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At Aicon Gallery, New York

Nikos Papastergiadis and Gerardo Mosquera

Sea of Stories: Beirut

Biographies

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Chapter 1: Intensities

Yuko Hasegawa in conversation with Walter D. Mignolo and Stephanie Bailey

Sheikha Hoor Al-Qasimi in conversation with Stephanie Bailey

Speaker Biographies + Synopses

Curatorial Narrative

Koyo Kouoh in conversation with Stephanie Bailey

Reem Fadda in conversation with Fawz Kabra

JW Stella in conversation with Aimee Dawson

Martina Caruso in conversation with Sheyma Buali

Maryam Monalisa Gharavi in conversation with Mirene Arsanios

Sumesh Sharma in conversation with Amanprit Sandhu

Aikaterini Gegisian in conversation with Stephanie Bailey

Mai Elwakil in conversation with Daniella Rose King

Antonia Carver in conversation with Omar Kholeif

Fulya Erdemci in conversation with Basak Senova

Tarek Abou El Fetouh in conversation with Stephanie Bailey

Monira Al Qadiri: The Saudi New Wave | Digital Landscapes and Future Institutions

Edge of Arabia Launches Culturunners

Adam Szymczyk: in conversation with Omar Kholeif

Soviet Orientalism and Political Mobilisation

Ibn Khaldun’s The Muqadimmah

Crisis The End of Pearling in the Gulf (Qatar)

Hammad Nasar in conversation with Reema Salha Fadda

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

Platform 010 Editorial

On Navigating Without a Compass

Ibraaz 5th Year Anniversary Editorial

Ahmad Makia

Between the Pessimism of the Intellect and the Optimism of the Will

Edited Urbanism on Dubai Creek

Lara Khaldi

Determining the Axis of the Global South and Middle East

Contemporary Cinema from North Africa

Natasha Ginwala

Street Art in the Mediterranean Border Zones

On Bouchra Khalili’s Cartographies

Instead of focusing on the location of the 'MENA' in the context of the Global South, I will speak from the perspective of how such a location is of relevance to South Asia (which will be excusable, I hope, since 'MENA' is often compounded with 'SA' to form MENASA in...

In a recent video work, Mouthfeel (2014) and a related lecture-performance titled Playlist (2014), I focused on symmetries between forms of aspirational consumption in the Global South.

The term 'Global South' is quite new to me – but since my practice is concerned with the legacy of the transatlantic slave trade and the impact colonialism has on today's power structures I find it obvious that the concept of the 'Global South' is of great relevance in my...

Strategic though it may be, the binary of 'South' and 'North' is no less reductive than the stale binaries of yore: of 'East' and 'West', communist and capitalist, aesthetics and politics, the list goes on.

A Provocation to the Question

An Emergent Design Approach to the Gulf

Object Lessons from Saadiyat Island and Gehry’s Guggenheim, Abu Dhabi

Marwa Arsanios

Projects 'Graphic Witness' at Drawing Room, London 010 / 16 June 2017 When images of conflict and protest can be so easily captured on mobile devices, why translate them into graphic representations? How does the translation into graphic form change the act of witnessing, fabricate commentaries on instances of injustice,...

Basma Alsharif

The Recordings of the Cosmopolitan

The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore

Shifting the Geographies of Sensing, Believing and Knowing

Gulf Labor

On the Memory of a Memorial

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

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