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Can T-Wall Murals really Beautify the Fragmented Baghdad?

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Haig Aivazian in conversation with Rayya Badran

Navine G. Khan-Dossos in conversation with Stephanie Bailey

Monira Al Qadiri in conversation with Stephanie Bailey

Ahmed Nagy in conversation with Mai Elwakil

Mona Marzouk in conversation with Aleya Hamza

Hajra Waheed in conversation with Stephanie Bailey

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

Ibraaz

A Report from the AUC

Reflections on Reflections

Lara Baladi

Downtown Contemporary Arts Festival (D-CAF)

The performative in the work of Hassan Khan

Street Art in the Mediterranean Border Zones

Building Institutions Through Practice

A Yemeni Art History

What Does It Mean to Be Building a Library in Iraq?

Post-Revolutionary Iranian Art at SOAS

Naira Antoun

In the globalised world we live in, I feel that creating the image of an enemy becomes a difficult task. It becomes difficult to name and make symbols for an enemy – an abstract 'evil' – since things are never abstract, but always and at any time connected and related.

Foundland

How artistic practices define and negotiate public space is to me the most significant issue in the question posed, which I will begin to discuss in the context of Algiers. The site specific practice of Amina Menia testifies to both the richness of meaning and difficulties of execution endemic to...