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Courtesy of the artist and SculptureCenter. Photo: Charles Benton.\u003C/p>","wide","landscape",[],[190],{"authorName":191,"authorRole":12,"authorPortrait":192,"authorBio":193,"authorUrl":12},"Nadim Choufi",[],{"html":194},"\u003Cp>\u003Cstrong>Nadim Choufi\u003C/strong> is a Lebanese visual artist and editor. He works primarily in sculpture and text, on narratives of progress and desires. His work is shown internationally, and his most recent solo exhibition took place at SculptureCenter, New York. He currently lives in Rotterdam. \u003C/p>",{"html":196},"\u003Cp>\u003Ci>In the Face of the Dragon\u003C/i> (Part I)\u003C/p>",{"html":198},"\u003Cp>The first part of Nadim Choufi's cento poem.\u003C/p>",[200],{"id":178,"path":179,"alt":12,"title":180,"width":181,"height":182,"mimeType":183},[],[203,207],{"typeHandle":204,"richTitle":12,"richSubtitle":12,"richText":205},"content",{"html":206},"\u003Cp>\u003Ci>In the Face of the Dragon\u003C/i> (2025) is a cento poem composed entirely from lines borrowed from over 90 Arab poets who transform themselves, their lovers, and their people into animals and natural elements. The book-length poem follows two protestors as they shed their skin for one another, drawing on the poetic lineage of acquiring new skins to speak of love and defiance in the face of destruction and dehumanisation.\u003C/p>\u003Cp>The book was commissioned and published by SculptureCenter, New York, and it was translated into English by Suneela Mubayi.\u003C/p>\u003Cp>For Ibraaz Publishing, the poem has been divided into three parts and is accompanied by an essay by \u003Ca target=\"_blank\" href=\"https://ibraaz.org/ibraaz-publishing/read/singing-with-severed-tongues-on-nadim-choufis-in-the-face-of-the-dragon\" rel=\"noreferrer noopener\">Maru 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