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Stay updated.",{"html":144},"\u003Cp>By subscribing to our newsletter you are agreeing to receiving updates and communications from Ibraaz.\u003C/p>",{"globalSet":146},{"id":147,"handle":148,"heading":12,"richText":149},"11","gdpr",{"html":150},"\u003Cp>We use cookies to give you the best experience. By clicking 'Accept' you consent to the use of all cookies. \u003Ca href=\"/privacy-policy\">Privacy Policy\u003C/a>.\u003C/p>",{"categories":152},[153,158,162,166,170,174,178,182],{"id":154,"slug":155,"title":156,"groupHandle":157},"4488","exhibitions","Exhibition","events",{"id":159,"slug":160,"title":161,"groupHandle":157},"4490","talks","Talk",{"id":163,"slug":164,"title":165,"groupHandle":157},"15579","music","Music",{"id":167,"slug":168,"title":169,"groupHandle":157},"4489","performance","Performance",{"id":171,"slug":172,"title":173,"groupHandle":157},"4492","film","Film",{"id":175,"slug":176,"title":177,"groupHandle":157},"6390","library-in-residence","Library-in-Residence",{"id":179,"slug":180,"title":181,"groupHandle":157},"18154","special-projects","Special Project",{"id":183,"slug":184,"title":185,"groupHandle":157},"18170","workshops","Workshop",{"entries":187},[188],{"uri":189,"title":190,"typeHandle":191},"ibraaz-publishing/listen/the-maroons","The Maroons","audioForm",{"entry":193},{"id":194,"uri":189,"title":190,"slug":195,"postDate":196,"typeHandle":191,"sectionHandle":197,"meta":198,"categories":201,"figure":205,"pdf":218,"authorInfo":219,"richTitle":225,"richSubtitle":12,"richDescription":12,"richExcerpt":12,"image":227,"mixcloud":12,"audio":229,"externalLinks":235,"entrySections":236,"related":241},"21678","the-maroons","2026-04-09T00:00:00+01:00","listen",[199],{"title":190,"description":12,"image":200},[],[202],{"title":203,"slug":204},"Soundscape","soundscape",[206],{"typeHandle":207,"image":208,"caption":214,"width":216,"ratio":217},"figure",[209],{"id":210,"path":211,"alt":12,"title":212,"width":213,"height":213,"mimeType":16},"21710","Firas-Shehadeh/The-Maroons_Firas-Shehadeh_2026_cover.png","The Maroons Firas Shehadeh 2026 cover",4160,{"html":215},"\u003Cp>Firas Shehadeh, \u003Ci>The Maroons\u003C/i>, 2026. Courtesy of the artist.\u003C/p>","wide","square",[],[220],{"authorName":221,"authorRole":12,"authorPortrait":222,"authorBio":223,"authorUrl":12},"Firas Shehadeh",[],{"html":224},"\u003Cp>\u003Cstrong>Firas Shehadeh\u003C/strong> is a Palestinian artist working across video, sound, and film. His practice explores post-colonial conditions through technology, history, and speculative world-building. His work has been presented internationally at institutions and festivals including the 14th Mercosul Biennial, the 2nd Munch Triennale, the 18th Lo schermo dell'arte, Soft Centre, the 7th Singapore Biennale, and the 64th Berlinale, among others. He holds an MFA from the Academy of Fine Arts Vienna. \u003Ca target=\"_blank\" href=\"https://www.firasshehadeh.com/\" rel=\"noreferrer noopener\">\u003Cu>www.firasshehadeh.com\u003C/u>\u003C/a> \u003C/p>",{"html":226},"\u003Cp>\u003Ci>The Maroons\u003C/i>\u003C/p>",[228],{"id":210,"path":211,"alt":12,"title":212,"width":213,"height":213,"mimeType":16},[230],{"id":231,"path":232,"alt":12,"title":233,"width":12,"height":12,"mimeType":234},"21719","audio/The-Maroons_Firas-Shehadeh_Ibraaz_2026.mp3","The Maroons Firas Shehadeh Ibraaz 2026","audio/mpeg",[],[237],{"typeHandle":238,"richTitle":12,"richSubtitle":12,"richText":239},"content",{"html":240},"\u003Cp>To maroon is to intentionally disappear, to flee the plantation and captivity, to find the forest or a cave, and build a life inside the blind spots of power. \u003Ci>The Maroons\u003C/i> is a sound work that follows these figures: not as a historical subject but as an ongoing condition, a mode of being that refuses capture, refuses legibility, refuses computation, and insists on survival through concealment.