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Arts Infrastructures and Institutions in Libya Post-Dictatorship

A Libyan Diary (Part III) - December 2011

A Libyan Diary (Part II) - November 2011

A Libyan Diary (Part I) - October 2011

Adelita Husni-Bey in conversation with Stephanie Bailey

Lina Khatib

A roundtable discussion

Nadia Kaabi-Linke in conversation with Lina Lazaar

Rasha Salti in conversation with Fawz Kabra

Michael Rakowitz in conversation with Anthony Downey

ismaël in conversation with Wafa Gabsi

Navine G. Khan-Dossos in conversation with Stephanie Bailey

Mohssin Harraki in conversation with Karima Boudou

Vangelis Vlahos in conversation with Stephanie Bailey

Rana Hamadeh in conversation with Stephanie Bailey

Ali Cherri in conversation with Sheyma Buali

Younes Bouadi in conversation with Stephanie Bailey

Ibraaz

Ibraaz

Ibraaz

Contemporary Image Collective, Cairo

Ibraaz

Ibraaz

Ibraaz

Aimee Dawson

Okwui Enwezor: in conversation with Anthony Downey

1971-1979 The Short Seventies (World)

1971-1979 The Short Seventies (UAE)

Notes on Geo-cultural Exhibitions

Edmund Clark at the Imperial War Museum, London

Ibraaz 5th Year Anniversary Editorial

On Assumption and Authority

Of course, I do not wish to be misunderstood as arguing for nativism or closure. But the specific history of the region matters deeply, as factual evidence, but even more so in terms of identifying resources that can be transformed and activated in new ways today.

Determining the Axis of the Global South and Middle East

Building Institutions Through Practice

A Yemeni Art History

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

(The Differences Between The Parts Are The Subject of The Composition)

Isak Berbic

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

Yazan Khalili Lara Khaldi

Samah Hijawi

Gulf Labor

The excited chatter about unrest and uprisings in the western world has focused particularly on a number of countries in North Africa and in what we here refer to as the Middle East (meaning anything between eighteen to thirty-eight countries according to Wikipedia). In the UK, we have received a...

Introduction

Tarek Khoury

Artistic Practices, Civil Society, and Secular Determination in Tunisia Today

Using new media tools and technologies available today has become standard practice for a range of activities; it's become a source of educational content and entertainment, as well as a means of communicating from conflict zones or even from the comfort of our homes. New media technologies available on smart...

Yazid Anani

Raymond Baker

The question 'What do we need to know about the MENA region today?' triggered a series of questions from my part. My contribution will be these questions; the aim is to start a game of Q&Q (instead of a Q&A) with no rules and no time limits. Who is this...

In an email dialogue between Beirut-based architect Tony Chakar and critic Stephen Wright (published in the catalogue for Out of Beirut at Modern Art Oxford in 2006), Chakar takes Wright to task for his habitual use of the label 'Middle East': 'The more I thought about it the more it...

Richard Sennett calls 'we' a weasel word. Which 'we' is hailed in this project? Let's say that this 'we' is in the West, and that it doesn't include politicians and policy-makers but ordinary people. My answer to this question is certainly different than it would have been six months ago....

History repeats itself – this line used across the disciplines is a proven liturgy to contemporary compendiums. When you detail the visual narratives, the region becomes the medium designed to mark your place in history. Whether in the Stone Age or the Digital Age, information is your power, and revolution...