[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"gql:data:MONBxYgYEhGUyk6f2DwO_Kk0nVufpNZxVFSOnBQAUmQ":3,"gql:data:uYw9I4ciQBdcyuhgJoVunm1aGEa4EV3Dl-TUh-Vc0EM":57,"gql:data:tyCI5HNt1HZczdKwWSz9r1bpaSHHrboaGtCGGtlkHBc":63,"gql:data:P1L-3F4yLFT8Sm-6QpbQIoqRmZ3TevlXAnhvTQmaZho":135,"gql:data:yxtepiAIgU6wIBqK3wYdgLRWg-QNgf2zDL8SSTsBMXA":142,"gql:data:WzS-e7COx4z2ZWiZkwdriKjBFsYOsccmwh74vag6Yx4":151,"gql:data:qmJY4-503CHlJg4_ZSHARjkzFPaXzbxV7BFMovCRKYg":257,"gql:data:HT7XK9L7FevXFqeorguiilMT3M34fS21-YSozsBn3eg":263},{"globalSet":4},{"id":5,"handle":6,"heading":7,"image":8,"contacts":17,"address":28,"networks":35,"richSubtitle":52,"richText":54,"links":56},"2","identity","Ibraaz",[9],{"id":10,"path":11,"alt":12,"title":13,"width":14,"height":15,"mimeType":16},"47","building.png",null,"Building",1536,1024,"image/png",[18,23],{"title":19,"contactLink":20},"General",{"value":21,"defaultLabel":22},"mailto:enquiries@ibraaz.org","enquiries@ibraaz.org",{"title":24,"contactLink":25},"Press",{"value":26,"defaultLabel":27},"mailto:press@ibraaz.org","press@ibraaz.org",[29],{"title":30,"countryCode":31,"addressLine1":32,"addressLine2":12,"addressLine3":12,"locality":33,"postalCode":34},"Location","GB","93 Mortimer Street","London","W1W 7SS",[36,40,44,48],{"title":37,"path":38},"Instagram",{"url":39},"https://www.instagram.com/ibraazlondon/",{"title":41,"path":42},"Facebook",{"url":43},"https://www.facebook.com/profile.php?id=61583823886627",{"title":45,"path":46},"YouTube",{"url":47},"https://www.youtube.com/@ibraazlondon",{"title":49,"path":50},"Bluesky",{"url":51},"https://bsky.app/profile/ibraaz.bsky.social",{"html":53},"\u003Cp>Opening hours\u003C/p>",{"html":55},"\u003Cp>Wed - Sun: 11am - 6pm\u003C/p>",[],{"entries":58},[59],{"uri":60,"title":61,"typeHandle":62},"ibraaz-publishing/listen/upon-closer-listening","Upon Closer Listening","audioForm",{"globalSet":64},{"id":65,"handle":66,"linksGroups":67},"128","navigation",[68,74,105,111,117,123,129],{"title":69,"entry":70,"links":73},"What’s On",[71],{"uri":72},"whats-on",[],{"title":75,"entry":76,"links":79},"Publishing",[77],{"uri":78},"ibraaz-publishing",[80,85,90,95,100],{"title":81,"entry":82},"Writing Gaza",[83],{"uri":84},"ibraaz-publishing/writing-gaza",{"title":86,"entry":87},"Mission Statement",[88],{"uri":89},"ibraaz-publishing/mission-statement",{"title":91,"entry":92},"Read",[93],{"uri":94},"ibraaz-publishing/read",{"title":96,"entry":97},"Watch",[98],{"uri":99},"ibraaz-publishing/watch",{"title":101,"entry":102},"Listen",[103],{"uri":104},"ibraaz-publishing/listen",{"title":106,"entry":107,"links":110},"Visit Us",[108],{"uri":109},"visit-us",[],{"title":112,"entry":113,"links":116},"About Us",[114],{"uri":115},"about-us",[],{"title":118,"entry":119,"links":122},"Oula: Café-in-Residence",[120],{"uri":121},"oula-cafe",[],{"title":124,"entry":125,"links":128},"Maktaba: Bookshop-in-Residence",[126],{"uri":127},"maktaba-bookshop-in-residence",[],{"title":130,"entry":131,"links":134},"Contact Us",[132],{"uri":133},"contact-us",[],{"globalSet":136},{"id":137,"handle":138,"heading":139,"richText":140},"37","forms","Culture is a work in progress. Stay updated.",{"html":141},"\u003Cp>By subscribing to our newsletter you are agreeing to receiving updates and communications from Ibraaz.\u003C/p>",{"globalSet":143},{"id":144,"handle":145,"activated":146,"heading":147,"richText":148,"text":150},"16767","notification",false,"Visitor Information",{"html":149},"\u003Cp>Please note that our Majlis is currently closed and will reopen with our next exhibition in early July. The rest of the building is open so please do visit!\u003C/p>\u003Cp>\u003Cbr /> \u003C/p>","Got it",{"entry":152},{"id":153,"uri":60,"title":61,"slug":154,"postDate":155,"typeHandle":62,"sectionHandle":156,"meta":157,"categories":160,"figure":164,"pdf":176,"authorInfo":177,"richTitle":12,"richSubtitle":12,"richDescription":12,"richExcerpt":12,"image":183,"mixcloud":12,"audio":185,"externalLinks":191,"entrySections":192,"related":197},"21495","upon-closer-listening","2026-03-25T06:00:00+00:00","listen",[158],{"title":61,"description":12,"image":159},[],[161],{"title":162,"slug":163},"Mixtape","mixtapes",[165],{"typeHandle":166,"image":167,"caption":12,"width":174,"ratio":175},"figure",[168],{"id":169,"path":170,"alt":12,"title":171,"width":172,"height":173,"mimeType":16},"21555","Olivia-Melkonian-Upon-Closer-Listening/Upon-Closer-Listening-cropped.png","Upon Closer Listening cropped",1501,1076,"wide","landscape",[],[178],{"authorName":179,"authorRole":12,"authorPortrait":180,"authorBio":181,"authorUrl":12},"Olivia Melkonian",[],{"html":182},"\u003Cp>\u003Cstrong>Analog Armenia\u003C/strong> is an archival cassette project dedicated to the preservation and celebration of Armenian cassettes. The platform is an open-access digital archive that hosts a range of digitised recordings and written features related to Armenian music across the globe. It serves as an informative resource that safeguards intangible heritage, including endangered dialects, traditional and contemporary musical practices, folk songs, and records of past cultural, political, and community events.