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Search results for 'Moving image'
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The Tethered
Sama Alshaibi
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… A story I never forgot…
Rosana Palazyan
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No Place Like Home
Refraction: Moving Images on Palestine at P21 Gallery
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Qalandiya International 2016
Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah
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Qalandiya International 2016
/Tilted/: Ramallah
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Qalandiya International 2016
RE/viewing Jerusalem #2 – REturn: Jerusalem
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Qalandiya International 2016
Moments for Possibilities 'Air, Land and Sea': London
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Qalandiya International 2016
Sea of Stories: Beirut
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Qalandiya International 2016
Biographies
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Qalandiya International 2016
Reflections: Ala Younis Adania Shibli
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FIELD MEETING Take 4: Thinking Practice
Responses
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A Prologue to the Past and Present State of Things
Curator's Essay: Aaron Cezar
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An Aesthetics of Expiration
Ziad Antar in Conversation with Anthony Downey
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An Accidental Orientalist
Tom Bogaert in conversation with Anthony Downey
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Workshopping the future
Shady El Noshokaty in conversation with Omar Kholeif
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Stereotyping the Stereotypes
Tarek Al-Ghoussein in conversation with Anthony Downey
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Looping the loop
Amina Menia in conversation with Laura Allsop
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Fragments of Home
Jeanno Gaussi in conversation with Dorothea Schoene
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The Video That Exploded
Roy Samaha in conversation with Anthony Downey
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On Performing in a Hermetic Context
Nathan Witt in conversation with Amira Gad
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Towers, Portals and Myths
Diana Al-Hadid in Conversation with Fawz Kabra
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The Jerusalem Show
Chapter 1: Intensities
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Against Interpretation
Hassan Khan in conversation with Omar Kholeif
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Human Mechanics
Pascal Hachem in conversation with Nour K Sacranie
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Coding For Change
Ayah Bdeir in conversation with Omar Kholeif
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From Invisible Enemy to Enemy Kitchen
Michael Rakowitz in conversation with Anthony Downey
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Representing Regions
Sheikha Hoor Al-Qasimi in conversation with Stephanie Bailey
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Letter to a Refusing Pilot
Seth Anziska in conversation with Daniella Rose King
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The Jerusalem Show
Chapter 2: Details
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A Prologue to the Past and Present State of Things
Sulayman Al Bassam in conversation with Ala Younis
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A Prologue to the Past and Present State of Things
Chic Point Fashion for Israeli Checkpoints: Sharif Waked
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A Prologue to the Past and Present State of Things
Variation on Discord and Divisions: Mona Hatoum
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Place, Space and Purpose
Lina Majdalanie in conversation with Göksu Kunak
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The Great Journey
Lidia Al-Qattan in conversation with Monira Al Qadiri
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Acoustic Encounters
Magdi Mostafa in conversation with Clelia Coussonnet
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Film After Euphoria
Rasha Salti in conversation with Sheyma Buali
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FIELD MEETING Take 4: Thinking Practice
Curatorial Narrative
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Kuwait Transformed
Farah Al-Nakib in conversation with Todd Reisz
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FIELD MEETING Take 4: Thinking Practice
Closing Remarks
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The Performativity of Emotions
Abdullah Al-Mutairi in conversation with Sarah Abu Abdallah
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The Non-Located Space
Mahmoud Khaled in conversation with Omar Kholeif
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History All Wrapped Up
Gülsün Karamustafa in conversation with Basak Senova
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Accumulative Processes
Marwa Arsanios in conversation with Fawz Kabra
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Enacting the Void
Fayçal Baghriche in conversation with Sheyma Buali
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In Lieu of Absence
Taysir Batniji in conversation with Silke Schmickl
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What Was Lost
Joana Hadjithomas and Khalil Joreige in conversation with Nat Muller
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Image Politics
ismaël in conversation with Wafa Gabsi
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Progressive Roots
Sussan Deyhim in conversation with Sheyma Buali
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The Personal and the Political All at Once
Adham Hafez in conversation with Suzy Halajian
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The Outsider
Mario Rizzi in conversation with Cristiana Perrella
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Role Play
Oreet Ashery in conversation with Amal Khalaf
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Image Appropriation
Urok Shirhan in Conversation with Stephanie Bailey
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A Certain Aesthetic
Walid Siti in conversation with Nat Muller
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A Militant Cinema
Mohanad Yaqubi in conversation with Sheyma Buali
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States of Suspension
Youmna Chlala in conversation with Fawz Kabra
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Art After Identity Politics
Nav Haq in conversation with Stephanie Bailey
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No Boundaries
Aikaterini Gegisian in conversation with Stephanie Bailey
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Who's Afraid of Religion?
