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Pan-Kaffirism in Iraq, South Africa, and Sri Lanka

Sites of Return: Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Moments for Possibilities 'Air, Land and Sea': London

This Sea is Mine: Amman

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Introduction: Qi2016 Curatorial Team

Responses

Lina Lazaar

Shezad Dawood in conversation with Sara Raza

Jeanno Gaussi in conversation with Dorothea Schoene

Ala Younis in conversation with Liane Al-Ghusain

Zeina Arida in conversation with Laura Allsop

Tamara Chalabi, Reem Shather-Kubba, and Jonathan Watkins in conversation with Basak Senova

Seth Anziska in conversation with Daniella Rose King

Marie-Monique Steckel in conversation with Fawz Kabra

Reem Fadda in conversation with Fawz Kabra

JW Stella in conversation with Aimee Dawson

UBIK in conversation with Isabella Ellaheh Hughes

Mario Rizzi in conversation with Cristiana Perrella

Urok Shirhan in Conversation with Stephanie Bailey

Hrair Sarkissian in conversation with Raed Yassin

Yael Bartana in conversation with Clelia Coussonnet

Sumesh Sharma in conversation with Amanprit Sandhu

Aikaterini Gegisian in conversation with Stephanie Bailey

Nida Sinnokrot in conversation with Natasha Hoare

Carole Alfarah in conversation with María Gómez López

Suha Shoman in conversation with Amin Alsaden

Hicham Khalidi in conversation with Daniella Rose King

Jumana Manna in conversation with Sheyma Buali

A View from Afar: Stephanie Bailey

Leung Chi Wo in conversation with Robin Peckham

Wided Rihana Khadraoui: Digitalizing Social Change through Cultural Institutions in Saudi Arabia

Lois Stonock: Mapping the Possible: Syrian Organizations, Movements and Platforms

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

Nour K Sacranie

Sara Raza

Questions to be addressed

Ibraaz in partnership with Winchester Centre for Global Futures in Art

Ibraaz

Neha Vora: Warehouse as Dubai's Cultural Heritage

On Navigating Without a Compass

Notes on Geo-cultural Exhibitions

Stephanie Bailey

Yazan Ashqar

Nicola Baird

Of course, I do not wish to be misunderstood as arguing for nativism or closure. But the specific history of the region matters deeply, as factual evidence, but even more so in terms of identifying resources that can be transformed and activated in new ways today.

An Introduction to Body Art and Performance in the Gulf

Edited Urbanism on Dubai Creek

A Review of the 56th Venice Biennale

Performing Armenity at the 56th Venice Biennale

Natasha Ginwala

Outside Looking In: Taking a Title and Running With It*

Re-Thinking Cultural Development in Palestine

From the Intimate to the World

What Does It Mean to Be Building a Library in Iraq?

A Review

Oreet Ashery

Leung Chi Wo

Isak Berbic

Isak Berbic

A Mother's Tongue, On Ahmad Ghossein's film My Father is Still a Communist

Basma Alsharif

On Silence and Noise in Times of Crisis

Dena Al-Adeeb

Sohrab Kashani

The Recordings of the Cosmopolitan

Omar Kholeif

How artistic practices define and negotiate public space is to me the most significant issue in the question posed, which I will begin to discuss in the context of Algiers. The site specific practice of Amina Menia testifies to both the richness of meaning and difficulties of execution endemic to...

The Practice of Contemporary Art in Algeria Today

When did the major museums of the West start taking contemporary Middle Eastern art into consideration? After 2006, with the first successful sale of Middle Eastern contemporary art by Christie's in Dubai, and the announcement shortly afterwards that Abu Dhabi was going to invest billions in museum creation. Of course,...

Aesthetics, Civil Society, and the Politics of Representation