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WHW in conversation with Omar Kholeif

Performances at Echoes & Reverberations

An I for an Eye and Death of a Cameraman

Rasha Salti in conversation with Fawz Kabra

Ala Younis: On Curating

Aaron Cezar, Delfina Foundation

Reem Fadda in conversation with Fawz Kabra

JW Stella in conversation with Aimee Dawson

Alya Sebti in conversation with Göksu Kunak

Rana Hamadeh in conversation with Stephanie Bailey

Shumon Basar, Ala Younis and Omar Berrada in conversation with Sheyma Buali

Suha Shoman in conversation with Amin Alsaden

Adelina von Fürstenberg in conversation with Stephanie Bailey

Hicham Khalidi in conversation with Daniella Rose King

MADRASSA Collective in conversation with Antonia Alampi

Christine Tohme in conversation with Rachel Dedman

Okwui Enwezor: in conversation with Anthony Downey

Adam Szymczyk: in conversation with Omar Kholeif

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Exhibitions and Other Representations in 25 Years at Witte de With

Sharjah Biennial 12: The past, the present, the possible

Imagining the Future, Assembling the Past

HIWAR | Conversations in Amman

A Radio Series on the Poetics and Politics of Language

/si:n/ Festival of Video Art and Performance, Ramallah

The 13th Istanbul Biennial

The Encyclopedic Palace

The Making of the Artwork by the Artist, the Museum and the Public

Profiles: Collecting Art in Lebanon at AUB Gallery, Lebanon

Iraq and Palestine at the 2013 Venice Biennale

Biographies

A roundtable discussion

Ahmet Öğüt in conversation with Basak Senova

Jack Persekian in conversation with Basak Senova

Ala Younis in conversation with Liane Al-Ghusain

Cynthia Zaven in conversation with Basak Senova

Sheikha Hoor Al-Qasimi in conversation with Stephanie Bailey

Jeremy Hutchison in conversation with Natasha Hoare

Tamara Chalabi, Reem Shather-Kubba, and Jonathan Watkins in conversation with Basak Senova

Nadia Ayari in conversation with Haig Aivazian

Hera Büyüktaşçıyan in conversation with Basak Senova

Seth Anziska in conversation with Daniella Rose King

Fulya Erdemci in conversation with Basak Senova

Chapter 2: Details

Soundscapes: Taking Apart the Arab City by Dr. Alexandra MacGilp

Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare

Speaker Biographies + Synopses

Curatorial Narrative

Closing Remarks

Gülsün Karamustafa in conversation with Basak Senova

Koyo Kouoh in conversation with Stephanie Bailey

ismaël in conversation with Wafa Gabsi

Adel Abidin in Conversation with Basak Senova

Farah Saleh in conversation with Marianna Liosi

Özgür Uçkan and Vasif Kortun in conversation with Basak Senova

Walid Siti in conversation with Nat Muller

Eric Van Hove in conversation with Natasha Hoare

Nav Haq in conversation with Stephanie Bailey

Hera Büyüktaşçıyan in conversation with Basak Senova

November Paynter and Didem Pekün in conversation with Basak Senova

Mai Elwakil in conversation with Daniella Rose King

Burak Arıkan in conversation with Basak Senova

Antonia Carver in conversation with Omar Kholeif

Maha Maamoun in conversation with Aleya Hamza

Fulya Erdemci in conversation with Basak Senova

Ayşe Erkmen in conversation with Basak Senova

Nida Sinnokrot in conversation with Natasha Hoare

Jumana Manna in conversation with Sheyma Buali

Nora Razian, Nataša Petrešin Bachelez, and Angela Harutyunyan in conversation, with a contribution from Natasha Gasparian

Hamza Halloubi in conversation with Natasha Hoare

Hussam al-Saray: in conversation with Ala Younis | A Cultural Encyclopaedia of Iraq

Wided Rihana Khadraoui: Digitalizing Social Change through Cultural Institutions in Saudi Arabia

Sharjah Art Foundation, 17-19 March 2012

Sara Raza

Ibraaz

An Artist-Run Gallery Space in Cairo

Ibraaz

Ibraaz

Ibraaz

Parviz Tanavoli’s Retrospective at the Davis Museum

Almagul Menlibayeva in conversation with Basak Senova

Ibraaz

Ibraaz

Ibraaz

Burak Arikan & Başak Şenova: Network Data

Hans Ulrich Obrist: in conversation with Omar Kholeif

The Future Was a Roundabout

Farah Saleh

Bouchra Khalili

Cevdet Erek in conversation with Başak Şenova

On Navigating Without a Compass

Reema Salha Fadda

Notes on Geo-cultural Exhibitions

Nil Yalter at ARTER, Istanbul

Closing Remarks

The Art of Shirin Neshat

Mega-museums and modern artists from the Middle East

Walead Beshty at The Institute of Fine Arts, NYU, James B Duke House

The performative in the work of Hassan Khan

The 14th Istanbul Biennial 2015

An Art Collection as an Alternative Archive of Iranian History

Here and Elsewhere at the New Museum

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Maryam Jafri at Gasworks

Simohammed Fettaka & Basak Senova

Basak Senova on Zeren Göktan's Counter (2013)

Cecilia Andersson

A project by Benji Boyadgian

I envision the liberation of an archive (from attachment to a person, state, or region) through its transfiguration into a database. This emancipation requires dematerialization and displacement.

The Recordings of the Cosmopolitan

The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore

Alsi Çavuşoğlu at Delfina Foundation, London

Waterside Contemporary

Palazzo Contarini Polignac, Venice

Hauser & Wirth / Alan Cristea Gallery: A Spectrum Review

Celebrating Arab Women Filmmakers

Shifting the Geographies of Sensing, Believing and Knowing

An Exhibition between Cairo and London

The excited chatter about unrest and uprisings in the western world has focused particularly on a number of countries in North Africa and in what we here refer to as the Middle East (meaning anything between eighteen to thirty-eight countries according to Wikipedia). In the UK, we have received a...

A few Middle Eastern and North African countries having a strong control over means of expression are now present in some major artistic international events such as the Venice Biennale. The concept of national pavilions provides a vivid example demonstrating how international relations and diplomatic issues can influence artistic productions...

A.S. Bruckstein Çoruh

'Networks have no inside, only radiating connectors. They are all edges. They provide connections but no structure. One does not reside in a network, but rather moves to other points through the edges'. Bruno Latour, 'Some Experiments in Art and Politics', e-flux journal, 03/2011. With the benefit of hindsight, one...

Digitised media in the last decade has undoubtedly been propelled by the enormous speed of new technology and spontaneous platforms for rights, defined by Hakim Bey as 'Temporary Autonomous Zones' and 'network guerrillas' by Ozgur Uckan. Consequently, despite the mediated content of the mainstream media, social media sites have emerged...

Politics, Media and Art after the Arab Uprisings

Perceptions of Occupation and Control in Cyprus

The two-year-old MASS Alexandria, founded by artist Wael Shawky in the working-class neighbourhood of Miami in east Alexandria, Egypt, aims to create a space for the production and dissemination of ideas and debates concerning contemporary visual culture. Apart from displaying and encouraging the consumption of art through exhibitions, it creates...

Cardboards are leaned against a wall in a street. They form a peculiar assemblage one can identify as makeshift shelters. Fashioned out of the detritus of consumer society, the cardboards have become facades. They conceal women who were probably repudiated by their families. One of them emerges from her 'house'...

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

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