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News The Jerusalem Show 007 / 24 October 2014 Ibraaz is pleased to announce the opening of THE JERUSALEM SHOW VII: FRACTURES. Curated by Basak Senova and organized by Al-Ma'mal Foundation for Contemporary Art, Jerusalem, this year's show runs from 24 October to 7 November 2014, and is presented in...

Jack Persekian in conversation with Basak Senova

Chapter 1: Intensities

Downloadable Exhibition Guide

Fractures: Children's Activity Book

Chapter 7: Fabric

Chapter 6: Writing

Chapter 5: Lines

Chapter 4: Measures

Chapter 3: Intervals

Chapter 2: Details

A Question: Jalal Toufic

Editor's Foreword: Anthony Downey

Preface: Jack Persekian

Introduction: Basak Senova

Online exhibition catalogue

A View from the City: Tina Sherwell

A View from Afar: Stephanie Bailey

Reema Salha Fadda

RE/viewing Jerusalem #2 – REturn: Jerusalem

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Outside Looking In: Taking a Title and Running With It*

Ela Greenberg

Jerusalem

Online exhibition catalogue

Alia Rayyan: Recounting the Past, Present and Future

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

Humans from Palestine, The Karimeh Abbud Award Exhibition: Bethlehem

Sites of Return: Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Gaza

O Whale, Don't Swallow Our Moon: Ramallah

Pattern Recognition: Ramallah

A Series of Un-Curated Events: Ramallah

/Tilted/: Ramallah

Moments for Possibilities 'Air, Land and Sea': London

This Sea is Mine: Amman

This Sea is Mine: Gaza

Sea of Stories: Beirut

The People of the Sea: Haifa

Biographies

After Thoughts: Shuruq Harb

Programme Downloads

Acknowledgements

Partner institutions

Encounters Programme

Bethlehem

Amman

London

Ramallah & Al-Bireh

Haifa

Gaza

Beirut

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Reflections: Ala Younis Adania Shibli

Foreword: Anthony Downey

Introduction: Qi2016 Curatorial Team

Ahmet Öğüt in conversation with Basak Senova

Tom Bogaert in conversation with Anthony Downey

Guy Mannes-Abbott in conversation with Sheyma Buali

Jeanno Gaussi in conversation with Dorothea Schoene

Nathan Witt in conversation with Amira Gad

Tarzan and Arab in conversation with Laura Allsop

Rasha Salti in conversation with Fawz Kabra

Michael Rakowitz in conversation with Anthony Downey

Cynthia Zaven in conversation with Basak Senova

Mario Rizzi in conversation with Dorothea Schoene

Jeremy Hutchison in conversation with Natasha Hoare

Tamara Chalabi, Reem Shather-Kubba, and Jonathan Watkins in conversation with Basak Senova

Hera Büyüktaşçıyan in conversation with Basak Senova

Seth Anziska in conversation with Daniella Rose King

Fulya Erdemci in conversation with Basak Senova

Jumana Emil Abboud: A Happy Ending, Part II

Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare

Gülsün Karamustafa in conversation with Basak Senova

JW Stella in conversation with Aimee Dawson

Joana Hadjithomas and Khalil Joreige in conversation with Nat Muller

Adel Abidin in Conversation with Basak Senova

Lara Khaldi in conversation with Ghalya Saadawi

Oreet Ashery in conversation with Amal Khalaf

Farah Saleh in conversation with Marianna Liosi

Özgür Uçkan and Vasif Kortun in conversation with Basak Senova

Yael Bartana in conversation with Clelia Coussonnet

Youmna Chlala in conversation with Fawz Kabra

Hera Büyüktaşçıyan in conversation with Basak Senova

Sumesh Sharma in conversation with Amanprit Sandhu

November Paynter and Didem Pekün in conversation with Basak Senova

Burak Arıkan in conversation with Basak Senova

Akram Zaatari in conversation with Anthony Downey

Fulya Erdemci in conversation with Basak Senova

Nevin Aladağ in conversation with Walter D. Mignolo

Wael Shawky in conversation with Stephanie Bailey

Ayşe Erkmen in conversation with Basak Senova

Larissa Sansour in conversation with Sheyma Buali

Nida Sinnokrot in conversation with Natasha Hoare

Suha Shoman in conversation with Amin Alsaden

Jumana Manna in conversation with Sheyma Buali

WHW in conversation with Omar Kholeif

Uriel Orlow in conversation with Omar Kholeif

Hamza Halloubi in conversation with Natasha Hoare

Monira Al Qadiri: The Saudi New Wave | Digital Landscapes and Future Institutions

