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Hadia Gana explores the contemporary situation of Libya in this essay, taking into account the country's history of civil strife, a nd asks whether that which constitutes Libya's cultural specificities is sufficient enough for the development of the nation's cultural infrastructures.

Ibraaz is pleased to present the latest installment of Libyan artist and ceramicist Hadia Gana’s diary, which she has diligently kept since the revolution in Libya began. Moving on from the drama and turmoil of the last few months, which saw the dramatic death of Muammar Gaddafi and the capture...

Ibraaz is pleased to present the latest installment of Libyan artist and ceramicist Hadia Gana’s diary. Following her return to Libya at the beginning of November, Gana discusses the attempts to rebuild the country both on a local and national level, and her own plans to create a cultural centre...

The first installment of Hadia Gana's diary covers a critical period of conflict in Libya from March of this year up to the recent death of Muammar Gaddafi. It offers a unique perspective into the unrest there whilst charting the day-to-day hopes of the Libyan people as they struggle to...