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Genealogy of a Territory at MuCEM, Marseille

Bruno Boudjelal's Documentary of Affect

A Perspective on Algeria's Cultural Scene

The Practice of Contemporary Art in Algeria Today

Driss Ouadahi in conversation with Rachida Triki

Amina Menia in conversation with Laura Allsop

Coline Milliard

Nour K Sacranie

From the Intimate to the World

On the Memory of a Memorial

Edited by Anthony Downey & Lina Lazaar (Ibraaz Publishing, 2011)

Pattern Recognition: Ramallah

RE/viewing Jerusalem #2 – REturn: Jerusalem

This Sea is Mine: Gaza

Sea of Stories: Beirut

Biographies

Encounters Programme

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Adonis in conversation with Laura Allsop

Bouchra Khalili in Conversation with Dorothea Schoene

Rasha Salti in conversation with Fawz Kabra

Editor's Foreword: Anthony Downey

Rasha Salti in conversation with Sheyma Buali

Alya Sebti in conversation with Göksu Kunak

Marwa Arsanios in conversation with Fawz Kabra

Fayçal Baghriche in conversation with Sheyma Buali

Fayçal Baghriche in conversation with Laura Allsop

Robin Kahn in conversation with Stephanie Bailey

Mohssin Harraki in conversation with Karima Boudou

Martina Caruso in conversation with Sheyma Buali

Eric Van Hove in conversation with Natasha Hoare

Maryam Monalisa Gharavi in conversation with Mirene Arsanios

Maryam Jafri in conversation with Stephanie Bailey

Nida Sinnokrot in conversation with Natasha Hoare

Suha Shoman in conversation with Amin Alsaden

MADRASSA Collective in conversation with Antonia Alampi

Wided Rihana Khadraoui: Digitalizing Social Change through Cultural Institutions in Saudi Arabia

Ibraaz

Sharjah Art Foundation, 17-19 March 2012

Ibraaz

Ibraaz

Ibraaz

Nour K Sacranie

1967 in Art and Its Histories, June 1-2, 2012 American University of Beirut, Lebanon

Ibraaz

Ibraaz

09–11 May, Museé National du Bardo, Tunis

Ibraaz

Ibraaz

Fayçal Baghriche

Zineb Sedira: Artist

Fayçal Baghriche

Katia Kameli: Untitled (2011)

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

On Navigating Without a Compass

Contour Biennale 8

Notes on Geo-cultural Exhibitions

Natasha Marie Llorens

Katia Kameli at the Mosaic Rooms

Reflections on Reflections

The Artist as Awakener at AUB

Mega-museums and modern artists from the Middle East

On Assumption and Authority

Anthony Downey

An Introduction to Body Art and Performance in the Gulf

Interventions as Performative Gestures For Political Engagement in Jordan

Contemporary Cinema from North Africa

In a recent video work, Mouthfeel (2014) and a related lecture-performance titled Playlist (2014), I focused on symmetries between forms of aspirational consumption in the Global South.

Here and Elsewhere at the New Museum

Building Institutions Through Practice

In the Shadow of Nasser

Arts Infrastructures and Institutions in Libya Post-Dictatorship

A project by Katia Kameli

A Project by Robin Kahn

A project by Fayçal Baghriche

Mustapha Benfodil

Marwa Arsanios

Ahmed Badry

Ibraaz Platform 006 Editorial

Amy Charlesworth

Is soft power helping or hindering the state of the arts in Jordan?

Celebrating Arab Women Filmmakers

Sharjah Biennial 11 – Re:emerge, Towards a New Cultural Cartography

Introduction

Theatre As a Tool of Empowerment

Shining a spotlight on something in order to 'make it visible' is a task indeed. It does not only entail personal and professional risk but also demands courage and responsibility. The ethics of monstration (on behalf of those whose intention is precisely that - to make sense of vision, to...

How artistic practices define and negotiate public space is to me the most significant issue in the question posed, which I will begin to discuss in the context of Algiers. The site specific practice of Amina Menia testifies to both the richness of meaning and difficulties of execution endemic to...

Anthony Downey

Platform for discussion002 What relationship does visual culture have to the world we live in? Fayçal Baghriche 1 November 2011 Fayçal Baghriche, Mekka, 2011, photograph, 120 x 150 cm. Courtesy of the artist. ' title=' Fayçal Baghriche, Mekka, 2011, photograph, 120 x 150 cm. Courtesy of the artist. '> Fayçal...

Platform for discussion002 What relationship does visual culture have to the world we live in? Driss Ouadahi 1 November 2011 Driss Ouadahi Ainsi soit elle, 2011 Oil on canvas 190 x 240 cm Courtesy of the artist '> Driss Ouadahi Ainsi soit elle, 2011 Oil on canvas 190 x 240...

Cardboards are leaned against a wall in a street. They form a peculiar assemblage one can identify as makeshift shelters. Fashioned out of the detritus of consumer society, the cardboards have become facades. They conceal women who were probably repudiated by their families. One of them emerges from her 'house'...

Walking in the Darkness of a Promised Light

Joe Khalil

For so many decades the region of MENA has been synonymous with religious extremism, oppression of women, dictatorial regimes and, at varying levels, high rates of illiteracy and backwardness. In the last decade of the twentieth century the region has seen various political tumults including Islamic terrorism and its war...

History repeats itself – this line used across the disciplines is a proven liturgy to contemporary compendiums. When you detail the visual narratives, the region becomes the medium designed to mark your place in history. Whether in the Stone Age or the Digital Age, information is your power, and revolution...