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Can T-Wall Murals really Beautify the Fragmented Baghdad?

A significant component of Sada's programming provides seminars, lectures, and workshops to young, emerging artists and students in Baghdad. We do this using basic Internet connection, Skype, some simple software, and a projector. A private Facebook group is the site of extensive conversations, critique and debate. This was not done...

Reflections: Ala Younis Adania Shibli

Nadia Kaabi-Linke in conversation with Lina Lazaar

Adonis in conversation with Laura Allsop

Chapter 1: Intensities

Zeina Arida in conversation with Laura Allsop

Rasha Salti in conversation with Fawz Kabra

Michael Rakowitz in conversation with Anthony Downey

Tamara Chalabi, Reem Shather-Kubba, and Jonathan Watkins in conversation with Basak Senova

Sulayman Al Bassam in conversation with Ala Younis

Reza Aramesh in conversation with Lara Atallah

Adel Abidin in Conversation with Basak Senova

Lasse Lau in conversation with Amira Gad

Helene Kazan in conversation with Amal Khalaf

Urok Shirhan in Conversation with Stephanie Bailey

Dia Azzawi in conversation with Sheyma Buali

Walid Siti in conversation with Nat Muller

Maryam Jafri in conversation with Stephanie Bailey

Suha Shoman in conversation with Amin Alsaden

Kim Beamish in conversation with Sam Bowker

Tarek Abou El Fetouh in conversation with Stephanie Bailey

Rifat Chadirji and Balkis Sharara in conversation with Amin Alsaden

Christine Tohme in conversation with Rachel Dedman

Hussam al-Saray: in conversation with Ala Younis | A Cultural Encyclopaedia of Iraq

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

Ibraaz

Art and Culture in the ‘Imagined’ Arab World, Cornerhouse, Manchester, 13 April 2012

Ibraaz

Ibraaz in partnership with Winchester Centre for Global Futures in Art

Ibraaz

A Report from Home Works 7 and Athens Biennale 5 to 6

Saving Face: Jalal Toufic

Hammad Nasar in conversation with Reema Salha Fadda

Platform 010 Editorial

On Navigating Without a Compass

Ala Younis

Exhibitions and Other Representations in 25 Years at Witte de With

The Artist as Awakener at AUB

Ibraaz 5th Year Anniversary Editorial

On Assumption and Authority

An Introduction to Platform 010

Edited Urbanism on Dubai Creek

Adel Abidin presents Subway Scene (2015).

A Nomadological Study of Ottoman Arab Photography

Determining the Axis of the Global South and Middle East

Pan-Kaffirism in Iraq, South Africa, and Sri Lanka

Building Institutions Through Practice

Imagining the Future, Assembling the Past

What Does It Mean to Be Building a Library in Iraq?

A Perspective on Algeria's Cultural Scene

Haig Aivazian’s multi-piece installation FUGERE at Sfeir-Semler, Hamburg

Hera Büyüktaşçıyan

A Story of an Exhibition

Marwa Arsanios

Cecilia Andersson

Dena Al-Adeeb

Yazan Khalili Lara Khaldi

...one of the main problems with modernity in the Arab World is the lack of credibility, criticality and scrutiny in understanding, presenting, and evaluating its nature and objects.

Ibraaz Platform 006 Editorial

Repatriation of Iraq's Looted Heritage under International and Domestic Law and Practice

Iraq and Palestine at the 2013 Venice Biennale

Tinkerings on the Instable Present Tense

Looking for Palestine in the Jordanian Music Scene

For a Polysemic Reading of Both City and Territory

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

Aesthetics, Civil Society, and the Politics of Representation

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