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Maryam Monalisa Gharavi in conversation with Mirene Arsanios

Aikaterini Gegisian in conversation with Stephanie Bailey

Lucien Samaha in conversation with Walid Raad, Part I

Nida Sinnokrot in conversation with Natasha Hoare

Sophia Al-Maria: On Automobiles

Contemporary Cinema from North Africa

Haig Aivazian’s multi-piece installation FUGERE at Sfeir-Semler, Hamburg

Critical reflections on Ibraaz publications

Sites of Return: Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

Sea of Stories: Beirut

The People of the Sea: Haifa

Biographies

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Responses

Curator's Essay: Aaron Cezar

Shezad Dawood in conversation with Sara Raza

Ala Ebtekar in conversation with Sara Raza

Tom Bogaert in conversation with Anthony Downey

Jeanno Gaussi in conversation with Dorothea Schoene

Lida Abdul in conversation with Sara Raza

Nathan Witt in conversation with Amira Gad

Bouchra Khalili in Conversation with Dorothea Schoene

Tarzan and Arab in conversation with Laura Allsop

Wafaa Bilal in conversation with Sara Raza

Zeina Arida in conversation with Laura Allsop

Michael Rakowitz in conversation with Anthony Downey

Simone Fattal in conversation with Mirene Arsanios

Mario Rizzi in conversation with Dorothea Schoene

Marie-Monique Steckel in conversation with Fawz Kabra

Chapter 5: Lines

Chapter 2: Details

Sohrab Kashani in conversation with Taus Makhacheva

Speaker Biographies + Synopses

Curatorial Narrative

Abdullah Al-Mutairi in conversation with Sarah Abu Abdallah

Slavs and Tatars in conversation with Franz Thalmair

Koyo Kouoh in conversation with Stephanie Bailey

Reza Aramesh in conversation with Lara Atallah

Reem Fadda in conversation with Fawz Kabra

JW Stella in conversation with Aimee Dawson

UBIK in conversation with Isabella Ellaheh Hughes

Coco Fusco in conversation with Stephanie Bailey

Haig Aivazian in conversation with Rayya Badran

Sussan Deyhim in conversation with Sheyma Buali

Adham Hafez in conversation with Suzy Halajian

Caveh Zahedi in conversation with Stephanie Bailey

Mario Rizzi in conversation with Cristiana Perrella

Hiwa K in conversation with Anthony Downey and Amal Khalaf

Urok Shirhan in Conversation with Stephanie Bailey

Maya Zbib in conversation with Amal Khalaf

Navine G. Khan-Dossos in conversation with Stephanie Bailey

November Paynter and Didem Pekün in conversation with Basak Senova

Joe Namy in conversation with Garine Aivazian

Carole Alfarah in conversation with María Gómez López

Jumana Manna in conversation with Sheyma Buali

Kim Beamish in conversation with Sam Bowker

Younes Bouadi in conversation with Stephanie Bailey

Nora Razian, Nataša Petrešin Bachelez, and Angela Harutyunyan in conversation, with a contribution from Natasha Gasparian

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

Malu Halasa

The Doris Duke Foundation for Islamic Art's Artist Residency Programme

Notes from a roundtable discussion on the state of the arts in Egypt

10 Years On: Art and Everyday Life in Iraq and Iran

Parviz Tanavoli’s Retrospective at the Davis Museum

A Report from the AUC

A Report from Home Works 7 and Athens Biennale 5 to 6

Ibraaz

Işıl Eğrikavuk's The Art of Disagreement

Two Exhibitions on the Armenian Legacy in Anatolia

Live

Hans Ulrich Obrist: in conversation with Omar Kholeif

Farah Al-Nakib: in conversation with Stephanie Bailey

1971-1979 The Short Seventies (World)

1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans

Short Wave/Long Wave: Vartan Avakian

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

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On Navigating Without a Compass

Yazan Ashqar

Inspired by calligraphy

The Art of Shirin Neshat

Sophia Al-Maria at the Whitney Museum of American Art

Reflections on Reflections

Gülsün Karamustafa Retrospective at Hamburger Bahnhof

Lara Baladi

Mega-museums and modern artists from the Middle East

Walking Cabbages and Watermelons

On Assumption and Authority

Forests, Freaks and Performativity

Organic Growth and the Rise of Visual Arts Organizations in the UAE

As a historian of nineteenth- and twentieth-century Middle Eastern art, I am concerned with the urgent questions facing cultural production as well as those facing histories of cultural production. My response below reflects that concern.

