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She honours historically commonplace but increasingly scrutinised friendships between Pakistanis and Indians, reminding us of the ways in which regional affiliations continue to hold, against all odds.\u003C/p>\u003Cp style=\"margin-left:0cm;\">The screenings will be followed by a conversation between Ayisha Abraham and Vansundhara Mathur.\u003C/p>\u003Cp style=\"margin-left:0cm;\">\u003Cstrong>FILMS\u003C/strong>\u003C/p>\u003Cp style=\"margin-left:0cm;\">\u003Ci>\u003Cstrong>I Saw a God Dance\u003C/strong>\u003C/i>\u003Cstrong> \u003C/strong>constructs a fragmented portrait of dancer Ram Gopal’s life, piecing together disparate archival materials —local 8mm film footage from the Bangalore neighbourhood where his family lived in the early 1900s, photographs, documents, reviews, audio recordings, and recent interviews with dancers who knew him well. The context of the film is set against the backdrop of a world in the midst of immense change, both nationally and internationally, during the mid-20th century.\u003C/p>\u003Cp style=\"margin-left:0cm;\">(15:00), 2013\u003C/p>\u003Cp style=\"margin-left:0cm;\">In \u003Ci>\u003Cstrong>Enroute or Of a Thousand Moons,\u003C/strong>\u003C/i> mid-20th-century travel in Postcolonial India serves as a take-off point for those\u003Cstrong> \u003C/strong>who took to the art of amateur filming, and filmed their experiences far away from the familiar, as they absorb and are influenced by cultures beyond their own.\u003C/p>\u003Cp style=\"margin-left:0cm;\">(20:00), 2011 \u003C/p>\u003Cp style=\"margin-left:0cm;\">\u003Ci>\u003Cstrong>Straight 8 – A Portrait of Tom D’Aguiar\u003C/strong>\u003C/i>\u003Cstrong> \u003C/strong>revisits a collection of home movies dating back to the 1940s in and around Bangalore. The film is neither a conventional documentary chronicling a life, nor is it entirely devoid of narrative. The footage was discovered in a plastic bag in Tom’s old house, just before it was due to be demolished. This act of “rummaging” becomes a way of retrieving memory.\u003C/p>\u003Cp style=\"margin-left:0cm;\">(17:00), 2005\u003C/p>\u003Cp style=\"margin-left:0cm;\">\u003Cstrong>Doors open at 12.30 pm; event starts at 1 pm and ends at 2.45 pm.\u003C/strong>\u003C/p>",[],[176],{"authorName":12,"authorRole":12,"authorPortrait":177,"authorBio":178,"authorUrl":12},[],{"html":179},"\u003Cp>\u003Cstrong>Bani Abidi \u003C/strong>is a Pakistani visual artist based in Neukölln, Berlin. Along with her studio practice of drawing, photography and film making she runs 'Books of Others', a project space and reading room. Abidi studied visual art at the National College of Arts in Lahore, and at the School of the Art Institute of Chicago. Her work has been exhibited widely, with solo exhibitions at Museum of Contemporary Art, Chicago; Sharjah Art Foundation, UAE; and Gropius Bau, Berlin, amongst others. Selected group exhibitions include Lahore Biennial, 2024; Asia Pacific Triennial, 2021; Seoul Mediacity Biennale, 2021; Edinburgh Art Festival, 2016; 8th Berlin Biennial for Contemporary Art, 2014; documenta (13), 2012; Kochi-Muziris Biennial, 2012 and 10th Lyon Biennale, 2009. \u003C/p>\u003Cp style=\"margin-left:0cm;\">\u003Cstrong>Ayisha Abraham\u003C/strong> is a Bangalore and Coventry-based visual artist, experimental filmmaker, and educator. Her practice engages with personal histories, archival media, and collective memory, drawing on found photographs, home movies and the visual cultures of landscape and the natural world. Trained in painting and media art, she holds a BFA from M.S. University, Baroda, India, and an MFA from Rutgers University, USA. She was a participant in the Whitney Independent Study Program, New York.