Search results
Search results for 'Food'
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We Are What We Eat
The Politics of Food at Delfina Foundation
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A Woman's Place?
Robin Kahn in conversation with Stephanie Bailey
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Transmission Systems
Raed Yassin in conversation with Stephanie Bailey
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Sahrawi Scrapbook
A Project by Robin Kahn
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On One Side of the Same Water
Introduction
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Qalandiya International 2016
Sites of Return: Ramallah
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Qalandiya International 2016
Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah
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Qalandiya International 2016
Pattern Recognition: Ramallah
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Qalandiya International 2016
RE/viewing Jerusalem #2 – REturn: Jerusalem
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Qalandiya International 2016
The Jerusalem Show VIII 'Before and After Origins': Jerusalem
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Qalandiya International 2016
Moments for Possibilities 'Air, Land and Sea': London
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Qalandiya International 2016
Biographies
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Qalandiya International 2016
Partner institutions
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An Aesthetics of Expiration
Ziad Antar in Conversation with Anthony Downey
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Human Mechanics
Pascal Hachem in conversation with Nour K Sacranie
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Coding For Change
Ayah Bdeir in conversation with Omar Kholeif
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From Invisible Enemy to Enemy Kitchen
Michael Rakowitz in conversation with Anthony Downey
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Representing Regions
Sheikha Hoor Al-Qasimi in conversation with Stephanie Bailey
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The Jerusalem Show
A Question: Jalal Toufic
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A Prologue to the Past and Present State of Things
Looking at Wafaa Bilal's Domestic Tension : Barrak Alzaid
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The Great Journey
Lidia Al-Qattan in conversation with Monira Al Qadiri
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The Shortest Length Between Two Points
Slavs and Tatars in conversation with Franz Thalmair
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What Was Lost
Joana Hadjithomas and Khalil Joreige in conversation with Nat Muller
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A Mobile Agent
Adelita Husni-Bey in conversation with Stephanie Bailey
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The Outsider
Mario Rizzi in conversation with Cristiana Perrella
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Role Play
Oreet Ashery in conversation with Amal Khalaf
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Speculations for Collective Transformations
Farah Saleh in conversation with Marianna Liosi
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Information Acts
Navine G. Khan-Dossos in conversation with Stephanie Bailey
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A Certain Aesthetic
Walid Siti in conversation with Nat Muller
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A Militant Cinema
Mohanad Yaqubi in conversation with Sheyma Buali
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Disposable Memories
Raed Yassin in conversation with Nat Muller
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From Central Asia to the Caucasus
Leeza Ahmady in conversation with Taus Makhacheva
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Technologies of History
Jananne Al-Ani in conversation with Nat Muller
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Archives on Archives
Maryam Jafri in conversation with Stephanie Bailey
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Raising the Roof
Nevin Aladağ in conversation with Walter D. Mignolo
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Narrative Treatments
Wael Shawky in conversation with Stephanie Bailey
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The State of a Nation
Larissa Sansour in conversation with Sheyma Buali
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Visualizing Displacement
Foundland in conversation with Nat Muller
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Then and Now
Adelina von Fürstenberg in conversation with Stephanie Bailey
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Memory Montage
Uriel Orlow in conversation with Omar Kholeif
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Influence, Passion, Process
Lucien Samaha in conversation with Walid Raad, Part II
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Capturing Evanescence
Rifat Chadirji and Balkis Sharara in conversation with Amin Alsaden
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The Making of a Collective
MADRASSA Collective in conversation with Antonia Alampi
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Future Imperfect
Wided Rihana Khadraoui: Digitalizing Social Change through Cultural Institutions in Saudi Arabia
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Future Imperfect
Lois Stonock: Mapping the Possible: Syrian Organizations, Movements and Platforms
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Ibraaz February Newsletter
Ibraaz
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Ibraaz Talks: Global Art Forum 8
Shumon Basar: in conversation with Stephanie Bailey
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Global Art Forum 8
Crisis The End of Pearling in the Gulf (Qatar)
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Global Art Forum 8
1971-1979 The Short Seventies (UAE)
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Larissa Sansour in conversation with Nat Muller
Nat Muller
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Questions of Collectivity in the Absence of Connectivity
On Qalandiya International 2016 in Ramallah
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Space Refugee
Halil Altındere at Neuer Berliner Kunstverein, Berlin
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What Representations?
Exhibitions and Other Representations in 25 Years at Witte de With
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Experiencing ‘Badke’
KVS Theater in Brussels
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The Politics of the (im)Possible
Sharjah Biennial 12: The past, the present, the possible
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Atmosphere
A Curatorial Take on the Global South
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Tracing Dissent at the Margins of Empire
Pan-Kaffirism in Iraq, South Africa, and Sri Lanka
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Response to Platform 8 by Maryam Jafri
In a recent video work, Mouthfeel (2014) and a related lecture-performance titled Playlist (2014), I focused on symmetries between forms of aspirational consumption in the Global South.
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Response to Platform 8 by Anthony Gardner
Strategic though it may be, the binary of 'South' and 'North' is no less reductive than the stale binaries of yore: of 'East' and 'West', communist and capitalist, aesthetics and politics, the list goes on.
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Scripts of the Art World
Burak Delier
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Filling the Gaps
Arts Infrastructures and Institutions in Libya Post-Dictatorship
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Mouthfeel
Maryam Jafri at Gasworks
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Come Together
The Sharjah Art Foundation's 2014 March Meeting
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Semitic Score
Oreet Ashery
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The Missing Link 3
A Mother's Tongue, On Ahmad Ghossein's film My Father is Still a Communist
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The Taste of Displacement
Dena Al-Adeeb
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The Spectre (of Knowledge)
The Recordings of the Cosmopolitan
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Trials of Arab Modernity
Literary Affects and the New Political by Tarek El-Ariss
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Tea With Nefertiti
The Making of the Artwork by the Artist, the Museum and the Public
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Modern Iraqi Art: A Collection
Meem Gallery, Dubai
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DISPATCH - Here We Are: The Imagination of Public Space in Gezi Park
Creative Time Reports
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Noise in the Courtyard
Sharjah Biennial 11 – Re:emerge, Towards a New Cultural Cartography
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Take Me to This Place, I want to do the memories
Atfal Ahdath at Running Horse Contemporary
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An Unconventional Angle
Mario Rizzi’s Al Intithar (The Waiting)
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The Many Afterlives of Lulu
The Story of Bahrain’s Pearl Roundabout
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The Art of the Written Word + New Media Dissemination: Syria
Tarek Khoury
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Response to Platform 4 by Nat Muller
When we talk about media, whether we consider them old or new, and critical practices, whether we label them as artistic, activist or hybrid, we would do well to look at issues of embodiment, and where virtual presence and physical presence intersects. The Arab uprisings have shown that no matter...
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Response to Platform 3 by Alice Planel
How artistic practices define and negotiate public space is to me the most significant issue in the question posed, which I will begin to discuss in the context of Algiers. The site specific practice of Amina Menia testifies to both the richness of meaning and difficulties of execution endemic to...
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Productive Contexts and Contemporary Restraints
The Practice of Contemporary Art in Algeria Today
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Response to Platform 2 by Antonia Carver
This is a very wide question and impossible to answer in a book, let alone a paragraph. However, it could boil down to two questions concerning visual artists, rather than visual culture per se: What can art do? And do artists have a responsibility to react and respond to their...
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About us
Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...
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State Ending and the Durable Illusions of Empire
Raymond Baker
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