Köken Ergun in conversation with Omar Kholeif
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Video Channelling
Mai Elwakil in conversation with Daniella Rose King
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Emergent Cinema
Ahd in conversation with Sheyma Buali
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A Hybrid Model
Antonia Carver in conversation with Omar Kholeif
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Technologies of History
Jananne Al-Ani in conversation with Nat Muller
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Archives on Archives
Maryam Jafri in conversation with Stephanie Bailey
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An Open Methodology
Ahmed Nagy in conversation with Mai Elwakil
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Building Mental Infrastructures
Ayşe Erkmen in conversation with Basak Senova
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The State of a Nation
Larissa Sansour in conversation with Sheyma Buali
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Picturing the Homeland
Carole Alfarah in conversation with María Gómez López
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Cultivating Continuities
Suha Shoman in conversation with Amin Alsaden
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Expanding the Archive
Jumana Manna in conversation with Sheyma Buali
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Curating the Revolution: Meeting Points 7
WHW in conversation with Omar Kholeif
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Memory Montage
Uriel Orlow in conversation with Omar Kholeif
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The Tentmakers of Cairo
Kim Beamish in conversation with Sam Bowker
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Systems of Fragments
Hajra Waheed in conversation with Stephanie Bailey
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The Jerusalem Show
A View from Afar: Stephanie Bailey
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The Time is Out of Joint
Tarek Abou El Fetouh in conversation with Stephanie Bailey
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On Logical Revolts
Louis Henderson in conversation with Amira Gad
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Is This about Culture?
Leung Chi Wo in conversation with Robin Peckham
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On Sovereignty
Amar Kanwar in conversation with Stephanie Bailey
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Future Imperfect
Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria
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October Newsletter
Ibraaz
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Power Cut Middle East, International Film Festival Rotterdam
Amira Gad
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The New Arab
Art and Culture in the ‘Imagined’ Arab World, Cornerhouse, Manchester, 13 April 2012
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/A.R.I.A/ (Artist Residency in Algiers)
Nour K Sacranie
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Ibraaz November Newsletter
Ibraaz
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Is Artists' Independence Being Subsumed by Politics?
Notes from a roundtable discussion on the state of the arts in Egypt
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Ibraaz Platform 005
Ibraaz
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New Appointments at Ibraaz
Ibraaz
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Ibraaz Talks: Art Dubai 2013
Sophia Al-Maria: On Automobiles
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Ibraaz Talks: Art Dubai 2013
Shuruq Harb: On Agency
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Ibraaz Talks: Art Dubai 2013
Ala Younis: On Curating
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Ibraaz Talks: Art Dubai 2013
Guy Mannes-Abbott: On Drones
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Ibraaz Talks: Art Dubai 2013
Murtaza Vali: On Domesticity
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Ibraaz Talks: 13th Istanbul Biennial
Karen Mirza and Brad Butler: Social Imagination
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Ibraaz Talks: Global Art Forum 8
Hans Ulrich Obrist: in conversation with Omar Kholeif
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Ibraaz Talks: Global Art Forum 8
Todd Reisz: in conversation with Omar Kholeif
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Ibraaz Talks: Global Art Forum 8
Adam Szymczyk: in conversation with Omar Kholeif
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Global Art Forum 8
1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans
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Passing On II
Nancy Atakan
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The Invisible Scent of History
Ibraaz
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The Dance
Khaled Kaddal
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Figures Upon Landscape
Jim Quilty
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Sunstone
Filipa César and Louis Henderson
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Planetary Records: Performing Justice Between Art and Law
Contour Biennale 8 / DAI Roaming Assembly #12
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Six Moments from a Revolution: A Mosireen Video Timeline
Omar Robert Hamilton
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History in Play
Hammad Nasar in conversation with Reema Salha Fadda
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On Building Nations
A two-part conversation with Szabolcs KissPál and Mahmoud Khaled
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Channel
description
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Violent Relatedness, Embeddings, Hindsight
Ala Younis