On Walking and Crawling

An Introduction to Body Art and Performance in the Gulf

Ahmad Makia

Bruno Boudjelal's Documentary of Affect

An Alternative Genealogy of Musique Concrète

Notes on Maverickism as Genealogy and Genealogy as Approach

The Unspoken Battle of Self-Censorship

Performing Armenity at the 56th Venice Biennale

Franco Berardi

Rana ElNemr at the American University in Cairo’s Sharjah Art Gallery

Portrait of a Salafi en abyme in the Cyber World

Anthony Downey

Nikos Papastergiadis and Gerardo Mosquera

An Art Collection as an Alternative Archive of Iranian History

Conflicting Narratives and the Invention of Geographies

Re-routing Institutional Critique

In the Shadow of Nasser

Global Art Forum 8 at Katara Art Center

Mounira Al Solh at Sfeir-Semler Gallery, Beirut

33rpm and a Few Seconds by Rabih Mroué and Lina Saneh

Imagining the Future, Assembling the Past

Arts Infrastructures and Institutions in Libya Post-Dictatorship

Mirene Arsanios

The Politics of Food at Delfina Foundation

Haleh Redjaian at Arratia Beer

HIWAR | Conversations in Amman

The Israeli-Palestinian Conflict and Israel's National Photography Archives as a Case Study

Monira Al Qadiri

A Story of an Exhibition

A Radio Series on the Poetics and Politics of Language

A Project by Lara Baladi with an introduction by Dorothea Schoene

Two Projects by Sinisa Vlajkovic

Marwa Arsanios

Basma Alsharif

Dena Al-Adeeb

Tom Bogaert

Seth Ayyaz

The Search for 'Nurafkan'

The Recordings of the Cosmopolitan

The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore

Repatriation of Iraq's Looted Heritage under International and Domestic Law and Practice

FIAF’s 2013 World Nomads Tunisia Festival

Farah Makni Hendaoui

The Encyclopedic Palace

The Making of the Artwork by the Artist, the Museum and the Public

Profiles: Collecting Art in Lebanon at AUB Gallery, Lebanon

Iraq and Palestine at the 2013 Venice Biennale

Hauser & Wirth / Alan Cristea Gallery: A Spectrum Review

Gezira Art Center, Cairo

Shifting the Geographies of Sensing, Believing and Knowing

Aid and the Politics of Art in Processes of Contemporary Cultural Production

Gulf Labor

Nadia Mounajjed

An Exhibition between Cairo and London

Mario Rizzi’s Al Intithar (The Waiting)

In the globalised world we live in, I feel that creating the image of an enemy becomes a difficult task. It becomes difficult to name and make symbols for an enemy – an abstract 'evil' – since things are never abstract, but always and at any time connected and related.

Introduction

Artistic Practice from Tirana to Tangier

What has Changed in Tunisia since Spring 2011

The Shifting Narrative of Uprising

Tarek Khoury

Foundland

A significant component of Sada's programming provides seminars, lectures, and workshops to young, emerging artists and students in Baghdad. We do this using basic Internet connection, Skype, some simple software, and a projector. A private Facebook group is the site of extensive conversations, critique and debate. This was not done...

Politics, Media and Art after the Arab Uprisings

For a Polysemic Reading of Both City and Territory

When Umru' al-Qais stood by the traces of the tent of his beloved in the middle of the desert of Hijaz, he shed tears that became the key to Arab poetry. Until recently, no one could have guessed that those tents would one day be made of concrete. These days,...

Yazid Anani

Ela Greenberg

Modernism, Architecture, and National Heritage under the Pahlavi Monarchs

Mark Westmoreland

Aesthetics, Civil Society, and the Politics of Representation