Search results
Search results for 'Female artists'
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Turbulent
Shirin Neshat
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History All Wrapped Up
Gülsün Karamustafa in conversation with Basak Senova
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Progressive Roots
Sussan Deyhim in conversation with Sheyma Buali
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Role Play
Oreet Ashery in conversation with Amal Khalaf
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My Sister Who Travels
Martina Caruso in conversation with Sheyma Buali
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An Exclusive Holiday Screening on Ibraaz: Larissa Sansour's Sci-Fi Trilogy
Larissa Sansour
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Jarideh
Tania El Khoury
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Corbeaux
Bouchra Ouizguen
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The Invisible Scent of History
Katia Kameli: Untitled (2011)
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Dawn of the Cold Season
A Video Installation
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Maybe If You Choreograph Me, You Will Feel Better
Tania El Khoury
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Turbulent
Shirin Neshat
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Girl
Sondos Shabayek
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Larissa Sansour in conversation with Nat Muller
Nat Muller
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Revisiting Genesis
Episode Twelve: Prayer, Aerialist
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Revisiting Genesis
Episode Five: Archives, Avatars
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Revisiting Genesis
Episode One
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Revisiting Genesis
Trailer
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Revisiting Genesis
A web series by Oreet Ashery
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Etel Adnan at Serpentine Galleries' Transformation Marathon
Etel Adnan
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The Tethered
Sama Alshaibi
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Tariqah
Sama Alshaibi
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Muraqaba
Sama Alshaibi
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Dhikr
Sama Alshaibi
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Baraka
Sama Alshaibi
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Silsila
Sama Alshaibi
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Larissa Sansour Trilogy
In the Future They Ate From the Finest Porcelain
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Larissa Sansour Trilogy
Nation Estate
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Larissa Sansour Trilogy
A Space Exodus
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Larissa Sansour Trilogy
Larissa Sansour
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Sanctity
Ahd
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Beethoven vs Chopin
Aikaterini Gegisian and Fatma Çiftçi
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Against the Market
The Art of Shirin Neshat
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Fahrelnissa Zeid in the Mega-Museum
Mega-museums and modern artists from the Middle East
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Encroachment on the Everyday
Tehran’s Self-portrait
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Bouchra Ouizguen
The Subversive Feminine
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Being ‘Inappropriate’
The Unspoken Battle of Self-Censorship
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19 a Day
Taus Makhacheva
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DEBE BE wakollou sawt ka wak3i el7afer 3ala el2ard essolba
The Society of False Witnesses
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Doppelgänging
Basma Alsharif
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Expanding and Remaining
Navine G. Khan-Dossos
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A Dictionary of the Revolution
Amira Hanafi
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Some Pachinko Pieces
On Silence and Noise in Times of Crisis
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The Taste of Displacement
Dena Al-Adeeb
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The two women and the beautiful boy behind 'Of Men, Champagne and Victory Aside'
Maya Chami
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RAM-COM
Meriem Bennani
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Slavs and Tatars: Mirrors for Princes
Edited by Anthony Downey (jrp|ringier, 2015)
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Reviews
Critical reflections on Ibraaz publications
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Qalandiya International 2016
O Whale, Don't Swallow Our Moon: Ramallah
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Qalandiya International 2016
Pattern Recognition: Ramallah
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A Prologue to the Past and Present State of Things
Curator's Essay: Aaron Cezar
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New Vocabularies for New Challenges
Newsha Tavakolian in conversation with Sara Raza
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After the Storm
Michket Krifa in conversation with Wafa Gabsi
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The Jerusalem Show
A Question: Jalal Toufic
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Echoes & Reverberations
Magdi Mostafa: Wisdom Tower: from the series Sound Cells (Fridays)
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Echoes & Reverberations
Soundscapes: Taking Apart the Arab City by Dr. Alexandra MacGilp
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A Prologue to the Past and Present State of Things
Sulayman Al Bassam in conversation with Ala Younis
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Hero to Hero
Sohrab Kashani in conversation with Taus Makhacheva
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Action Piece
Reza Aramesh in conversation with Lara Atallah
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Enunciation Rather Than Representation
Alya Sebti in conversation with Göksu Kunak
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Accumulative Processes
Marwa Arsanios in conversation with Fawz Kabra
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Restaging Invisibilities
Fayçal Baghriche in conversation with Laura Allsop
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Dark Matters
Morehshin Allahyari in conversation with Hannah Gregory
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A Mobile Agent
Adelita Husni-Bey in conversation with Stephanie Bailey
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History as Concept
Lasse Lau in conversation with Amira Gad
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The Outsider
Mario Rizzi in conversation with Cristiana Perrella
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Reversing Power, Allowing Possibilities
Yael Bartana in conversation with Clelia Coussonnet
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No Boundaries
Aikaterini Gegisian in conversation with Stephanie Bailey
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A Century of Centuries
November Paynter and Didem Pekün in conversation with Basak Senova
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Emergent Cinema
Ahd in conversation with Sheyma Buali
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Technologies of History
Jananne Al-Ani in conversation with Nat Muller
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Lingering in Vicinity
Maha Maamoun in conversation with Aleya Hamza
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Raising the Roof
Nevin Aladağ in conversation with Walter D. Mignolo
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On Documentation
Parastou Forouhar in conversation with David Hodge and Hamed Yousefi
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With Nail and Spring
Georgia Kotretsos in conversation with Stephanie Bailey
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Cultivating Continuities
Suha Shoman in conversation with Amin Alsaden
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Then and Now
Adelina von Fürstenberg in conversation with Stephanie Bailey
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Is This about Culture?