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Polyphonic Worlds
Contour Biennale 8
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Act I: Sharjah Biennial 13
Stephanie Bailey
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Qalandiya International Report: Amman
Yazan Ashqar
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Mustafa Hulusi
Negative Ecstasy at Dirimart, Istanbul
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Field Meeting 4: Thinking Practice
Closing Remarks
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Kamal Aljafari: A Recollection
Hamid Dabashi
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Against the Market
The Art of Shirin Neshat
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Absent Beirut
Reflections on Reflections
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War of Terror
Edmund Clark at the Imperial War Museum, London
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The Weight of the World
Etel Adnan at Serpentine Galleries
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The Arab Nude
The Artist as Awakener at AUB
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Fahrelnissa Zeid in the Mega-Museum
Mega-museums and modern artists from the Middle East
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Not so Silent
On Walking and Crawling
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Sounds as if
Downtown Contemporary Arts Festival (D-CAF)
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Mindful Body
An Introduction to Body Art and Performance in the Gulf
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Un/Interrupted Formations
Choreographing Spaces of Gesticulation
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The Sleepwalkers
Rana Hamadeh at The Showroom, London
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Arab Art Histories: The Khalid Shoman Collection
Samah Hijawi
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1497
Green Art Gallery
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In and Out of Algeria
Bruno Boudjelal's Documentary of Affect
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The Image(s) Between Us
The Performance of Death in a Post-9/11 World
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SALTWATER: A Theory of Thought Forms
The 14th Istanbul Biennial 2015
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Being ‘Inappropriate’
The Unspoken Battle of Self-Censorship
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The Life and Times of Louis Saboungi
A Nomadological Study of Ottoman Arab Photography
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The Shadow Economies of Being Seen
Determining the Axis of the Global South and Middle East
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Tout va bien?
'Too Early, Too Late: Middle East and Modernity' at the Pinacoteca Nazionale di Bologna
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Mobile Maghrebs
Contemporary Cinema from North Africa
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Farther Than Language Can Reach
On the Work of Basma Alsharif
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'I am an Artist'
Portrait of a Salafi en abyme in the Cyber World
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Response to Platform 8 by Jeannette Ehlers
The term 'Global South' is quite new to me – but since my practice is concerned with the legacy of the transatlantic slave trade and the impact colonialism has on today's power structures I find it obvious that the concept of the 'Global South' is of great relevance in my...
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The North of the South and the West of the East
A Provocation to the Question
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The Jerusalem Show VII
Outside Looking In: Taking a Title and Running With It*
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The Future of Art in the Age of Militarized De-Production
Re-Thinking Cultural Development in Palestine
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'We, the Intellectuals'
Re-routing Institutional Critique
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Basma Alsharif: The Doppelgänger
Berlin Documentary Forum 3 at Haus der Kulturen der Welt, Berlin
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Utopian Dust Versus Perfumed Amplification
Object Lessons from Saadiyat Island and Gehry’s Guggenheim, Abu Dhabi
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All Mother Tongues Are Difficult
Mounira Al Solh at Sfeir-Semler Gallery, Beirut
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Anachronistic Ambitions
Imagining the Future, Assembling the Past
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Aerial Abstraction
Jananne Al-Ani, Excavations, at the Hayward Gallery Project Space
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Curated Conversations
HIWAR | Conversations in Amman
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هيجان البحر والدم
Sarah Abu Abdallah
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Les Voyages
Simohammed Fettaka & Basak Senova
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My Dick in My Dick, Kiss Me Again, After Eight, All Mother Tongues Are Difficult and their sisters.
Mounira Al Solh
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There, before
Isak Berbic
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Painter on a Study Trip II
Mahmoud Khaled
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SENSING OTHERWISE
A Story of an Exhibition
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Chewing the Data Fat
Sophia Al-Maria
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Beyond the Image
A Project by Lara Baladi with an introduction by Dorothea Schoene
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Do You Have Work Tomorrow?