\u003C/p>\u003Cp>\u003Cstrong>Olivia Melkonian \u003C/strong>is an audio producer, sound artist/archivist, and founder of Analog Armenia. In exploring and documenting the Western Armenian experience, she uses audio to work with fragments of memory to reimagine and reconstruct what has been lost, forgotten, and misremembered, addressing absences and epistemic gaps. Her practice uses sonic archiving to preserve associations of place and memory as a result of endangered histories, addressing archival absences while questioning memory and knowledge formation. Olivia’s work preserves intangible cultural heritage, exploring how sound-based memory informs collective knowledge and sustains cultural continuity. Through acts of remembering, she considers how historical consciousness is carried into the present and informs contemporary modes of living, learning, and connecting.\u003C/p>",[184],{"id":169,"path":170,"alt":12,"title":171,"width":172,"height":173,"mimeType":16},[186],{"id":187,"path":188,"alt":12,"title":189,"width":12,"height":12,"mimeType":190},"21606","Olivia-Melkonian-Upon-Closer-Listening/OM_Upon-Closer-Listening_FINAL.mp3","OM Upon Closer Listening FINAL","audio/mpeg",[],[193],{"typeHandle":194,"richTitle":12,"richSubtitle":12,"richText":195},"content",{"html":196},"\u003Cp> \u003C/p>\u003Cp>Cassette tapes sourced in Lebanon, Armenia, and through community donations that trace the Armenian diaspora form the Analog Armenia archive.\u003C/p>\u003Cp>\u003Ci>Upon Closer Listening\u003C/i> explores what it means to protect, revive, and interact with intangible heritage through a mixtape of Armenian music and sonic material originally found on cassette. These material artefacts safeguard what genocide could not physically destroy.\u003C/p>\u003Cp>This mixtape is a varied catalogue of sounds and voices, documenting the breadth of Armenian experiences during more than a century in exile. The Armenian language, particularly the Western Armenian dialect, has persisted amid suppression, with its continued use reflecting an enduring resilience through which identity is retained. Ongoing colonial and geopolitical conditions still distance people and their sounds from their points of origin, producing an archive marked as much by displacement and interruption as by preservation and active efforts of recovery.\u003C/p>\u003Cp>Alongside folk songs [1] and commercial music [2], you hear readings [3], children’s stories and revolutionary radio broadcasts, tracing practices of rebuilding and sustaining community across shifting geographies and circumstances. \u003C/p>\u003Cp>The entire work is first created through the digitisation of analogue media. Some pieces experience natural modification of frequencies, a symptom of use and degradation over time. Fragments of others are manipulated through techniques such as pitch-bending, echo, and reverb. These chance and deliberate interventions reflect the instability of memory, in recognition of histories that are fragmented, altered, and continually reconstructed. Rather than presenting memory as a fixed archive, the work foregrounds its volatility, mediation, reinterpretation, and continual reshaping through acts of listening, reproduction, and circulation.\u003C/p>\u003Cp style=\"margin-left:0px;\">\u003Cu>Selected tracks \u003C/u>\u003C/p>\u003Cp style=\"margin-left:0px;\">[1] 00:38:27 - ‘Dzameret Hyousik’ by Nersik Ispiryan (b. Yerevan) – from the album \u003Ci>Aravod Er \u003C/i>(1996), a collection of Armenian folk songs from the countryside. \u003C/p>\u003Cp style=\"margin-left:0px;\">[2] 00:36:58 - ‘Yares Knatz’ (1987) by Paul Baghdadlian (b. 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By clicking 'Accept' you consent to the use of all cookies. \u003Ca href=\"/privacy-policy\">Privacy Policy\u003C/a>.\u003C/p>",{"categories":264},[265,268,272,276,280,284,288,292],{"id":266,"slug":221,"title":220,"groupHandle":267},"4488","events",{"id":269,"slug":270,"title":271,"groupHandle":267},"4490","talks","Talk",{"id":273,"slug":274,"title":275,"groupHandle":267},"15579","music","Music",{"id":277,"slug":278,"title":279,"groupHandle":267},"4489","performance","Performance",{"id":281,"slug":282,"title":283,"groupHandle":267},"4492","film","Film",{"id":285,"slug":286,"title":287,"groupHandle":267},"6390","library-in-residence","Library-in-Residence",{"id":289,"slug":290,"title":291,"groupHandle":267},"18154","special-projects","Special Project",{"id":293,"slug":294,"title":295,"groupHandle":267},"18170","workshops","Workshop"]