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1971-1979 The Short Seventies (World)

Nikos Papastergiadis and Gerardo Mosquera

Ariel Hassan

Sites of Return: Ramallah

Pattern Recognition: Ramallah

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

This Sea is Mine: Gaza

The People of the Sea: Haifa

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Responses

Curator's Essay: Aaron Cezar

Ziad Antar in Conversation with Anthony Downey

Shady El Noshokaty in conversation with Omar Kholeif

Nathan Witt in conversation with Amira Gad

Bouchra Khalili in Conversation with Dorothea Schoene

Jasmina Metwaly in conversation with Angela Harutyunyan

Pascal Hachem in conversation with Nour K Sacranie

Michael Rakowitz in conversation with Anthony Downey

Simone Fattal in conversation with Mirene Arsanios

Visualizing Palestine in conversation with Haig Aivazian

Seth Anziska in conversation with Daniella Rose King

Curator's Introduction

Farah Al-Nakib in conversation with Todd Reisz

Koyo Kouoh in conversation with Stephanie Bailey

JW Stella in conversation with Aimee Dawson

Coco Fusco in conversation with Stephanie Bailey

Haig Aivazian in conversation with Rayya Badran

Sussan Deyhim in conversation with Sheyma Buali

Adham Hafez in conversation with Suzy Halajian

Fayçal Baghriche in conversation with Laura Allsop

Mohanad Yaqubi in conversation with Sheyma Buali

Stefano Rabolli Pansera in conversation with Stephanie Bailey

Maryam Monalisa Gharavi in conversation with Mirene Arsanios

Aikaterini Gegisian in conversation with Stephanie Bailey

Köken Ergun in conversation with Omar Kholeif

The Arab Digital Expression Foundation in conversation with Laura Cugusi

Maryam Jafri in conversation with Stephanie Bailey

Lucien Samaha in conversation with Walid Raad, Part I

Fulya Erdemci in conversation with Basak Senova

Nida Sinnokrot in conversation with Natasha Hoare

WHW in conversation with Omar Kholeif

Lucien Samaha in conversation with Walid Raad, Part II

Tarek Abou El Fetouh in conversation with Stephanie Bailey

Rifat Chadirji and Balkis Sharara in conversation with Amin Alsaden

Leung Chi Wo in conversation with Robin Peckham

Amar Kanwar in conversation with Stephanie Bailey

Fadi Bardawil in conversation with Zeynep Oz

Wided Rihana Khadraoui: Digitalizing Social Change through Cultural Institutions in Saudi Arabia

Monira Al Qadiri: The Saudi New Wave | Digital Landscapes and Future Institutions

The Cairo Seminar in Alexandria, dOCUMENTA (13)

Ibraaz in partnership with Winchester Centre for Global Futures in Art

Future Imperfect, A Symposium

Two Exhibitions on the Armenian Legacy in Anatolia

Shumon Basar: in conversation with Stephanie Bailey

Oscar Guardiola-Rivera: in conversation with Anthony Downey

John Akomfrah: in conversation with Anthony Downey

Toleen Touq in conversation with Reema Salha Fadda

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

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On Navigating Without a Compass

Meeting Points 8

Hamid Dabashi

The Art of Shirin Neshat

Edmund Clark at the Imperial War Museum, London

Etel Adnan at Serpentine Galleries

Lara Baladi

Mega-museums and modern artists from the Middle East

On Assumption and Authority

Forests, Freaks and Performativity

Barrak Alzaid

An Introduction to Body Art and Performance in the Gulf

Ahmad Makia

An Ode to Performing Subjectivity in Research

Notes on Maverickism as Genealogy and Genealogy as Approach

Maraya Art Centre

A Nomadological Study of Ottoman Arab Photography

Interventions as Performative Gestures For Political Engagement in Jordan

Performing Armenity at the 56th Venice Biennale

Determining the Axis of the Global South and Middle East

Contemporary Cinema from North Africa

This research-based response marks the beginning of a collaborative project undertaken by Clare Davies and Nida Ghouse that considers histories of artistic production in relation to the concept of metanoia.

In a recent video work, Mouthfeel (2014) and a related lecture-performance titled Playlist (2014), I focused on symmetries between forms of aspirational consumption in the Global South.

A Provocation to the Question

Conflicting Narratives and the Invention of Geographies

In the Shadow of Nasser

Imagining the Future, Assembling the Past

Haig Aivazian’s multi-piece installation FUGERE at Sfeir-Semler, Hamburg

The Israeli-Palestinian Conflict and Israel's National Photography Archives as a Case Study

Naira Antoun

Dena Al-Adeeb

Seth Ayyaz

The idea of the art archive in the Middle East provokes a number of associations – some of them spiritual, some historical, some clearly political.

The Search for 'Nurafkan'

Ibraaz Platform 006 Editorial

The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore

From the photo-text series Getty vs. Ghana (2012).

Repatriation of Iraq's Looted Heritage under International and Domestic Law and Practice

FIAF’s 2013 World Nomads Tunisia Festival

Contemporary Artistic Practice in Iran at a Revolutionary Moment

Shifting the Geographies of Sensing, Believing and Knowing

Aid and the Politics of Art in Processes of Contemporary Cultural Production

Looking for Palestine in the Jordanian Music Scene

An Exhibition between Cairo and London

Tarek Khoury

A.S. Bruckstein Çoruh

Precarious Images, the Aesthetics of Conflict, and the Future of an Anachronism

Yazid Anani

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

Ela Greenberg

Mark Westmoreland

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