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Stay updated.",{"html":135},"\u003Cp>By subscribing to our newsletter you are agreeing to receiving updates and communications from Ibraaz.\u003C/p>",{"solspace_calendar":137},{"events":138},[139],{"id":140,"slug":141,"title":142,"startDate":143,"endDate":144,"allDay":145,"multiDay":145,"freq":12,"interval":12,"meta":146,"richTitle":12,"heading":149,"ticketId":12,"image":150,"figure":158,"figureSide":169,"location":170,"categories":171,"datesText":175,"contentSections":177,"eventSections":182,"authorInfo":183,"notes":188,"heading2":12,"richText":12,"externalLink":195,"related":196},18171,"past-disquiet-screenings","Past Disquiet: Screenings","2026-02-04T00:00:00+00:00","2026-02-08T23:59:59+00:00",true,[147],{"title":142,"description":12,"image":148},[],"A discursive programme by Kristine Khouri and Rasha Salti",[151],{"id":152,"path":153,"alt":12,"title":154,"width":155,"height":156,"mimeType":157},"18176","past-disquiet-screenings/Triumpho_TEMP-copy_ZM_2026-01-21-224920_hhdx.jpg","Triumpho TEMP copy ZM",5004,3805,"image/jpeg",[159],{"typeHandle":160,"image":161,"caption":165,"width":167,"ratio":168},"figure",[162],{"id":163,"path":164,"alt":12,"title":154,"width":155,"height":156,"mimeType":157},"18174","past-disquiet-screenings/Triumpho_TEMP-copy_ZM.jpg",{"html":166},"\u003Cp>\"The triumph of the revolution is the triumph of poetry\", Seated L-R: Ernesto Cardenal, Julio Cortázar, Julio Valle-Castillo, c. 1980-1983, Managua. Courtesy: Juilio Valle-Castilo, Matías Salvador Villa Juica.\u003C/p>","wide","landscape",[],"Minassa",[172],{"title":173,"slug":174},"Film","film",{"html":176},"\u003Cp>Wednesday 4 – Sunday 8 Feb 2026\u003Cbr />11am-6pm\u003C/p>",[178],{"typeHandle":179,"richTitle":12,"richSubtitle":12,"richText":180},"content",{"html":181},"\u003Cp>The screening programme runs during\u003Cstrong> opening hours\u003C/strong> from \u003Cstrong>4-8 February\u003C/strong> and is screened\u003Cstrong> twice daily\u003C/strong> from \u003Cstrong>11am-2:30pm\u003C/strong> and \u003Cstrong>2:30-6:00pm\u003C/strong>. All screenings are free with no registration required.\u003C/p>\u003Cp>A \u003Ci>museum in solidarity\u003C/i> is a collection of artworks donated by artists, their gift being a political gesture intended to demonstrate support for a movement of national liberation or a struggle for justice and equality. \u003Ci>Museum-in-exile\u003C/i> is often the form they take—living outside of the country or cause they are supporting, in exile and touring until they can return or go ‘home.’ Solidarity collections are important models of museology that have been almost entirely marginalised in the annals of art history and museum studies. Kristine Khouri and Rasha Salti, co-curators of \u003Ci>Past Disquiet\u003C/i>, have assembled videos to tell the story of each museum. \u003C/p>\u003Cp>\u003Cstrong>\u003Cu>Screening Programme 1\u003C/u>: \u003C/strong>\u003Ci>Museo de la Solidaridad, Museo Internacional de la Resistencia Salvador Allende and the Museo de Arte Latinoamericano en Solidaridad con Nicaragua\u003C/i>\u003C/p>\u003Cp>\u003Cstrong>Showing \u003C/strong>at\u003Cstrong> 11am-12pm \u003C/strong>and\u003Cstrong> 2:30-3:30pm; \u003C/strong>Duration 50:34 min\u003C/p>\u003Cp>The novel proposal of creating a solidarity museum took shape a few months after Salvador Allende’s leftist Popular Unity government took office in 1971. The project of the Museo de la Solidaridad (Museum of Solidarity) drew over 650 artworks by artists from around the world and was inaugurated in 1972. After the coup d’état on September 11, 1973, several prominent Chilean exiles with members of the International Committee of Artistic Solidarity with Chile envisioned The Museo Internacional de la Resistencia Salvador Allende (MIRSA). Conceived as a museum-in-exile, it was presented as a continuously growing collection and itinerant exhibition that would find haven in different places until it could return home to Chile once justice and democracy were restored and liberation achieved. \u003C/p>\u003Cp>In 1980, during a festival in Rome held to celebrate the first anniversary of the Sandinista revolution in Nicaragua, Ernesto Cardenal, then Minister of Culture in the new Nicaraguan government, met Carmen Waugh, a Chilean arts administrator who had played a key role in establishing the