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Search results for 'Cultural Policy'
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The public domain has opened up!
Fulya Erdemci in conversation with Basak Senova
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Opening Up: World Nomads Tunisia
Marie-Monique Steckel in conversation with Fawz Kabra
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NOTES FROM THE RESISTANCE
Özgür Uçkan and Vasif Kortun in conversation with Basak Senova
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A New World Summit
Jonas Staal in conversation with Stephanie Bailey
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Emergent Cinema
Ahd in conversation with Sheyma Buali
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Flash Futures
Monira Al Qadiri in conversation with Stephanie Bailey
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From the Ground Up
Discussing arts infrastructure in Tehran
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After the Biennial
Fulya Erdemci in conversation with Basak Senova
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Then and Now
Adelina von Fürstenberg in conversation with Stephanie Bailey
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Common Grounds and Common Cultures
Kamel Lazaar in conversation with Anthony Downey
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Expanding the Archive
Jumana Manna in conversation with Sheyma Buali
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Critical Anxieties
Regional vis-à-vis Global Discourses: Contemporary Art from the Middle East
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Tongue Twists
A Slavs and Tatars Panel Discussion at Art Space Pythagorion
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Symposium: Future Imperfect – Cultural Propositions and Global Perspectives
Ibraaz
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Art and its Prospects in Contemporary Maghrebi Societies
The second meeting of Maghreb des Arts
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Deconstructing the Public Sphere
A Report on Future City
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Present Projections
Future Imperfect, A Symposium
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(Soft) Power Trip
Edge of Arabia Launches Culturunners
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Return to the Former Middle East
Ibraaz 5th Year Anniversary Editorial
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The Turn المنعرج
Socially Engaged Art Practices in Tunisia
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Where to Now?
An Introduction to Platform 010
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Performativity and Public Space
Interventions as Performative Gestures For Political Engagement in Jordan
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As in an Ocean
On Nikolaj Larsen's End of Dreams
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Scripts of the Art World
Burak Delier
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The Future of Art in the Age of Militarized De-Production
Re-Thinking Cultural Development in Palestine
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Filling the Gaps
Arts Infrastructures and Institutions in Libya Post-Dictatorship
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Designing the Future
What Does It Mean to Be Building a Library in Iraq?
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Critical Machines
Mirene Arsanios
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Beyond the Odalisque
A Perspective on Algeria's Cultural Scene
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Notes on Women in Iranian Art
A Review
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2922 Days
Uriel Orlow
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Everywhere But Now
The 4th Thessaloniki Biennale
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Dancing with Barbarians
The 13th Istanbul Biennial
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The Crisis of Art in Tunisia
Farah Makni Hendaoui
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Articulating Dissensus
Contemporary Artistic Practice in Iran at a Revolutionary Moment
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The Business of Culture
Profiles: Collecting Art in Lebanon at AUB Gallery, Lebanon
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Welcome to Iraq and Otherwise Occupied
Iraq and Palestine at the 2013 Venice Biennale
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Trade Routes / Conflicted Memory
Hauser & Wirth / Alan Cristea Gallery: A Spectrum Review
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State Ending and the Durable Illusions of Empire
Raymond Baker
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Qalandiya International 2016
Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey
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A Prologue to the Past and Present State of Things
ARC.HIVE (2006–present): Adham Hafez
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From Invisible Enemy to Enemy Kitchen
Michael Rakowitz in conversation with Anthony Downey
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Letter to a Refusing Pilot
Seth Anziska in conversation with Daniella Rose King
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FIELD MEETING Take 4: Thinking Practice
Curatorial Narrative
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Global Art Forum 9
Sheyma Buali in conversation with Turi Munthe and Sultan Sooud Al-Qassemi
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Video Channelling
Mai Elwakil in conversation with Daniella Rose King
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Politics in Practice
Younes Bouadi in conversation with Stephanie Bailey
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The Time is Out of Joint
Tarek Abou El Fetouh in conversation with Stephanie Bailey
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On Sovereignty
Amar Kanwar in conversation with Stephanie Bailey
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Future Imperfect
Alia Rayyan: Recounting the Past, Present and Future
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Future Imperfect
Lois Stonock: Mapping the Possible: Syrian Organizations, Movements and Platforms
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An Open Letter
Ibraaz
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Townhouse: Practical Solutions, Impractical Conditions
William Wells in conversation at Serpentine Galleries
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Conflating Histories
Two Exhibitions on the Armenian Legacy in Anatolia
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JAOU 2017
Aimee Dawson
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Global Art Forum 8
1971-1979 The Short Seventies (World)
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Global Art Forum 8
Soviet Orientalism and Political Mobilisation
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Global Art Forum 8
1971-1979 The Short Seventies (UAE)
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On Building Nations
A two-part conversation with Szabolcs KissPál and Mahmoud Khaled
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Channel
description
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Now Where?
On Navigating Without a Compass
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Works on Paper
Artists Intervening in Lebanese Dailies
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Towards a Spatial Imaginary
Walking Cabbages and Watermelons
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Sous les Pavés, la Plage
On Assumption and Authority
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Critique as Infrastructure
Organic Growth and the Rise of Visual Arts Organizations in the UAE
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The Life and Times of Louis Saboungi
A Nomadological Study of Ottoman Arab Photography
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Platform 007: Future Imperfect (Part II)
Building Institutions Through Practice
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Utopian Dust Versus Perfumed Amplification
Object Lessons from Saadiyat Island and Gehry’s Guggenheim, Abu Dhabi
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Myth Busters
Monira Al Qadiri
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The Work Does Not Mean Anything To Me
Thoughts on Art and Art Discourse
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Field notes for 'What We Left Unfinished'
Dispatch One: the Artist and the Archive, June–September 2013
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RE:EMERGING, DECENTRING AND DELINKING
Shifting the Geographies of Sensing, Believing and Knowing
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On Being 'The Other' In Post-Civil War Lebanon
Aid and the Politics of Art in Processes of Contemporary Cultural Production
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Saadiyat and the Gulf Labor Boycott
Gulf Labor
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On One Side of the Same Water
Introduction
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On Revolution and Rubbish
What has Changed in Tunisia since Spring 2011
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An Explanation of an Irrelevant Monument
On the Memory of a Memorial
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The Paradox Of Media activism
The Net is Not a Tool, It’s an Environment
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Response to Platform 4 by Marko Stamenkovic
Shining a spotlight on something in order to 'make it visible' is a task indeed. It does not only entail personal and professional risk but also demands courage and responsibility. The ethics of monstration (on behalf of those whose intention is precisely that - to make sense of vision, to...
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Response to Platform 4 by Rijin Sahakian
A significant component of Sada's programming provides seminars, lectures, and workshops to young, emerging artists and students in Baghdad. We do this using basic Internet connection, Skype, some simple software, and a projector. A private Facebook group is the site of extensive conversations, critique and debate. This was not done...
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Response to Platform 3 by Charlotte Bank
One major obstacle for a diverse art scene in a country or region is the lack of artistic infrastructure with institutions that offer support for artistic research and the production of independent, non-market-related work. During the past decade, most countries in the MENA region have seen the establishment of independent,...
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The Urban Observatory of Beirut
For a Polysemic Reading of Both City and Territory
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Ramallah, in a Student Encounter
Yazid Anani
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Understanding the Threat to Arab Youth Uprisings
Joe Khalil
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Revolution and Cultural Mutation
Rachida Triki