Search results

Marie-Monique Steckel in conversation with Fawz Kabra

A Report on Future City

Sophia Al-Maria: On Automobiles

Literary Affects and the New Political by Tarek El-Ariss

Institute of Contemporary Art, London

Sites of Return: Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Gaza

A Series of Un-Curated Events: Ramallah

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

The People of the Sea: Haifa

Biographies

Encounters Programme

Curator's Essay: Aaron Cezar

Visualizing Palestine in conversation with Haig Aivazian

Mahmoud Khaled in conversation with Omar Kholeif

JW Stella in conversation with Aimee Dawson

Alya Sebti in conversation with Göksu Kunak

Adham Hafez in conversation with Suzy Halajian

Adelita Husni-Bey in conversation with Stephanie Bailey

Rana Hamadeh in conversation with Stephanie Bailey

MADRASSA Collective in conversation with Antonia Alampi

Christine Tohme in conversation with Rachel Dedman

Alia Rayyan: Recounting the Past, Present and Future

Nour K Sacranie

An Odd Piece of Research on the Many Virtues of Oriental Imagination

Aimee Dawson

Determining the Axis of the Global South and Middle East

Contemporary Cinema from North Africa

Natasha Ginwala

Five Stages of an Artist Residency

Street Art in the Mediterranean Border Zones

Nikos Papastergiadis and Gerardo Mosquera

Re-Thinking Cultural Development in Palestine

Art and Culture Beyond Institutions in Amman

From the Intimate to the World

Downtown Contemporary Arts Festival (D-CAF)

In a globalized and quite complex world we need 'tools' to help shape our societies. This is what art institutions could be: giant toolboxes!

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Mohamed Abdelkarim

A Project by Dictaphone Group

Through art practices, particularly in this region, the artist might slip into this muddy area, which is mostly based on fetishes and collective political memory and which somehow stands on the most influential component of media archive. It is not necessarily only that which is visible and legible, but more...

Farah Makni Hendaoui

Is soft power helping or hindering the state of the arts in Jordan?

Looking for Palestine in the Jordanian Music Scene

Introduction

Jens Maier-Rothe

The Shifting Narrative of Uprising

The digitally mediated world operates as a gigantic magnet for centralisation, regulation and control by giving shape to our lives, our languages and bodies. This means that the digital domain is increasingly becoming the very location of politics. I propose the term 'magnetic' as an invitation to re-think audio-visual artwork...

Politics, Media and Art after the Arab Uprisings

Yazid Anani

Reflections from a book on South Sinai

Mayssa Fattouh

When we began our research into the current art landscape of the Middle East, we noticed various reasons why the bonds between regional art communities are weakened. Prevailing art discourses are largely externally driven; the way in which art is circulated, marketed and publicised doesn't respond in any significant way...

Aesthetics, Civil Society, and the Politics of Representation