\u003C/p>\u003Cp>Built from voices, field recordings, and layers of processed and degraded sound, the composition moves through atmosphere, silence, noise, and texture. The maroons do not explain themselves: they move, wait, listen, vanish, and reappear. \u003Ci>The Maroons\u003C/i> draws on the unpredictability of limited and ageing hardware and analogue circuits; tools that introduce materiality and accident into the signal; the native’s low-tech as a refusal of the settler's high-tech quest for legibility and control.\u003C/p>\u003Cp>Fugitivity here is not only a historical phenomenon. It is a present living condition, the logic by which the dispossessed, the colonised, and the native carve out spaces of life that remain opaque to the systems that seek to track, classify, and eliminate them. \u003Ci>The Maroons\u003C/i> positions sound as one of those spaces: a medium that can hold what images cannot, that can be felt before it is understood, and that escapes, always slightly, the demand to be seen: Haitian resistance in Grotte Marie-Jeanne, Palestinian and Lebanese resistance in the underground of Gaza and south Lebanon.\u003C/p>\u003Cp style=\"margin-left:0px;\">\u003Cstrong>Credits\u003C/strong>\u003C/p>\u003Cp style=\"margin-left:0px;\">Firas Shehadeh, \u003Ci>The Maroons \u003C/i>(2026) \u003C/p>\u003Cp style=\"margin-left:0px;\">Stereo, 18’31’’, WAV (24-bit, 48kHz) / MP3 (320-kbps, 48kHz) \u003C/p>\u003Cp style=\"margin-left:0px;\">Commissioned by Ibraaz Publishing\u003C/p>",[242],{"title":12,"relatedEntries":243},[244,267,284],{"typeHandle":245,"entries":246},"channelsEntries",[247],{"title":248,"uri":249,"image":250,"readCategories":258,"writeCategories":262,"missionCategories":263,"authorInfo":264},"In the Face of the Dragon (Part I)","ibraaz-publishing/read/in-the-face-of-the-dragon",[251],{"id":252,"path":253,"alt":12,"title":254,"width":255,"height":256,"mimeType":257},"19865","Choufi_Nadim_In-the-Face-of-the-Dragon/Part-1.jpg","Section 1",2000,1428,"image/jpeg",[259],{"title":260,"slug":261},"Poetry","poem",[],[],[265],{"authorName":266},"Nadim Choufi",{"typeHandle":245,"entries":268},[269],{"title":270,"uri":271,"image":272,"categories":279,"authorInfo":281},"Roads to Sintīr","ibraaz-publishing/listen/roads-to-sintir",[273],{"id":274,"path":275,"alt":12,"title":276,"width":277,"height":278,"mimeType":257},"20869","Samira-Makki-Saba-Innab-Interview/Roads-to-Sintir_Traces_Sahara_TaniaFeghali_square.jpg","Roads to Sintir Traces Sahara Tania Feghali square",1429,1392,[280],{"title":203,"slug":204},[282],{"authorName":283},"Tania Feghali",{"typeHandle":245,"entries":285},[286],{"title":287,"uri":288,"image":289,"categories":296,"authorInfo":300},"Zahrat Al Ghoula","ibraaz-publishing/watch/zahrat-al-ghoula",[290],{"id":291,"path":292,"alt":12,"title":293,"width":294,"height":295,"mimeType":16},"14735","Screenshot-2025-11-28-at-14.23.43.png","Screenshot 2025 11 28 at 14 23 43",4480,2520,[297],{"title":298,"slug":299},"Video","video",[301],{"authorName":302},"Adam Rouhana & Juline Hadaya"]