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Iraq and Palestine at the 2013 Venice Biennale

Tamara Chalabi, Reem Shather-Kubba, and Jonathan Watkins in conversation with Basak Senova

Ibraaz in partnership with Winchester Centre for Global Futures in Art

Ibraaz Talks: Slavs and Tatars

Ibraaz Talks: Wafaa Bilal

Meem Gallery, Dubai

Hussam al-Saray: in conversation with Ala Younis | A Cultural Encyclopaedia of Iraq

10 Years On: Art and Everyday Life in Iraq and Iran

Pan-Kaffirism in Iraq, South Africa, and Sri Lanka

What Does It Mean to Be Building a Library in Iraq?

Repatriation of Iraq's Looted Heritage under International and Domestic Law and Practice

Tom Bogaert in conversation with Anthony Downey

Michael Rakowitz in conversation with Anthony Downey

End of War in Iraq: The Yes Men and Steve Lambert

Adel Abidin in Conversation with Basak Senova

Hiwa K in conversation with Anthony Downey and Amal Khalaf

Urok Shirhan in Conversation with Stephanie Bailey

Dia Azzawi in conversation with Sheyma Buali

Walid Siti in conversation with Nat Muller

Rifat Chadirji and Balkis Sharara in conversation with Amin Alsaden

Hiwa K.

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

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Edmund Clark at the Imperial War Museum, London

Can T-Wall Murals really Beautify the Fragmented Baghdad?

Dena Al-Adeeb

The Encyclopedic Palace

Hauser & Wirth / Alan Cristea Gallery: A Spectrum Review

Raymond Baker

Edited by Anthony Downey & Lina Lazaar (Ibraaz Publishing, 2011)

Sites of Return: Ramallah

The People of the Sea: Haifa

Biographies

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Reflections: Ala Younis Adania Shibli

Acknowledgements

Installation Views

ARC.HIVE (2006–present): Adham Hafez

Curator's Essay: Aaron Cezar

Foreword: Anthony Downey

Exhibition Overview

Adonis in conversation with Laura Allsop

Christine Tohme in conversation with Anthony Downey

Tarek Al-Ghoussein in conversation with Anthony Downey

Chapter 1: Intensities

Reza Aramesh in conversation with Anthony Downey

Wafaa Bilal in conversation with Sara Raza

Ala Younis in conversation with Liane Al-Ghusain

Zeina Arida in conversation with Laura Allsop

A Question: Jalal Toufic

Online exhibition catalogue

Soundscapes: Taking Apart the Arab City by Dr. Alexandra MacGilp

Looking at Wafaa Bilal's Domestic Tension : Barrak Alzaid

Sulayman Al Bassam in conversation with Ala Younis

Performance documentation: Lin Yilin

Chic Point Fashion for Israeli Checkpoints: Sharif Waked

Bent Jbeil: Wael Shawky

Hair and Milk Bottle: Hassan Sharif

Two Gunshots Fired at the Installation Dialogue : Xiao Lu

Photographs With A Flag: Mohammed Kazem

I March In The Parade Of Liberty But As Long As I Love You I'm Not Free: Sharon Hayes

Variation on Discord and Divisions: Mona Hatoum

Crossing Surda (a record of going to and from work): Emily Jacir

Operation Atropos: Coco Fusco

OLGA'S NOTES, all those restless bodies: Marwa Arsanios

A Tress of Hair: Doa Aly

Rasha Salti and Kristine Khouri in conversation with Samah Hijawi

Speaker Biographies + Synopses

Curatorial Narrative

Reza Aramesh in conversation with Lara Atallah

Online exhibition catalogue

Taysir Batniji in conversation with Silke Schmickl

Joana Hadjithomas and Khalil Joreige in conversation with Nat Muller

ismaël in conversation with Wafa Gabsi

Haig Aivazian in conversation with Rayya Badran

Matthias Lilienthal in conversation with Göksu Kunak

Morehshin Allahyari in conversation with Hannah Gregory

Mounira al Solh in conversation with Nat Muller

Navine G. Khan-Dossos in conversation with Stephanie Bailey

Timo Nasseri in conversation with Laura Allsop

Leeza Ahmady in conversation with Taus Makhacheva

Vangelis Vlahos in conversation with Stephanie Bailey

The Arab Digital Expression Foundation in conversation with Laura Cugusi

Monira Al Qadiri in conversation with Stephanie Bailey

Jananne Al-Ani in conversation with Nat Muller

Maryam Jafri in conversation with Stephanie Bailey

Ahmed Nagy in conversation with Mai Elwakil

Ali Cherri in conversation with Sheyma Buali

Fulya Erdemci in conversation with Basak Senova

Nevin Aladağ in conversation with Walter D. Mignolo

Carole Alfarah in conversation with María Gómez López

Suha Shoman in conversation with Amin Alsaden

Kim Beamish in conversation with Sam Bowker

Tarek Abou El Fetouh in conversation with Stephanie Bailey

Anthony Downey: Introduction to 'Future Imperfect'

Alia Rayyan: Recounting the Past, Present and Future

Wided Rihana Khadraoui: Digitalizing Social Change through Cultural Institutions in Saudi Arabia

Monira Al Qadiri: The Saudi New Wave | Digital Landscapes and Future Institutions

Nile Sunset Annex: Plotting in Egypt: Art People

Lois Stonock: Mapping the Possible: Syrian Organizations, Movements and Platforms

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

Ibraaz

Ibraaz

1967 in Art and Its Histories, June 1-2, 2012 American University of Beirut, Lebanon

The Doris Duke Foundation for Islamic Art's Artist Residency Programme

Ibraaz

Ibraaz

Ibraaz

Ibraaz

A Report on Future City

Ibraaz

Ibraaz

News JAOU Tunis 2015 008 / 18 May 2015 Jaou Tunis 2015. Copyright Kamel Lazaar Foundation. Visual Culture in an Age of Global Conflict The Kamel Lazaar Foundation is pleased to announce that it will stage a two-day conference at the National Museum of Bardo from 28–29 May, 2015. This...

