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Decolonizing Architecture at Tate Modern

The term 'Global South' is quite new to me – but since my practice is concerned with the legacy of the transatlantic slave trade and the impact colonialism has on today's power structures I find it obvious that the concept of the 'Global South' is of great relevance in my...

The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore

Sites of Return: Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

The People of the Sea: Haifa

Encounters Programme

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Responses

Chapter 3: Intervals

Curator's Introduction

Koyo Kouoh in conversation with Stephanie Bailey

JW Stella in conversation with Aimee Dawson

Marwa Arsanios in conversation with Fawz Kabra

Morehshin Allahyari in conversation with Hannah Gregory

Caveh Zahedi in conversation with Stephanie Bailey

Urok Shirhan in Conversation with Stephanie Bailey

Navine G. Khan-Dossos in conversation with Stephanie Bailey

Mohssin Harraki in conversation with Karima Boudou

Maryam Monalisa Gharavi in conversation with Mirene Arsanios

Nav Haq in conversation with Stephanie Bailey

Sumesh Sharma in conversation with Amanprit Sandhu

Aikaterini Gegisian in conversation with Stephanie Bailey

Maryam Jafri in conversation with Stephanie Bailey

Nida Sinnokrot in conversation with Natasha Hoare

Suha Shoman in conversation with Amin Alsaden

Hicham Khalidi in conversation with Daniella Rose King

Uriel Orlow in conversation with Omar Kholeif

Louis Henderson in conversation with Amira Gad

MADRASSA Collective in conversation with Antonia Alampi

Leung Chi Wo in conversation with Robin Peckham

Nora Razian, Nataša Petrešin Bachelez, and Angela Harutyunyan in conversation, with a contribution from Natasha Gasparian

Héla Ammar in conversation with Wafa Gabsi

Amar Kanwar in conversation with Stephanie Bailey

Alia Rayyan: Recounting the Past, Present and Future

Questions to be addressed

Ibraaz

Ibraaz

Tom Snow

Ibraaz

The 2016 March Meeting

A Report from Cologne

At the Salzburger Kunstverein

Oscar Guardiola-Rivera: in conversation with Anthony Downey

Soviet Orientalism and Political Mobilisation

Louis Henderson

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

Filipa César and Louis Henderson

A two-part conversation with Szabolcs KissPál and Mahmoud Khaled

Platform 010 Editorial

On Navigating Without a Compass

Contour Biennale 8

Notes on Geo-cultural Exhibitions

Walking Cabbages and Watermelons

Forests, Freaks and Performativity

Ahmad Makia

Bruno Boudjelal's Documentary of Affect

Lara Khaldi

A Curatorial Take on the Global South

Street Art in the Mediterranean Border Zones

On Bouchra Khalili’s Cartographies

Portrait of a Salafi en abyme in the Cyber World

Nikos Papastergiadis and Gerardo Mosquera

Pan-Kaffirism in Iraq, South Africa, and Sri Lanka

In a recent video work, Mouthfeel (2014) and a related lecture-performance titled Playlist (2014), I focused on symmetries between forms of aspirational consumption in the Global South.

The group of paintings is inspired by 'momentary images' or more accurately frozen moments taken from the contemporary cityscape of Egypt, as well as from personal records; old photographs found in family albums.

Strategic though it may be, the binary of 'South' and 'North' is no less reductive than the stale binaries of yore: of 'East' and 'West', communist and capitalist, aesthetics and politics, the list goes on.

Conflicting Narratives and the Invention of Geographies

In the Shadow of Nasser

The Israeli-Palestinian Conflict and Israel's National Photography Archives as a Case Study

Santiago Mostyn

Mohamed Abdelkarim

Yazan Khalili Lara Khaldi

Samah Hijawi

The Soldier: 'Indeed, I took these photographs from the pocket of a dead Arab, killed in Bab Al-Wad in the beginning of May 1948.

Literary Affects and the New Political by Tarek El-Ariss

Shifting the Geographies of Sensing, Believing and Knowing

Looking for Palestine in the Jordanian Music Scene

Nadia Mounajjed

Demonstrations by Palestinian villagers against Israeli colonisation has been described by non-local media sources as 'theatrics' and 'spectacle.' Such categorisation positions Palestinian acts of protest in the realm of 'acting'- a visual 'show' for the cameras, complete with homemade props, a soundtrack of chants performed to the rhythm of Israeli...

The Practice of Contemporary Art in Algeria Today

Yazid Anani

One needs to be careful with the concept of regions as geographical entities. Such an understanding is only valuable if it takes into account the way these regions relate to their neighbours, as frontiers are still too often frontiers of misunderstanding. The Middle East, like North Africa or the so-called...

When initially presented with the task of summing up the nearly two-dozen nations that are lumped together under this peculiar acronym, my immediate impulse was to emphasize that it is impossible to describe such a vast region in less than 200 words. Even the few commonalities that do exist among...