Ibraaz

1967 in Art and Its Histories, June 1-2, 2012 American University of Beirut, Lebanon

Ibraaz

Decolonizing Architecture at Tate Modern

Ibraaz

Ibraaz

Almagul Menlibayeva in conversation with Basak Senova

Larissa Sansour

Burak Arikan & Başak Şenova: Network Data

In the Future They Ate From the Finest Porcelain

Nation Estate

A Space Exodus

Larissa Sansour

Omar Robert Hamilton

Cevdet Erek in conversation with Başak Şenova

Reema Salha Fadda

Lizzy Collier

On Qalandiya International 2016 in Ramallah

Edmund Clark at the Imperial War Museum, London

Ibraaz 5th Year Anniversary Editorial

Tehran’s Self-portrait

Jumana Manna at Chisenhale Gallery, London

Adel Abidin presents Subway Scene (2015).

A Nomadological Study of Ottoman Arab Photography

Performing Armenity at the 56th Venice Biennale

Lara Khaldi

Determining the Axis of the Global South and Middle East

'Too Early, Too Late: Middle East and Modernity' at the Pinacoteca Nazionale di Bologna

On the Work of Basma Alsharif

Portrait of a Salafi en abyme in the Cyber World

A Provocation to the Question

Tina Sherwell

Here and Elsewhere at the New Museum

Re-Thinking Cultural Development in Palestine

Re-routing Institutional Critique

'You can't draw desire, you have to walk it.'

The Israeli-Palestinian Conflict and Israel's National Photography Archives as a Case Study

Oreet Ashery

Hera Büyüktaşçıyan

Youmna Chlala

Uriel Orlow

The Part about the Bandits Pt.2

Basak Senova on Zeren Göktan's Counter (2013)

Elevator Advertisements

A Story in Parts

A project by Tom Bogaert for Ibraaz

A project by Benji Boyadgian

Basma Alsharif

Larissa Sansour and Soren Lind

The Soldier: 'Indeed, I took these photographs from the pocket of a dead Arab, killed in Bab Al-Wad in the beginning of May 1948.

On Shuruq Harb's The Keeper

Yasmine Eid-Sabbagh’s 'A photographic conversation from Burj al-Shamali Camp'

An I for an Eye and Death of a Cameraman

Institute of Contemporary Art, London

Iraq and Palestine at the 2013 Venice Biennale

Is soft power helping or hindering the state of the arts in Jordan?

Shifting the Geographies of Sensing, Believing and Knowing

Looking for Palestine in the Jordanian Music Scene

Refraction: Moving Images on Palestine at P21 Gallery

Mario Rizzi’s Al Intithar (The Waiting)

Introduction

Artistic Practice from Tirana to Tangier

Digitised media in the last decade has undoubtedly been propelled by the enormous speed of new technology and spontaneous platforms for rights, defined by Hakim Bey as 'Temporary Autonomous Zones' and 'network guerrillas' by Ozgur Uckan. Consequently, despite the mediated content of the mainstream media, social media sites have emerged...

As a politically engaged artist, I have to believe that artistic practices do have the potential to offer insights and negotiate anything from the demands of cultural institutions to politics and the ideals of civil society. Without such a belief, the entire foundation of what I do would be rattled....

Anthony Downey

Perceptions of Occupation and Control in Cyprus

Yazid Anani

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

01: An old woman gets into a taxi and asks the driver to take her somewhere. The driver hits the accelerator and takes off. As they arrive at a traffic light, the driver hits the gas and speeds across the red light. The old lady panics and screams; 'Why did...

One of the important developments required in the region is the expansion of a critical discourse on local artistic practices. It is crucial to gain an in-depth understanding of the various generations of art practitioners, through detailed studies of their work in relation to the relevant contexts and debates. Research...

This question is like a trap: 'what do we need to know about the MENA region today?' It feels like a trap, or a puzzle, rather than like a question because it was asked with no explanations. The only indication I had was that the answer should not exceed 200...

Aesthetics, Civil Society, and the Politics of Representation

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