Online exhibition catalogue

Ibraaz

A Report from Home Works 7 and Athens Biennale 5 to 6

Ibraaz

Live

Oscar Guardiola-Rivera: in conversation with Anthony Downey

1971-1979 The Short Seventies (UAE)

Lin Yilin

Wafaa Bilal

Toleen Touq in conversation with Reema Salha Fadda

Edited by Anthony Downey (Sternberg Press, 2016)

On Navigating Without a Compass

Ala Younis

Reema Salha Fadda

Notes on Geo-cultural Exhibitions

Art By Email at Yorkshire Sculpture Park

Exhibitions and Other Representations in 25 Years at Witte de With

The Art of Shirin Neshat

Sophia Al-Maria at the Whitney Museum of American Art

Reflections on Reflections

The Artist as Awakener at AUB

Ibraaz 5th Year Anniversary Editorial

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

On Assumption and Authority

Forests, Freaks and Performativity

Barrak Alzaid

Of course, I do not wish to be misunderstood as arguing for nativism or closure. But the specific history of the region matters deeply, as factual evidence, but even more so in terms of identifying resources that can be transformed and activated in new ways today.

An Introduction to Body Art and Performance in the Gulf

The Performance of Death in a Post-9/11 World

Notes on Maverickism as Genealogy and Genealogy as Approach

The 14th Istanbul Biennial 2015

Edited Urbanism on Dubai Creek

Adel Abidin presents Subway Scene (2015).

A Nomadological Study of Ottoman Arab Photography

Interventions as Performative Gestures For Political Engagement in Jordan

Performing Armenity at the 56th Venice Biennale

Determining the Axis of the Global South and Middle East

Narratives and Ghosts from the International Art Exhibition for Palestine, 1978, at MACBA

Lantian Xie at Grey Noise

On Bouchra Khalili’s Cartographies

On Nikolaj Larsen's End of Dreams

The group of paintings is inspired by 'momentary images' or more accurately frozen moments taken from the contemporary cityscape of Egypt, as well as from personal records; old photographs found in family albums.

In the years that followed the destruction of the Berlin Wall, which triggered the rise of post-colonial studies, the definition of the term 'the Global South' has changed dramatically.

A Provocation to the Question

A Recourse to the Past

Building Institutions Through Practice

A Yemeni Art History

Re-routing Institutional Critique

Object Lessons from Saadiyat Island and Gehry’s Guggenheim, Abu Dhabi

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Jananne Al-Ani, Excavations, at the Hayward Gallery Project Space

Post-Revolutionary Iranian Art at SOAS

A Perspective on Algeria's Cultural Scene

A Review

Haig Aivazian’s multi-piece installation FUGERE at Sfeir-Semler, Hamburg

The Israeli-Palestinian Conflict and Israel's National Photography Archives as a Case Study

Oreet Ashery

Monira Al Qadiri

Wafaa Bilal at Maraya Art Park, Sharjah

A Story of an Exhibition

A project by Tom Bogaert for Ibraaz

Marwa Arsanios

On Silence and Noise in Times of Crisis

Maya Chami

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

Yazan Khalili Lara Khaldi

...one of the main problems with modernity in the Arab World is the lack of credibility, criticality and scrutiny in understanding, presenting, and evaluating its nature and objects.

/si:n/ Festival of Video Art and Performance, Ramallah

Kuwait’s National Works at the 55th Venice Biennale

Gezi Resistance, Public Space and the Counter-monumental

Is soft power helping or hindering the state of the arts in Jordan?

Nasrin Tabatabai & Babak Afrassiabi at Chisenhale Gallery

The excited chatter about unrest and uprisings in the western world has focused particularly on a number of countries in North Africa and in what we here refer to as the Middle East (meaning anything between eighteen to thirty-eight countries according to Wikipedia). In the UK, we have received a...

Artistic Practices, Collective Action and Civil Society in Tunisia

The Story of Bahrain’s Pearl Roundabout

Jens Maier-Rothe

A significant component of Sada's programming provides seminars, lectures, and workshops to young, emerging artists and students in Baghdad. We do this using basic Internet connection, Skype, some simple software, and a projector. A private Facebook group is the site of extensive conversations, critique and debate. This was not done...

An Introduction

For a Polysemic Reading of Both City and Territory

Yazid Anani

Middle Eastern culture, which is Islamic and mainly very conservative, is in the process of redefining its interpretation of, and relationship to, visual culture. The role of contemporary art in the Middle East is different to that in many parts of world. Design, advertising, media, performance, photography, conceptual art, new...

For so many decades the region of MENA has been synonymous with religious extremism, oppression of women, dictatorial regimes and, at varying levels, high rates of illiteracy and backwardness. In the last decade of the twentieth century the region has seen various political tumults including Islamic terrorism and its war...

Samah Hijawi Documents for a Narrative of Art History of Jordan, 2010-ongoing M ulti-media project Video excerpt, 1'40" Courtesy of the artist This ongoing research project is concerned with different aspects that have influenced the development of visual art practices in Jordan over the last 60 years. It uses multi-media...

Aesthetics, Civil Society, and the Politics of Representation