh

Some artists in these parts of the world began using new media in their work in the 1990s. This happened for a number of reasons but the most important one, I believe, was that of reaching the general public, which was far from being interested in art. In this respect,...

Mirene Arsanios

Reflections from a book on South Sinai

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

Joe Khalil

Aesthetics, Civil Society, and the Politics of Representation

Copyright Notice The copyright for content on this website is held by the Ibraaz Publishing, except for material provided by other organisations, where copyright ownership is indicated. The views expressed on this website are not necessarily those of Ibraaz Publishing. You may link to us from your site, as long...