MIRSA. The idea for a museum in solidarity with the Nicaraguan people was born. The collection (of nearly three hundred works) was sent to Managua and was inaugurated in December 1982 as the Museo de Arte Latinoamericano en Solidaridad con Nicaragua after which time it continued to grow. \u003C/p>\u003Cp>\u003Cstrong>\u003Cu>Screening Programme 2\u003C/u>: \u003C/strong>\u003Ci>Art Contre/Against Apartheid\u003C/i>\u003C/p>\u003Cp>\u003Cstrong>Showing \u003C/strong>at\u003Cstrong> 12-1pm\u003C/strong> and\u003Cstrong> 3:30-4:30pm\u003C/strong>;\u003Cstrong> \u003C/strong>Duration 48:24 min\u003C/p>\u003Cp>On November 6, 1962, the UN General Assembly established the United Nations Special Committee against Apartheid. The committee reached out to French artist Ernest Pignon-Ernest to mobilise international artists to endorse the campaign against apartheid. Inspired by the MIRSA, Pignon-Ernest and Spanish artist Antonio Saura, proposed to establish a museum-in-exile in the form of an itinerant exhibition of artworks incarnating international artists’ rejection of the apartheid regime in South Africa. They established the Artists of the World Against Apartheid Committee to oversee the collection of artworks and tour of the exhibition. The collection consisted of approximately one hundred works by ninety-six internationally acclaimed artists and writers. After opening in Paris in 1983, the \u003Ci>Art Contre/Against Apartheid\u003C/i> exhibition travelled to forty countries.\u003C/p>\u003Cp>After the collapse of the apartheid regime, the collection was donated to the government of South Africa and was exhibited in the Houses of Parliament in Cape Town for the nation’s first democratically elected legislators.\u003C/p>\u003Cp>\u003Cstrong>\u003Cu>Screening Programme 3: \u003C/u>\u003C/strong>\u003Ci>International Art Exhibition for Palestine\u003C/i>\u003C/p>\u003Cp>\u003Cstrong>Showing \u003C/strong>at \u003Cstrong>1-1:30pm \u003C/strong>and\u003Cstrong> 4:30-5pm\u003C/strong>;\u003Cstrong> \u003C/strong>Duration 29:07 min\u003C/p>\u003Cp>The fourth and last museum-in-exile, or solidarity, is the story of the \u003Ci>International Art Exhibition for Palestine\u003C/i>. Organised by the Palestine Liberation Organisation (PLO) through the Plastic Arts Section of its Office of Unified Information, the exhibition was inaugurated in the basement hall of the Beirut Arab University on March 21, 1978. In 1982, the Israeli military advanced into Beirut again, holding the city under siege with the objective of forcing the PLO to quit Lebanon. The building where the collection of artworks had been stored was shelled. All that remains of the story of the \u003Ci>International Art Exhibition for Palestine \u003C/i>are the memories of those who made it happen and who visited it. \u003C/p>\u003Cp>\u003Cstrong>\u003Cu>Screening Programme 4\u003C/u>: \u003C/strong>\u003Ci>The PLO Representatives and the Arts\u003C/i>\u003C/p>\u003Cp>\u003Cstrong>Showing \u003C/strong>at\u003Cstrong> 1:30-2:30pm \u003C/strong>and\u003Cstrong> 5-6pm\u003C/strong>; Duration 50:41 min\u003C/p>\u003Cp>The Palestine Liberation Organisation (PLO) was only recognised as the official and legitimate representative body of Palestinians at the UN General Assembly in 1974. With the help of the Arab League, the organisation lobbied to establish offices to represent Palestine that functioned like makeshift embassies. The first generation of representatives was culled from refugee camps and the diaspora; their political imaginaries and aspirations were informed by the lived experience of indignity and the revolutionary emancipatory fervour that swept the region and the world. Some representatives, like, Fathi Abdul-Hamid (posted in Tokyo), Mahmoud al-Hamshari (Paris), Ezzeddine Kalak (Paris), Naïm Khader (Brussels), Wajih Qasem (Rabat), and Wael Zuwaiter (Rome), believed that mobilising support for the Palestinian cause had to involve thorough, patient, and creative engagement with unions, syndicates, and collectives of students, workers, and artists. In the countries where they were posted, they inspired artists and intellectuals to see in Palestine a mirror of the world’s injustice. \u003C/p>\u003Cp> \u003C/p>\u003Cp>Part of \u003Ca target=\"_blank\" href=\"https://ibraaz.org/whats-on/past-disquiet\" rel=\"noreferrer noopener\">\u003Ci>Past Disquiet: Excavating Solidarity in the Arts.