Leung Chi Wo in conversation with Robin Peckham
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The Woven Archive
Héla Ammar in conversation with Wafa Gabsi
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Future Imperfect
Wided Rihana Khadraoui: Digitalizing Social Change through Cultural Institutions in Saudi Arabia
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Future Imperfect
Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria
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London Palestine Film Festival 2012
Nour K Sacranie
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Where do we go from here? Women in Contemporary Arab Art
Isabella Ellaheh Hughes
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Zineb Sedira in Conversation
Coline Milliard
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First Paradise Then the World
Two Exhibitions in Paris
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Six Decades in the Making
Parviz Tanavoli’s Retrospective at the Davis Museum
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Performing Politics
Işıl Eğrikavuk's The Art of Disagreement
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Ibraaz Reader 009/10
Ibraaz
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Global Art Forum 8
Ibn Khaldun’s The Muqadimmah
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Channel
description
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Works on Paper
Artists Intervening in Lebanese Dailies
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Pattern Recognition at the Mosaic Rooms
Lizzy Collier
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Beyond Boundaries
Art By Email at Yorkshire Sculpture Park
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Questions of Collectivity in the Absence of Connectivity
On Qalandiya International 2016 in Ramallah
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Chronographia
Gülsün Karamustafa Retrospective at Hamburger Bahnhof
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The Arab Nude
The Artist as Awakener at AUB
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Effective on the Ground and Invisible to the Global Art Market
Participatory Art in the Middle East
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Beware of the Image
APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency
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Queer Chronopolitics
Forests, Freaks and Performativity
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Ibraaz Platform 009: Performance
Anthony Downey
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Not so Silent
On Walking and Crawling
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Sounds as if
Downtown Contemporary Arts Festival (D-CAF)
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Mindful Body
An Introduction to Body Art and Performance in the Gulf
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Un/Interrupted Formations
Choreographing Spaces of Gesticulation
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Having the Stars
The Little Deaths of Christodoulos Panayiotou
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In and Out of Algeria
Bruno Boudjelal's Documentary of Affect
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Halim El Dabh
An Alternative Genealogy of Musique Concrète
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All the World’s Futures
A Review of the 56th Venice Biennale
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Tout va bien?
'Too Early, Too Late: Middle East and Modernity' at the Pinacoteca Nazionale di Bologna
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BOOM, BOOM, BOOOOOM!
Notes on a Giant Implosion
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'I am an Artist'
Portrait of a Salafi en abyme in the Cyber World
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Response to Platform 8 by Daria Kirsanova
In the years that followed the destruction of the Berlin Wall, which triggered the rise of post-colonial studies, the definition of the term 'the Global South' has changed dramatically.
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Making Stories Visible
A Yemeni Art History
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Walling Strategy
Can T-Wall Murals really Beautify the Fragmented Baghdad?
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Freedom has no script
Burak Delier at Iniva
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Anachronistic Ambitions
Imagining the Future, Assembling the Past
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Response to Platform 7 by Paul Vandenbroeck
"Neither identification with an institution nor disengagement from an institution guarantees fluid, sensitive attitudes and openmindedness."
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Beyond the Odalisque
A Perspective on Algeria's Cultural Scene
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Notes on Women in Iranian Art
A Review
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Semitic Score
Oreet Ashery
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SENSING OTHERWISE
A Story of an Exhibition
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The One That Got Away
On the Rooftop
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Untitled YouTube Stills
A Project by Anahita Razmi
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Bus Cemetery
A Project by Dictaphone Group
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The Missing Link
Cecilia Andersson
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Learning to Dance
An Online Performance
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Freedom of Expression
FIAF’s 2013 World Nomads Tunisia Festival
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The Crisis of Art in Tunisia
Farah Makni Hendaoui
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Modern Iraqi Art: A Collection
Meem Gallery, Dubai
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Trade Routes / Conflicted Memory
Hauser & Wirth / Alan Cristea Gallery: A Spectrum Review
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On Reporting, the Documentary and the Aesthetic in Ursula Biemann and Angela Sanders’ Europlex
Amy Charlesworth
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Amman’s West Side Story
Is soft power helping or hindering the state of the arts in Jordan?
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Birds Eye View Festival 2013
Celebrating Arab Women Filmmakers
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An Unconventional Angle
Mario Rizzi’s Al Intithar (The Waiting)
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Response to Platform 5 by Michaela Crimmin
The excited chatter about unrest and uprisings in the western world has focused particularly on a number of countries in North Africa and in what we here refer to as the Middle East (meaning anything between eighteen to thirty-eight countries according to Wikipedia). In the UK, we have received a...
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Art’s Networks
A New Communal Model
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Response to Platform 4 by Sama Alshaibi
vs. The Ruler was made during the first year of the Arab uprising. It is comprised of two custom-made wooden 'electrocution' chairs (thrones) sitting in opposition to each other. The patriarchal male throne suggests the military and religion. Its counterpart is also suggestive of Islamic architecture, but is grounded by...
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Productive Contexts and Contemporary Restraints
The Practice of Contemporary Art in Algeria Today
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Revolution and Cultural Mutation
Rachida Triki