Mahmoud Khaled
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Incomprehensible
Yousef Moscatello
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The Past Was Another Country
Two Projects by Sinisa Vlajkovic
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D.M., The Arabian Gulf Chapter
Isak Berbic
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The Missing Link 3
A Mother's Tongue, On Ahmad Ghossein's film My Father is Still a Communist
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40 years of Running on the Same Spot
A Libyan Diary (Part III) - December 2011
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The Video Diaries
Khaled Hafez
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40 years of Running on the Same Spot
A Libyan Diary (Part I) - October 2011
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The Missing Link Part Two
Marwa Arsanios
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Endless Celebration
Mahmoud Bakhshi
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DEBE BE wakollou sawt ka wak3i el7afer 3ala el2ard essolba
The Society of False Witnesses
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Doppelgänging
Basma Alsharif
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The two women and the beautiful boy behind 'Of Men, Champagne and Victory Aside'
Maya Chami
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TandemWorks
Written by Mayssa Fattouh
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Learning to Dance
An Online Performance
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Cola Revlon Mouthwash
Adham Faramawy
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Response to Platform 6 by Mounir Fatmi
Working with archives is a relatively new development, only recently have artists and institutions had access to archives. In the Middle East in general, the idea of the archive and of history is very vague. Even the idea of archiving, of having an institution that holds an archive, is new.
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Locating the Archive
The Search for 'Nurafkan'
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An Archive of Refusal
On Shuruq Harb's The Keeper
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The Spectre (of Knowledge)
The Recordings of the Cosmopolitan
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In/distinction
Yasmine Eid-Sabbagh’s 'A photographic conversation from Burj al-Shamali Camp'
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Thieves of Babylon
Repatriation of Iraq's Looted Heritage under International and Domestic Law and Practice
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Watching the Lonely Crowd
/si:n/ Festival of Video Art and Performance, Ramallah
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Dancing with Barbarians
The 13th Istanbul Biennial
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Long ago, and not true anyway
Waterside Contemporary
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On the set of the 55th Venice Biennale
The Encyclopedic Palace
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Two Responses to Peeping Tom Digest ♯3: Beirut
Omar Kholeif
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Trials of Arab Modernity
Literary Affects and the New Political by Tarek El-Ariss
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Future Generation Art Prize 2013
Palazzo Contarini Polignac, Venice
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Covering One's Back
Gezira Art Center, Cairo
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On Reporting, the Documentary and the Aesthetic in Ursula Biemann and Angela Sanders’ Europlex
Amy Charlesworth
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One City, Two Guides – An Untimely Collaboration
What if Rani al Rajji and Michel De Certeau met in Beirut?
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SEEP
Nasrin Tabatabai & Babak Afrassiabi at Chisenhale Gallery
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Palestinian Ghettos in White Wall Galleries
The Problem of Nationality
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CAMPING AND TRAMPING THROUGH THE COLONIAL ARCHIVE
A Talk and Screening by Shabbir Hussain Mustafa
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On Revolution and Rubbish
What has Changed in Tunisia since Spring 2011
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Digital, Aesthetic, Ephemeral
The Shifting Narrative of Uprising
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The ‘Cut-n-mix’ Culture
The Impossibilities of Production in New Media
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TASWIR Projects
A.S. Bruckstein Çoruh
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Response to Platform 4 by Marko Stamenkovic
Shining a spotlight on something in order to 'make it visible' is a task indeed. It does not only entail personal and professional risk but also demands courage and responsibility. The ethics of monstration (on behalf of those whose intention is precisely that - to make sense of vision, to...
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Response to Platform 4 by Adham Faramawy
One of the more important aspects of the uses of new media and in particular social media is the emergence and visualisation of online communities. These participant groups have utilised the tools offered by social media sites, such as the creation and exchange of user-generated content, to inform and influence...
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Ibraaz Platform 003 Editorial: What Was Lost?
Anthony Downey
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The Social Impulse
Politics, Media and Art after the Arab Uprisings
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Fast Forward to the Past
Cultural Institutions, Urban Development, and Regional Cinema in the Gulf Today
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Response to Platform 1 by Pryle Behrman
In an email dialogue between Beirut-based architect Tony Chakar and critic Stephen Wright (published in the catalogue for Out of Beirut at Modern Art Oxford in 2006), Chakar takes Wright to task for his habitual use of the label 'Middle East': 'The more I thought about it the more it...