\u003C/i>\u003C/a>\u003C/p>",[],[184],{"authorName":12,"authorRole":12,"authorPortrait":185,"authorBio":186,"authorUrl":12},[],{"html":187},"\u003Cp style=\"margin-left:0px;\">\u003Cstrong>Rasha Salti\u003C/strong> is a researcher, writer, producer, and curator of art and film. She lives in Marseille.\u003C/p>\u003Cp style=\"margin-left:0px;\">\u003Cbr />\u003Cstrong>Kristine Khouri\u003C/strong> is a researcher with a background in Arab cultural history and art history. Her interests focus on the history of art circulation, collection, exhibition, and infrastructure in the Middle East and North Africa, as well as archival practice and knowledge dissemination.\u003C/p>\u003Cp style=\"margin-left:0px;\">\u003Cbr />Kristine Khouri and Rasha Salti are researchers and curators of \u003Ci>\u003Cstrong>Past Disquiet\u003C/strong>\u003C/i>, a long-term research project that began in 2008 and was transformed into a documentary and archival exhibition that has been exhibited internationally seven times since 2015. They are also co-editors of \u003Ci>Past Disquiet: Artists, International Solidarity, and Museums in Exile\u003C/i>, (2018).\u003C/p>",[189],{"typeHandle":190,"title":191,"pdf":192},"pdf","Download Past Disquiet Programme Companion Guide",[193],{"url":194},"https://ibraaz-website.s3.amazonaws.com/18442/Past_Disquiet_Ibraaz_Companion-Guide_2026-02-02-172113_clpu.pdf",[],[197],{"title":12,"relatedEntries":198},[199,218,238],{"typeHandle":200,"events":201},"calendarEvents",[202],{"title":203,"slug":204,"startDate":143,"endDate":144,"datesText":205,"image":207,"categories":214,"heading":149},"Past Disquiet: Excavating Solidarity in the Arts","past-disquiet",{"html":206},"\u003Cp>Wednesday 4 – Sunday 8 Feb 2026\u003C/p>",[208],{"id":209,"path":210,"alt":12,"title":211,"width":212,"height":213,"mimeType":157},"18160","past-disquiet/PDxIbraaz_Website_2026-01-21-222836_thus.jpg","P Dx Ibraaz Website",3000,2000,[215],{"title":216,"slug":217},"Special Project","special-projects",{"typeHandle":200,"events":219},[220],{"title":221,"slug":222,"startDate":223,"endDate":224,"datesText":225,"image":227,"categories":234,"heading":149},"Past Disquiet: Workshops","past-disquiet-workshops","2026-02-05T00:00:00+00:00","2026-02-07T23:59:59+00:00",{"html":226},"\u003Cp>Thursday 5 – Saturday 7 Feb 2026\u003Cbr />Various times\u003C/p>",[228],{"id":229,"path":230,"alt":12,"title":231,"width":232,"height":233,"mimeType":16},"18168","past-disquiet-workshops/SALVADOR-ALLENDE_2026-01-21-223930_uljj.png","SALVADOR ALLENDE",1545,1229,[235],{"title":236,"slug":237},"Workshop","workshops",{"typeHandle":200,"events":239},[240],{"title":241,"slug":242,"startDate":223,"endDate":224,"datesText":243,"image":244,"categories":251,"heading":149},"Past Disquiet: Panels","past-disquiet-panels",{"html":226},[245],{"id":246,"path":247,"alt":12,"title":248,"width":249,"height":250,"mimeType":157},"18479","past-disquiet-panels/Past-Disquiet-Panels_2026-01-28-080723_ienm.jpg","Past Disquiet Panels",3398,2262,[252],{"title":253,"slug":254},"Talk","talks",{"globalSet":256},{"id":257,"handle":258,"activated":259,"heading":260,"richText":261,"text":263},"16767","notification",false,"Visitor Information",{"html":262},"\u003Cp>Please note that our Majlis is currently closed and will reopen with our next exhibition in early July. The rest of the building is open so please do visit!\u003C/p>\u003Cp>\u003Cbr /> \u003C/p>","Got it",{"globalSet":265},{"id":266,"handle":267,"heading":12,"richText":268},"11","gdpr",{"html":269},"\u003Cp>We use cookies to give you the best experience. By clicking 'Accept' you consent to the use of all cookies. \u003Ca href=\"/privacy-policy\">Privacy Policy\u003C/a>.\u003C/p>",{"categories":271},[272,277,279,283,287,289,293,295],{"id":273,"slug":274,"title":275,"groupHandle":276},"4488","exhibitions","Exhibition","events",{"id":278,"slug":254,"title":253,"groupHandle":276},"4490",{"id":280,"slug":281,"title":282,"groupHandle":276},"15579","music","Music",{"id":284,"slug":285,"title":286,"groupHandle":276},"4489","performance","Performance",{"id":288,"slug":174,"title":173,"groupHandle":276},"4492",{"id":290,"slug":291,"title":292,"groupHandle":276},"6390","library-in-residence","Library-in-Residence",{"id":294,"slug":217,"title":216,"groupHandle":276},"18154",{"id":296,"slug":237,"title":236,"groupHandle":276},"18170"]