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An Online Performance

Khaled Kaddal

Marwa Arsanios in conversation with Fawz Kabra

Adham Hafez in conversation with Suzy Halajian

Farah Saleh in conversation with Marianna Liosi

Doa Aly

Mithkal Alzghair

description

KVS Theater in Brussels

Choreographing Spaces of Gesticulation

The Subversive Feminine

Sites of Return: Ramallah

O Whale, Don't Swallow Our Moon: Ramallah

RE/viewing Jerusalem #2 – REturn: Jerusalem

Moments for Possibilities 'Air, Land and Sea': London

Biographies

Responses

ARC.HIVE (2006–present): Adham Hafez

Curator's Essay: Aaron Cezar

Exhibition Overview

Jack Persekian in conversation with Basak Senova

Ala Ebtekar in conversation with Sara Raza

Jeanno Gaussi in conversation with Dorothea Schoene

Lida Abdul in conversation with Sara Raza

Roy Samaha in conversation with Anthony Downey

Hassan Khan in conversation with Omar Kholeif

Reza Aramesh in conversation with Anthony Downey

Heiko Lange in conversation with Amira Gad

Ayah Bdeir in conversation with Omar Kholeif

Cynthia Zaven in conversation with Basak Senova

Monir Shahroudy Farmanfarmaian in conversation with Stephanie Bailey

Tamara Chalabi, Reem Shather-Kubba, and Jonathan Watkins in conversation with Basak Senova

Fulya Erdemci in conversation with Basak Senova

Chapter 5: Lines

Joe Namy: space, breath, time

Soundscapes: Taking Apart the Arab City by Dr. Alexandra MacGilp

Sulayman Al Bassam in conversation with Ala Younis

OLGA'S NOTES, all those restless bodies: Marwa Arsanios

Dream City in Tunis

Rabih Mroué in conversation with Göksu Kunak

Lina Majdalanie in conversation with Göksu Kunak

Sohrab Kashani in conversation with Taus Makhacheva

Speaker Biographies + Synopses

Farah Al-Nakib in conversation with Todd Reisz

JW Stella in conversation with Aimee Dawson

Alya Sebti in conversation with Göksu Kunak

Sussan Deyhim in conversation with Sheyma Buali

Matthias Lilienthal in conversation with Göksu Kunak

Robin Kahn in conversation with Stephanie Bailey

Hiwa K in conversation with Anthony Downey and Amal Khalaf

Oreet Ashery in conversation with Amal Khalaf

Urok Shirhan in Conversation with Stephanie Bailey

Stefano Rabolli Pansera in conversation with Stephanie Bailey

Maryam Monalisa Gharavi in conversation with Mirene Arsanios

Anthony Downey and Beatrix Ruf in conversation with Slavs and Tatars

Leeza Ahmady in conversation with Taus Makhacheva

November Paynter and Didem Pekün in conversation with Basak Senova

The Arab Digital Expression Foundation in conversation with Laura Cugusi

Burak Arıkan in conversation with Basak Senova

Jananne Al-Ani in conversation with Nat Muller

Lucien Samaha in conversation with Walid Raad, Part I

Rana Hamadeh in conversation with Stephanie Bailey

Joe Namy in conversation with Garine Aivazian

Akram Zaatari in conversation with Anthony Downey

Nevin Aladağ in conversation with Walter D. Mignolo

Kamel Lazaar in conversation with Anthony Downey

Younes Bouadi in conversation with Stephanie Bailey

MADRASSA Collective in conversation with Antonia Alampi

Christine Tohme in conversation with Rachel Dedman

Héla Ammar in conversation with Wafa Gabsi

Eric Baudelaire in conversation with Anthony Downey

Wided Rihana Khadraoui: Digitalizing Social Change through Cultural Institutions in Saudi Arabia

Nile Sunset Annex: Plotting in Egypt: Art People

Lois Stonock: Mapping the Possible: Syrian Organizations, Movements and Platforms

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

Amira Gad

Nour K Sacranie

Fawz Kabra

The Cairo Seminar in Alexandria, dOCUMENTA (13)

The Doris Duke Foundation for Islamic Art's Artist Residency Programme

Aimee Dawson

Theme: Performance

News JAOU Tunis 2015 008 / 18 May 2015 Jaou Tunis 2015. Copyright Kamel Lazaar Foundation. Visual Culture in an Age of Global Conflict The Kamel Lazaar Foundation is pleased to announce that it will stage a two-day conference at the National Museum of Bardo from 28–29 May, 2015. This...

