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Re-Thinking Cultural Development in Palestine

Art and Culture Beyond Institutions in Amman

Acknowledgements

Shady El Noshokaty in conversation with Omar Kholeif

Ayah Bdeir in conversation with Omar Kholeif

Visualizing Palestine in conversation with Haig Aivazian

Editor's Foreword: Anthony Downey

A View from the City: Tina Sherwell

Acknowledgements

Exhibition Overview

Sohrab Kashani in conversation with Taus Makhacheva

Mahmoud Khaled in conversation with Omar Kholeif

JW Stella in conversation with Aimee Dawson

Adham Hafez in conversation with Suzy Halajian

Robin Kahn in conversation with Stephanie Bailey

Jonas Staal in conversation with Stephanie Bailey

Tarek Atoui in conversation with Stephanie Bailey

Eungie Joo in conversation with Stephanie Bailey

Discussing arts infrastructure in Tehran

Shumon Basar, Ala Younis and Omar Berrada in conversation with Sheyma Buali

Hicham Khalidi in conversation with Daniella Rose King

Younes Bouadi in conversation with Stephanie Bailey

Amar Kanwar in conversation with Stephanie Bailey

Ibraaz

Sharjah Art Foundation, 17-19 March 2012

Reflections 03

Art and Culture in the ‘Imagined’ Arab World, Cornerhouse, Manchester, 13 April 2012

Sheyma Buali

Notes from a roundtable discussion on the state of the arts in Egypt

An Artist-Run Gallery Space in Cairo

Contemporary Image Collective, Cairo

Ibraaz in partnership with Winchester Centre for Global Futures in Art

The second meeting of Maghreb des Arts

Edge of Arabia Launches Culturunners

Tom Snow

William Wells in conversation at Serpentine Galleries

Ibraaz

The 2016 March Meeting

At the Salzburger Kunstverein

Shumon Basar: in conversation with Stephanie Bailey

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

A web series by Oreet Ashery

Platform 010 Editorial

Notes on Geo-cultural Exhibitions

Artists Intervening in Lebanese Dailies

On Qalandiya International 2016 in Ramallah

Exhibitions and Other Representations in 25 Years at Witte de With

Lara Baladi

Mega-museums and modern artists from the Middle East

Ibraaz 5th Year Anniversary Editorial

Socially Engaged Art Practices in Tunisia

An Introduction to Platform 010

Organic Growth and the Rise of Visual Arts Organizations in the UAE

Anthony Downey

An Alternative Genealogy of Musique Concrète

Notes on Maverickism as Genealogy and Genealogy as Approach

The 14th Istanbul Biennial 2015

A Review of the 56th Venice Biennale

Interventions as Performative Gestures For Political Engagement in Jordan

Street Art in the Mediterranean Border Zones

On Nikolaj Larsen's End of Dreams

Conflicting Narratives and the Invention of Geographies

Imagining the Future, Assembling the Past

'When one speaks of 'art infrastructures', it is crucial to recognize that infrastructures are, most importantly, people...and one of the most critical and urgent needs is for arts education.'

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

A Perspective on Algeria's Cultural Scene

Thoughts on Art and Art Discourse

Marwa Arsanios

The Society of False Witnesses

Written by Mayssa Fattouh

Repatriation of Iraq's Looted Heritage under International and Domestic Law and Practice

The 13th Istanbul Biennial

Farah Makni Hendaoui

Omar Kholeif

Is soft power helping or hindering the state of the arts in Jordan?

Aid and the Politics of Art in Processes of Contemporary Cultural Production

Refraction: Moving Images on Palestine at P21 Gallery

In the 1990s, it would have been difficult to find an artist in Egypt who thought that any of their contemporaries would sell their work at international auction and for thousands or hundreds of thousands of dollars at that. Artists were busy negotiating other, more immediately local, elements of a...

Introduction

Theatre As a Tool of Empowerment

One major obstacle for a diverse art scene in a country or region is the lack of artistic infrastructure with institutions that offer support for artistic research and the production of independent, non-market-related work. During the past decade, most countries in the MENA region have seen the establishment of independent,...

The Practice of Contemporary Art in Algeria Today

Politics, Media and Art after the Arab Uprisings

Cultural institutions in Turkey are divided into those run by the state, local governments and private sectors; each have different culture policies and no significant collaborative policies. Contemporary art productions and practices are based in Istanbul and are dependent on private sector investments, rather than official funds. Compared to the...

A friend recently asked me, what would be my dream cultural/art space in Ramallah? In the midst of rapid urban construction in Ramallah, my impulse is not to build another building but create what is lacking – an open public space. I feel this would be an artistic, political and...

Mirene Arsanios

Mark Westmoreland

Aesthetics, Civil Society, and the Politics of Representation