\u003C/p>\u003Cp>\u003Cstrong>Vasundhara Mathur \u003C/strong>is a writer, researcher, and curator based in London. Rooted in archival research, her work explores collective practice and collective memory. Her recent projects include The Archive is a Gathering Place at Tate Modern. \u003C/p>",[],[],[183],{"title":12,"relatedEntries":184},[185,204,223],{"typeHandle":186,"events":187},"calendarEvents",[188],{"title":189,"slug":190,"startDate":191,"endDate":192,"datesText":193,"image":195,"categories":202,"heading":142},"Wildfire I","wildfire-i","2025-12-04T18:00:00+00:00","2025-12-04T20:30:00+00:00",{"html":194},"\u003Cp>Thursday 4 Dec, 6-8.30pm\u003C/p>",[196],{"id":197,"path":198,"alt":12,"title":199,"width":200,"height":201,"mimeType":151},"14247","Bani-Abidi-1/Hotel-Miks_film-still_00.jpg","Hotel Miks film still 00",2880,1612,[203],{"title":165,"slug":166},{"typeHandle":186,"events":205},[206],{"title":207,"slug":208,"startDate":209,"endDate":210,"datesText":211,"image":213,"categories":220,"heading":222},"Wildfire II","wildfire-ii","2026-02-15T14:00:00+00:00","2026-02-15T15:30:00+00:00",{"html":212},"\u003Cp>Sunday 15 Feb, 2 – 3.30 pm\u003C/p>",[214],{"id":215,"path":216,"alt":12,"title":217,"width":218,"height":219,"mimeType":16},"18951","wildfire-ii/Cipher-for-the-Missing_still2_2026-02-05-143758_kxfr.png","Cipher for the Missing still2",2940,1652,[221],{"title":165,"slug":166},"Film programme curated by Bani Abidi",{"typeHandle":224,"entries":225},"channelsEntries",[226],{"title":227,"uri":228,"image":229,"categories":236,"authorInfo":240},"Friendship as Practice: A Conversation with Bani Abidi","ibraaz-publishing/listen/friendship-as-practice-a-conversation-with-bani-abidi",[230],{"id":231,"path":232,"alt":12,"title":233,"width":234,"height":235,"mimeType":16},"18796","Bani-Abidi-Podcast/Screenshot-2026-02-02-at-15.20.54.png","Screenshot 2026 02 02 at 15 20 54",1708,1453,[237],{"title":238,"slug":239},"Podcast","podcast",[241],{"authorName":242},"Bani Abidi & Hammad Nasar",{"globalSet":244},{"id":245,"handle":246,"heading":247,"richText":248},"37","forms","Culture is a work in progress. Stay updated.",{"html":249},"\u003Cp>By subscribing to our newsletter you are agreeing to receiving updates and communications from Ibraaz.\u003C/p>",{"globalSet":251},{"id":252,"handle":253,"heading":12,"richText":254},"11","gdpr",{"html":255},"\u003Cp>We use cookies to give you the best experience. By clicking 'Accept' you consent to the use of all cookies. \u003Ca href=\"/privacy-policy\">Privacy Policy\u003C/a>.\u003C/p>",{"globalSet":257},{"id":258,"handle":259,"activated":138,"heading":260,"richText":261,"text":263},"16767","notification","Visitor Information",{"html":262},"\u003Cp>Please note that our Majlis is currently closed and will reopen with our next exhibition in early July. The rest of the building is open so please do visit!\u003C/p>\u003Cp>\u003Cbr /> \u003C/p>","Got it",{"categories":265},[266,271,275,279,283,285,289,293],{"id":267,"slug":268,"title":269,"groupHandle":270},"4488","exhibitions","Exhibition","events",{"id":272,"slug":273,"title":274,"groupHandle":270},"4490","talks","Talk",{"id":276,"slug":277,"title":278,"groupHandle":270},"15579","music","Music",{"id":280,"slug":281,"title":282,"groupHandle":270},"4489","performance","Performance",{"id":284,"slug":166,"title":165,"groupHandle":270},"4492",{"id":286,"slug":287,"title":288,"groupHandle":270},"6390","library-in-residence","Library-in-Residence",{"id":290,"slug":291,"title":292,"groupHandle":270},"18154","special-projects","Special Project",{"id":294,"slug":295,"title":296,"groupHandle":270},"18170","workshops","Workshop"]