Ibraaz

Ibraaz

Almagul Menlibayeva in conversation with Basak Senova

Ibraaz

Ibraaz

Ibraaz

Ibraaz

Two Exhibitions on the Armenian Legacy in Anatolia

At the Salzburger Kunstverein

Aimee Dawson

1971-1979 The Short Seventies (World)

Ibn Khaldun’s The Muqadimmah

Crisis The End of Pearling in the Gulf (Qatar)

Oumaïma Manai: Choreographer

Doa Aly

Christodoulos Panayiotou

Kazın Ayağı : (Actually, that's not the case )

Dowry for Mahrou: Samira Eskandarfar

A tribute by Gelareh Kiazand

Sama Alshaibi

Farah Saleh

Yaman (2016)

Fade to Black (2015)

Amer AlBarzawi

Ala Younis

Notes on Geo-cultural Exhibitions

Stephanie Bailey

Art By Email at Yorkshire Sculpture Park

Meeting Points 8

On Qalandiya International 2016 in Ramallah

Nil Yalter at ARTER, Istanbul

Halil Altındere at Neuer Berliner Kunstverein, Berlin

Hamid Dabashi

Gülsün Karamustafa Retrospective at Hamburger Bahnhof

Rayyane Tabet at Museo Marino Marini

Lara Baladi

At Aicon Gallery, New York

The Artist as Awakener at AUB

Ibraaz 5th Year Anniversary Editorial

Rozemin Keshvani

Socially Engaged Art Practices in Tunisia

Participatory Art in the Middle East

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

On Assumption and Authority

Forests, Freaks and Performativity

There is never a neutral position for critique, but there certainly ought to be the practice of critique. And that is precisely the element that is missing in top-down formation of the art scene in West Asia and North Africa, and perhaps in the rest of the non-western art scene.

Anthony Downey

Downtown Contemporary Arts Festival (D-CAF)

Tehran’s Self-portrait

An Introduction to Body Art and Performance in the Gulf

Rana Hamadeh at The Showroom, London

The Little Deaths of Christodoulos Panayiotou

The Performance of Death in a Post-9/11 World

An Alternative Genealogy of Musique Concrète

Jumana Manna at Chisenhale Gallery, London

Practice, Performance, Politics

'To avoid misunderstanding, I write from the perspective of Turkey, because I can't really speak for North Africa nor for the Middle East in general...'

'A few notes on the difference between performance art and mayonnaise...'

Natasha Ginwala

On Nikolaj Larsen's End of Dreams

Nikos Papastergiadis and Gerardo Mosquera

Pan-Kaffirism in Iraq, South Africa, and Sri Lanka

An Emergent Design Approach to the Gulf

A Recourse to the Past

Here and Elsewhere at the New Museum

Building Institutions Through Practice

Re-Thinking Cultural Development in Palestine

Art and Culture Beyond Institutions in Amman

Global Art Forum 8 at Katara Art Center

Downtown Contemporary Arts Festival (D-CAF)

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Cevdet Erek at Spike Island, Bristol

The Politics of Food at Delfina Foundation

Almagul Menlibayeva

Malak Helmy and Sophia Al Maria

Oreet Ashery

Eric Baudelaire

Taus Makhacheva

Notes from three spaces in which the law resounds

The Part about the Bandits Pt.2

Cynthia Zaven

Continuing Traditions of Satire, Art and the Struggle for Freedom in Syria

A Mother's Tongue, On Ahmad Ghossein's film My Father is Still a Communist

A Libyan Diary (Part III) - December 2011

Wendelien van Oldenborgh

Projects 'Graphic Witness' at Drawing Room, London 010 / 16 June 2017 When images of conflict and protest can be so easily captured on mobile devices, why translate them into graphic representations? How does the translation into graphic form change the act of witnessing, fabricate commentaries on instances of injustice,...

The Society of False Witnesses

On Silence and Noise in Times of Crisis

Meriem Bennani

Seth Ayyaz

Joe Namy

The Recordings of the Cosmopolitan

The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore

Repatriation of Iraq's Looted Heritage under International and Domestic Law and Practice

FIAF’s 2013 World Nomads Tunisia Festival

Palazzo Contarini Polignac, Venice

Is soft power helping or hindering the state of the arts in Jordan?

What if Rani al Rajji and Michel De Certeau met in Beirut?

Aid and the Politics of Art in Processes of Contemporary Cultural Production

Looking for Palestine in the Jordanian Music Scene

An Exhibition between Cairo and London

Sharjah Biennial 11 – Re:emerge, Towards a New Cultural Cartography

Objects in Mirror are Closer than they Appear

Artistic Practices, Collective Action and Civil Society in Tunisia

A New Communal Model

The Shifting Narrative of Uprising

Theatre As a Tool of Empowerment

I am broadly interested in addressing the recontextualisation of cultural heritage in the MENA region by institutions, thus aligning it in the process with current developments in contemporary art at large. Artistic practices are frequently used to measure the economic and cultural growth of geographies. This is often achieved by...

The Practice of Contemporary Art in Algeria Today

Dar al-Ma'mûn is a new arts centre and residency for artists and translators outside of Marrakech. The questions of public space and of civil society have been with us since the beginning, as we were trying to avoid creating a mere retreat for artists, a luxurious ivory tower for intellectuals...

Yazid Anani

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

The Enemy Inside Me

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