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News The Jerusalem Show 007 / 24 October 2014 Ibraaz is pleased to announce the opening of THE JERUSALEM SHOW VII: FRACTURES. Curated by Basak Senova and organized by Al-Ma'mal Foundation for Contemporary Art, Jerusalem, this year's show runs from 24 October to 7 November 2014, and is presented in...

Chapter 1: Intensities

Downloadable Exhibition Guide

Fractures: Children's Activity Book

Chapter 7: Fabric

Chapter 6: Writing

Chapter 5: Lines

Chapter 4: Measures

Chapter 3: Intervals

Chapter 2: Details

A Question: Jalal Toufic

Editor's Foreword: Anthony Downey

Preface: Jack Persekian

Introduction: Basak Senova

Online exhibition catalogue

A View from the City: Tina Sherwell

A View from Afar: Stephanie Bailey

Reema Salha Fadda

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Jack Persekian in conversation with Basak Senova

Outside Looking In: Taking a Title and Running With It*

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

Humans from Palestine, The Karimeh Abbud Award Exhibition: Bethlehem

Sites of Return: Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Gaza

O Whale, Don't Swallow Our Moon: Ramallah

Pattern Recognition: Ramallah

A Series of Un-Curated Events: Ramallah

/Tilted/: Ramallah

RE/viewing Jerusalem #2 – REturn: Jerusalem

Moments for Possibilities 'Air, Land and Sea': London

This Sea is Mine: Amman

This Sea is Mine: Gaza

Sea of Stories: Beirut

The People of the Sea: Haifa

Biographies

After Thoughts: Shuruq Harb

Programme Downloads

Acknowledgements

Partner institutions

Encounters Programme

Bethlehem

Amman

London

Ramallah & Al-Bireh

Jerusalem

Haifa

Gaza

Beirut

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Reflections: Ala Younis Adania Shibli

Foreword: Anthony Downey

Introduction: Qi2016 Curatorial Team

Ahmet Öğüt in conversation with Basak Senova

Tom Bogaert in conversation with Anthony Downey

Guy Mannes-Abbott in conversation with Sheyma Buali

Jeanno Gaussi in conversation with Dorothea Schoene

Nathan Witt in conversation with Amira Gad

Michael Rakowitz in conversation with Anthony Downey

Cynthia Zaven in conversation with Basak Senova

Mario Rizzi in conversation with Dorothea Schoene

Jeremy Hutchison in conversation with Natasha Hoare

Tamara Chalabi, Reem Shather-Kubba, and Jonathan Watkins in conversation with Basak Senova

Hera Büyüktaşçıyan in conversation with Basak Senova

Seth Anziska in conversation with Daniella Rose King

Fulya Erdemci in conversation with Basak Senova

Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare

Online exhibition catalogue

Gülsün Karamustafa in conversation with Basak Senova

JW Stella in conversation with Aimee Dawson

Joana Hadjithomas and Khalil Joreige in conversation with Nat Muller

Adel Abidin in Conversation with Basak Senova

Lara Khaldi in conversation with Ghalya Saadawi

Oreet Ashery in conversation with Amal Khalaf

Özgür Uçkan and Vasif Kortun in conversation with Basak Senova

Yael Bartana in conversation with Clelia Coussonnet

Youmna Chlala in conversation with Fawz Kabra

Hera Büyüktaşçıyan in conversation with Basak Senova

November Paynter and Didem Pekün in conversation with Basak Senova

Burak Arıkan in conversation with Basak Senova

Akram Zaatari in conversation with Anthony Downey

Fulya Erdemci in conversation with Basak Senova

Ayşe Erkmen in conversation with Basak Senova

Larissa Sansour in conversation with Sheyma Buali

Nida Sinnokrot in conversation with Natasha Hoare

Suha Shoman in conversation with Amin Alsaden

WHW in conversation with Omar Kholeif

Hamza Halloubi in conversation with Natasha Hoare

Alia Rayyan: Recounting the Past, Present and Future

Ibraaz

Ibraaz

Almagul Menlibayeva in conversation with Basak Senova

Burak Arikan & Başak Şenova: Network Data

In the Future They Ate From the Finest Porcelain

Omar Robert Hamilton

Cevdet Erek in conversation with Başak Şenova

Reema Salha Fadda

Lizzy Collier

On Qalandiya International 2016 in Ramallah

Ibraaz 5th Year Anniversary Editorial

Tehran’s Self-portrait

Jumana Manna at Chisenhale Gallery, London

Adel Abidin presents Subway Scene (2015).

A Nomadological Study of Ottoman Arab Photography

Performing Armenity at the 56th Venice Biennale

Lara Khaldi

'Too Early, Too Late: Middle East and Modernity' at the Pinacoteca Nazionale di Bologna

On the Work of Basma Alsharif

Portrait of a Salafi en abyme in the Cyber World

Tina Sherwell

Here and Elsewhere at the New Museum

Re-Thinking Cultural Development in Palestine

Re-routing Institutional Critique

'You can't draw desire, you have to walk it.'

The Israeli-Palestinian Conflict and Israel's National Photography Archives as a Case Study

Oreet Ashery

Hera Büyüktaşçıyan

Youmna Chlala

The Part about the Bandits Pt.2

Basak Senova on Zeren Göktan's Counter (2013)

A Story in Parts

A project by Tom Bogaert for Ibraaz

A project by Benji Boyadgian

Basma Alsharif

Larissa Sansour and Soren Lind

On Shuruq Harb's The Keeper

Yasmine Eid-Sabbagh’s 'A photographic conversation from Burj al-Shamali Camp'

An I for an Eye and Death of a Cameraman

Institute of Contemporary Art, London

Iraq and Palestine at the 2013 Venice Biennale

Is soft power helping or hindering the state of the arts in Jordan?

Shifting the Geographies of Sensing, Believing and Knowing

Looking for Palestine in the Jordanian Music Scene

Refraction: Moving Images on Palestine at P21 Gallery

Mario Rizzi’s Al Intithar (The Waiting)

Introduction

Digitised media in the last decade has undoubtedly been propelled by the enormous speed of new technology and spontaneous platforms for rights, defined by Hakim Bey as 'Temporary Autonomous Zones' and 'network guerrillas' by Ozgur Uckan. Consequently, despite the mediated content of the mainstream media, social media sites have emerged...

Anthony Downey

Perceptions of Occupation and Control in Cyprus

Yazid Anani

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

Ela Greenberg

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